Füge eine Handlung in deiner Sprache hinzuA theatre critic (Dave O'Brien) teams up with a cop (Jack Mulhall) to investigate the murder of a Broadway actor.A theatre critic (Dave O'Brien) teams up with a cop (Jack Mulhall) to investigate the murder of a Broadway actor.A theatre critic (Dave O'Brien) teams up with a cop (Jack Mulhall) to investigate the murder of a Broadway actor.
Fred Aldrich
- Detective
- (Nicht genannt)
Budd Buster
- Mike - Stage Doorman
- (Nicht genannt)
Tom Coleman
- Senator in Play
- (Nicht genannt)
Oliver Cross
- Theater Patron
- (Nicht genannt)
Tom Ferrandini
- Theatre Patron
- (Nicht genannt)
Joe Gilbert
- Theatre Patron
- (Nicht genannt)
Pat Gleason
- Reporter
- (Nicht genannt)
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A newspaper's drama critic turns detective when he gets mixed up with murder among members of a theatre company. Eventually, a series of murders occurs apparently committed by a mysterious phantom.
Not a bad little detective mystery from low-budget PRC. That's thanks mainly to a lively turn from O'Brien as Woolrich and the decorous Kay Aldridge as Claudia. Then there's the familiar Frank Jenks as the comedy relief cabbie, and a surprisingly delightful Vera Marshe as the lame brain waitress Ginger. The screenplay makes good use of its theatrical setting, and I suspect many of those backstage set-ups were real backstage scenes from PRC's sound stage. Of course, 50-some minutes is scarcely enough time to develop a strong list of suspects or mystery plot, but there's enough colorful characterizations to compensate. All in all, an adequate little time-passer.
Not a bad little detective mystery from low-budget PRC. That's thanks mainly to a lively turn from O'Brien as Woolrich and the decorous Kay Aldridge as Claudia. Then there's the familiar Frank Jenks as the comedy relief cabbie, and a surprisingly delightful Vera Marshe as the lame brain waitress Ginger. The screenplay makes good use of its theatrical setting, and I suspect many of those backstage set-ups were real backstage scenes from PRC's sound stage. Of course, 50-some minutes is scarcely enough time to develop a strong list of suspects or mystery plot, but there's enough colorful characterizations to compensate. All in all, an adequate little time-passer.
After watching this poverty row mystery -- and re-running the climactic scene three or four times -- there's no need for a spoiler alert. I still have no idea who committed the murders nor why. Which sorta' takes the wind out of watching Dave O'Brien as the drama critic for the New York Record playing amateur sleuth, probing the slayings that are decimating the cast of a New York repertory theater. Then again, why was the film called "Phantom of 42nd Street" when live theater had long given way to grind movie houses on 42 Street by the time it was made in the 1940s? That's easy. While "Phantom of 47th Street Between Seventh and Eighth Avenues" would have been more accurate, it wouldn't have had nearly the cache. And fitting it on marquees -- especially at theaters that played PRC releases -- would have been a challenge.
THE PHANTOM OF 42ND STREET is one of those cheap and bland detective stories that bulked out cinema screens back in the 1940s. This one's about a murder at a theatre, and while the genuine cops appear perplexed, our plucky journalist hero turns out to display a surprisingly aptitude for sleuthing. There's a lightness of touch here at times which works well and allows the production to breathe, but the nuts and bolts of the plotting is very creaky and there's a dearth of interesting characters which makes it a struggle to sit through. If you like Shakespeare then the snippets we see of the era might interest you, but otherwise this is bland stuff.
A haughty theatre critic is co-opted by his editor to investigate a sleazy backstage murder. Reluctant at first, he warms to the task through the enthusiastic prodding of his Shakespeare-loving, cab-driver sidekick and his developing interest in the aristocratic young lady involved in the case. For the Charlie-Chan-like climax, he sets up an audition of Julius Caesar, hoping to lure the murderer into all-to-realistically participating in the assassination scene. Imagine what a breezy and biting satire Hecht and MacArthur could have made of that premise. Unfortunately, the idea ended up at lowly PRC studios, which assigned the picture to Albert Herman, one of the most inept directors in history. At least Ed Wood and Andy Milligan had some flair and energy (no matter how misguided), but Herman just contributed dullness to all he touched (coincidentally, the final plot revelations have some ingredients in common with Wood's "Jailbait"). Thankfully, the cast of B-movie stalwarts makes the entire outing at least watchable. Prolific Dave O'Brien cops a rare leading role, and although disappointingly subdued, he elicits intelligence and charm throughout (unfortunately, he's now best remembered for his giggly emoting in "Reefer Madness" and not his many fine comic character turns in both features and shorts).
I've just seen The Phantom Of 42nd Street for the first time and found it fairly enjoyable, but a little talkie at times.
A critic and police investigate a series of murders that have taken place on the set of a play. Three people have been killed in all and in order to catch the killer, a performance of Julius Caesar is held. Will the killer be caught?
This is an interesting little movie and atmospheric but I found it a little slow moving in parts.
The cast includes Dave O'Brien (The Devil Bat), Kay Aldridge and Alan Mowbray (Terror By Night).
Though not brilliant, The Phantom Of 42nd Street is worth watching. A good time filler for an hour or so.
Rating: 2 and a half stars out of 5.
A critic and police investigate a series of murders that have taken place on the set of a play. Three people have been killed in all and in order to catch the killer, a performance of Julius Caesar is held. Will the killer be caught?
This is an interesting little movie and atmospheric but I found it a little slow moving in parts.
The cast includes Dave O'Brien (The Devil Bat), Kay Aldridge and Alan Mowbray (Terror By Night).
Though not brilliant, The Phantom Of 42nd Street is worth watching. A good time filler for an hour or so.
Rating: 2 and a half stars out of 5.
WUSSTEST DU SCHON:
- WissenswertesClaudia Moore (Kay Aldridge) drives a 1941 Buick convertible.
- PatzerWhen someone takes a shot at Tony backstage, incredibly, most of the people backstage don't hear the shot.
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- Laufzeit58 Minuten
- Farbe
- Seitenverhältnis
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By what name was The Phantom of 42nd Street (1945) officially released in Canada in English?
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