Belle of the Yukon

Definitely it wasn't fit as a true western as supposed to be, a Musical maybe or a Comedy, certainly it was all them, mixing three genres at once, a colorful picture on the exact meaning of the word, set at Yukon on gold rush it's really enjoyable, not Randolph Scott's trademark who plays a honest Saloon's owner John Calhoun with big stage set to present dancing girls and fabulous brunette singer as Lettie Candless (Dinah Shore) when arrive his newest hired star Belle De Valle (Gypsy Rose Lee) an old acquaintance of Calhoun, the plot is bit silly, however works, there are several gorgeous girls, plenty humor in every single scene, although no action at all, but easy to see, the songs are outdated by now, nevertheless it doesn't hurt anyone, the power trio Charles Winninger as Pop, Guinn Williams as rough Sherriff and the newcomer Bob Burns as Sam Slade bringing together an outstanding performance and became the movie palatable for all tastes!!

Resume:

First watch: 2010 / How many: 2 / Source: DVD / Rating: 6.5

This is a weird Randolph Scott film, as it's not exactly a western (it's set in the Yukon, not the American west) and practically nothing really happens in the film! Seriously, it's a nice assemblage of characters and they act and interact but there really is very little tension and not much of a consistent plot. Odd, but still likable enough.

Aside from Scott, the film has a good collection of character actors. Guinn Williams plays a typical affable idiot (like he played in almost all his films), though where his character goes at the end of the film was VERY unlike his other roles. Dinah Shore is on hand to sing a few songs. Charles Winninger plays the usual Winninger type character. Robert Armstrong is kind of a villain....sort of. Now here's the odd one--Gypsy Rose Lee (the famous stripper) is Scott's love interest, though in this film she keeps her clothes on and shows no signs of her former career.

The plot, for what it is, is about all the characters. Scott, in an odd move, isn't even the main focus of the film--he's just there. While I could try to explain them and what they did, it seemed like the film makers just told everyone to wing it! There is some sort of plot near the very end about stolen gold, but it occupies very little of the film.

Overall, watchable and not a bad film...just not a really good one either.

Seriously, the costuming in this film is over-the-top but inspired. It helps that it's in brilliant Technicolor.

But this film is plagued by a story that is uneven. And by overacting.

The story takes place in the Yukon and features Randolph Scott as a conman gone straight. Gypsy Rose Lee is the new featured performer in his saloon. Dinah Shore comes up short (acting and singing) as the featured songstress. She may be the only one who underacts.

You might be able to figure out who double-crosses who, but I'm guessing you will eventually give up because you don't care. Better to sit back and enjoy the fashion.

Set in the days of the great Canadian Gold Rush, this rousing musical stars Randolph Scott as a "reformed" con artist-turned-dance hall owner whose girlfriend, singer Gypsy Rose Lee, tries to keep him on the straight and narrow. I really like this type of film, as it reminds me of French movies where it's more about the characters and their environment. It also reminds me of some of those sombre Chinese films that were popular back in the 1990. From an artistic standpoint, it holds its own. From an artistic standpoint, there were some plot elements and character developments I didn't think were totally needed. They do however drive the story, which seemed to be their purpose. 7 outta 10.

Supposedly set in the old Klondike at the time of the gold rush; we get a jokey opening narration similar to the prologue three years earlier to 'Louisiana Purchase' (1941) advising us in advance that we will be getting glossy escapism, not gritty realism. We see little of the film's hinterland setting beyond a brief shot of what looks like a black & white photograph of a couple of mountains; and the story could just as easily have been set in a speakeasy during prohibition or a contemporary New York nightclub. However, 'Belle of Chicago' or 'Belle of Brooklyn' wouldn't have had quite the same ring - or accommodated Don Loper's colossal saloon set in which most of the action takes place; and which along with his costumes and choreography (dressed in Technicolor by veteran cameraman Ray Rennahan) look as if they consumed about half the film's budget. All those chorus girls in glossy red lipstick flinging their legs in the air would also have been more likely to have encountered problems with the Hays Office in a contemporary setting.

No one character ever seems to be the focus of the film; but being the tallest - as well as being Randolph Scott - a smiling Scott just about qualifies as the film's central hero. Although in the title role, Gypsy Rose Lee functions more as Dinah Shore's female buddy; and with their long faces, matching blood red lipstick, alarmingly corseted dresses and vertical hairstyles could pass for sisters. The 'action' tends to consist mainly of the two girls singing about their burgeoning romantic passions, until there is finally a conclusion appropriate to a western when Robert Armstrong (who alone appears to be acting in something more rugged) organises a bank robbery to end the film with something passing for action.

Some of the sets are sufficiently stylised to have possibly helped ten years later to inspire those for 'Red Garters'; or Vienna's saloon in 'Johnny Guitar'. The film's most eye-popping use of colour is saved for the final scene when the chorus are shot from below energetically dancing the Can-Can, although their pale green dresses flicking about their rose red petticoats manage to look remarkably like costumes from a two-colour rather than a three-strip Technicolor production.