Delinquent Daughters

Another day, another juvenile delinquency film courtesy of poverty-row American producers. This one concerns a couple of girls who get caught up with some low rent criminal types and end up going on something of a crime spree. It's a little like a low key BONNIE AND CLYDE except made without any discernible scripting, characterisation, or narrative drive.

Indeed, this is poverty-row filmmaking at its nadir, and there's little here to tempt fans of the genre. The dialogue has been written by somebody with a tin ear and the acting is hardly up to scratch. These films always seem to have some boring reporter guy who goes undercover to bring down the criminals at large. But the worst thing about DELINQUENT DAUGHTERS is the quality of the public domain print in circulation; half the scenes have a massive scratch running down the middle of the screen, while the rest are so dark you're staring at a black screen.

This one must be a real primo, getting a 3.2 rating on imdb, although that is only 200 votes, as of today. When a high school student commits suicide, a local reporter and the town want to know what happened. June Carson is... June Thompson. Fifi D'orsay is... Mimi. And local "businessman" Nick is involved in all this somehow. Count the number of times they say Aw Gee, and Swell. Like an episode of Leave it to Beaver. A PRC production. According to wikipedia dot com, they were one of the cheesier studios, low budget, churn out the B movies as quickly as possible. The acting is terrible, and the script stinks. So many screechy, giggly girls. Although... those sweater girls dress and act like its 1954, not 1944. In 44, we were still in the middle of WW II. This has the feel of a much later film. But it's still cheesy. Directed by Al Herman. Had done a lot of short films with mickey rooney. Written by Art St. Claire, whose own wife had committed suicide.

This was on the compilation DVD, Cult Classics. The transfered print was awful. There was a big scratch running through print for about fifteen minutes. About fifteen minutes of the night material was so dark that you might as well be listening to the radio.

What can be seen is quite poorly written. We are talking Ed Wood bad here. A woman pulls a gun on a man. The man says, "What have you got there." She answers, "Something that goes boom, boom, boom!"

Teara Loring is interesting as a real sociopath. She really enjoys lying and stealing. Mary Boward gives a cute performance as a blond airhead, more blond and more airhead than anything in movies until Marilyn Monroe's comic performances.

Fifi D'Orsay is funny as a French woman.

Other than a few interesting performances, the bad dialogue and inane plot make the film difficult to take seriously. It is only redeemable for a few camp moments.

This is a bad movie that purports to be an educational film designed to warn America about the menace of teenagers running amok thanks to uninvolved parents. However, like almost all the so-called "educational" films of the 30s and 40s, it was really a shabby little film designed to be snuck past the censors of the Hays Office. In 1934, the major studios all agreed to abide by the dictates of a stronger Production Code--eliminating sex, nudity, cursing and "inappropriate" plots in films (these had actually been relatively common in films in the early 30s). However, in an effort to sneak in smut, small studios created films to shock adults when they learn about terrible social ills, though they were REALLY intended to titillate and slip adult themes past the censors! Such films as MARIJUANA, MAD YOUTH, REEFER MADNESS and SEX MADNESS were all schlocky trash that skirted past the boards because they were supposedly educational. Even though they were laughably bad, they also made money due to low production costs and because they often offered nudity, violence and sordid story lines--all in the name of education!

Unlike many of these films, DELINQUENT DAUGHTERS didn't have nudity, but it sure had lots of sleazy story elements that were sure to titillate. In this film, teens drank, used drugs, committed pointless robberies and assaults and drove like maniacs--all apparently the result of poor parental guidance. And as a result, kids died in this movie--and in the most spectacular ways! The acting and writing were almost universally bad, though the sequence where the judge tells off the parents of these punks actually was amazingly good--too bad everything else was pretty lousy. In fact, one character was so bad, so annoying and so gosh-darn awful, I nominate the ditsy blonde as the most annoying character of the 1940s--she was THAT bad!! Her voice was more grating than Olive Oyl's and she was practically sub-human in her stupidity!

A young girl commits suicide which sends shockwaves through the small town. Detective Hanahan investigates. Most of her classmates are concerned but Sally Higgins is a rebel. This is low-budget exploitation film from a lower rank studio. The film quality looks bad. The production is bad. The acting is generally bad although Teala Loring has some charisma. She has some good sass for her role. Some of this is almost unwatchable. It runs out of steam before it really gets going.