Minesweeper

Early B-movie WWII movies were foten hard to watch and not worth the time. Having said that, they do give our historical view of what everyone was thinking at the beginning of the WWII.

Notable as it was one of the only U. S. Naval movies about minesweepers, but it didn't go over much of the detail of daily naval duties. The diving was interesting but not much detail either.

From the man that would have brought you the Navy Way came a film that, towards the end of the second world war, seemed determined to get those young men in army or navy uniforms to fight for their countries.

So, the story of a deserting Navy captain with a gambling problem who decides to join the troops again, even as a lowly minesweeper and seaman, is perfectly politically correct for the blossoming of the US involvement in the world's biggest monetary conflict to date a.k.a. WWII.

It's obnoxious. The storyline is predictable. The characters are caricatured. People, including myself, are always ready to shoot on Micael Bay's awful Pearl Harbour, but that is nothing more than a film like Minesweeper with a much bigger budget. In the end, it's all about God, country, killing those Japs, and if you die, you die a hero, and everyone is proud of you, cos you were a good kid.

But what can you do? The film isn't laughable, and it's made in a straight forward way that means no harm. As a product of its times and indoctrinations, it can be forgiven, but as a poor film, it cannot.

Unlike most war movies, you'll find no real "battles" being fought in "Minesweeper." For that, I actually give it some credit. It pays tribute to the crew of minesweepers - those who helped take care of Japanese mines laid at the mouths of US harbours. That's not especially glamorous, so I applaud whoever decided to make this movie. It's an important job, and not all the honour should go to those who are face to face in combat with the enemy.

The star of this is Richard Arlen. He plays an officer who deserted from the Navy years before, and then re-enlists under an assumed identity once Pearl Harbour is attacked. So part of the movie is spent wondering whether he's going to get caught. The dangers of this type of service are well documented, and there's a tragic incident as the movie nears its end. The cast is decent enough.

The basic problem with this is that it spends far too much time emphasizing the somewhat unbelievable romance the develops between "Tennessee Smith" (as Arlen's character was known) and Mary (Jean Parker.) Given that Mary was apparently already almost engaged when Tennessee showed up, I found it rather difficult to accept that she'd get caught in this romantic triangle, and I thought it weakened the movie.

This certainly isn't a high profile war picture, nor does it appear to have had much of a budget. It's not bad; it's an appropriate tribute. I just wish it had stayed a bit more focused on those to whom it was paying tribute and to the service they were offering. (4/10)

I originally saw this movie because of western actors Russell Haden and Quinn 'Big Boy" Williams but Richard Arlen provided the solid acting it needed. Jean Parker played a good role as the love interest between Arlen and Hayden. It starts with FIxit (Williams) taking Houston (Arlen) in after being punched out of a rail car. Fixit not only gives him room and board, introduces him to his beautiful sister Mary (Jean Parker), he gets Houston on a Minesweeper and in WW ll that's dangerous business. Arlen plays the various dynamics well. He's vying for the love of Mary with Elliot, being a solid friend of Fixit and has a big secret he must hide from the Navy.

Perhaps my score of 4 is a bit generous. All I know is that this isn't the sort of film I'd heartily recommend, as it's pretty dull and pretty cheap.

The film begins with Richard Arlen traveling the rails. He's a hobo with a secret--and a very patriotic hobo at that. It's just after Pearl Harbor and Arlen has a fight with his fellow 'bos about the war and volunteering. Soon, Arlen meets up with Guinn Williams (in one of his better roles) and the two go off to volunteer with the US Navy. Williams was a retired navy man and Arlen seems to have some knowledge of the navy BUT he also has a secret. What it is and why he's posing as someone else is something you'll have to see for yourself---if you care.

The film is only occasionally entertaining, but to me finding out Arlen's secret wasn't worth time I invested in this WWII propaganda film. Aside from Williams' nice part, the rest of the cast just seemed pretty dull and the story was, at best, lackluster--showing the earmarks of a B-movie produced by a third-rate studio.