The Phantom of 42nd Street

A newspaper's drama critic turns detective when he gets mixed up with murder among members of a theatre company. Eventually, a series of murders occurs apparently committed by a mysterious phantom.

Not a bad little detective mystery from low-budget PRC. That's thanks mainly to a lively turn from O'Brien as Woolrich and the decorous Kay Aldridge as Claudia. Then there's the familiar Frank Jenks as the comedy relief cabbie, and a surprisingly delightful Vera Marshe as the lame brain waitress Ginger. The screenplay makes good use of its theatrical setting, and I suspect many of those backstage set-ups were real backstage scenes from PRC's sound stage. Of course, 50-some minutes is scarcely enough time to develop a strong list of suspects or mystery plot, but there's enough colorful characterizations to compensate. All in all, an adequate little time-passer.

After watching this poverty row mystery -- and re-running the climactic scene three or four times -- there's no need for a spoiler alert. I still have no idea who committed the murders nor why. Which sorta' takes the wind out of watching Dave O'Brien as the drama critic for the New York Record playing amateur sleuth, probing the slayings that are decimating the cast of a New York repertory theater. Then again, why was the film called "Phantom of 42nd Street" when live theater had long given way to grind movie houses on 42 Street by the time it was made in the 1940s? That's easy. While "Phantom of 47th Street Between Seventh and Eighth Avenues" would have been more accurate, it wouldn't have had nearly the cache. And fitting it on marquees -- especially at theaters that played PRC releases -- would have been a challenge.

"The death of a performer at a Broadway stage play brings a theatre critic and a police detective together as an unlikely crime-solving duo. The dead performer's niece becomes not only the object of affection for our critic, but also a prime suspect in this death, and some other murders that occur at the theatre. 'The Phantom Killer' sets his sights upon the young woman as his next victim; so, it is a race against time for our heroes to catch the killer," according to the DVD sleeve's synopsis.

Milton Raison's screenplay puts a little spark in this low-budget mystery whodunit. Helpfully, Dave O'Brien (as Anthony "Tony" Woolrich) does well in the lead role; his skills as an actor appear to be much greater than the productions employing him. O'Brien and cab driving sidekick Frank Jenks (as Egbert "Romeo" Egglehoffer) would have made a fine 1950s TV detective team. Leading lady Kay Aldridge (as Claudia Moore) and the supporting cast are also good. Unfortunately, the story becomes meandering, and anti-climactic.

**** The Phantom of 42nd Street (5/2/45) Albert Herman ~ Dave O'Brien, Kay Aldridge, Frank Jenks

THE PHANTOM OF 42ND STREET is one of those cheap and bland detective stories that bulked out cinema screens back in the 1940s. This one's about a murder at a theatre, and while the genuine cops appear perplexed, our plucky journalist hero turns out to display a surprisingly aptitude for sleuthing. There's a lightness of touch here at times which works well and allows the production to breathe, but the nuts and bolts of the plotting is very creaky and there's a dearth of interesting characters which makes it a struggle to sit through. If you like Shakespeare then the snippets we see of the era might interest you, but otherwise this is bland stuff.

From PRC, Producers Releasing Corp, comes the moidah of an actor. Dave OBrien is "Tony", mister suave reporter, who is trying to solve the case. Kay Aldridge is the actress Claudia, who may or may not be involved. lots of talking, talking with suspects, who may or may not be suspects. O'Brien certainly did it all; writer, actor, director. probably best known for "Reefer Madness", 1936. Met Harry Truman. died quite young at 57 from a heart attack. Keep an eye out for Cyril Delevanti... was the old guy in "Night of the Iguana". Directed by Al Herman; this was one of his last films. had started in silents, doing short films, and moved into the talkies. the sound and picture quality is pretty bad, but there ARE captions, so i guess we're lucky it's watchable at all, after eighty years. showing on FilmDetective streaming channel. it's okay. that about all.