Rhapsodie in Blau

As with most Hollywood biopics (particularly back in the 1930s, 40s, and 50s), this account of the life of George Gershwin is somewhat fictionalized. As just one example, in real life he also had two sisters, who are not even mentioned in the film. And, the romantic angles here (with two women) apparently are fictionalized. But, so what. This is a surprisingly entertaining film, and a number of Gershwin's pieces are faithfully executed, including "Rhapsody In Blue". I watched this quite a long time ago and remembered it as one of the better movie biopics...plus, I rather like Gershwin's music. I think I liked this film better the second time around.

Robert Alda is fine in the lead role, as are others in supporting roles, including Charles Coburn as a mentor on the pop side of things. Particularly interesting are the many "cameo" appearances by real associates of Gershwin -- Al Jolson ("Swanee"; although so clearly too old to play a young Jolson!), George White (of the famous "Scandals"), and Paul Whiteman. Supporting players are good here -- Joan Leslie, Alexis Smith, especially Albert Bassermann, Rosemary DeCamp, Oscar Levant, and Herbert Rudley (as Ira Gershwin).

At just over 2:20, it's a long movie, but that length allows so much of the Gershwin music to be played. I can't help but compare this to the Cole Porter biopic starring my favorite actor -- Cary Grant; but this is so much better a film. A good movie worth watching at least once for the acting and to revel in the music.

Rhapsody in Blue, is a true black and white American classic. I bought the tape because of the title, which is one of the pieces written by George Gershwin. I had the privilege of going to the Library of Congress in Washington, D.C., and xeroxing some of Gershwin's hand written sheet music with his own signature in it. Wow! Just like he signs his name in the movie. The movie starts with his and his brother, Ira's, childhood, when they get the piano for Ira to play. Turned out that George became the pianist and Ira the lyricist. George never married but the movie is a love story between George and singer "Julie Adams" Joan Leslie (Yankee Doodle Dandy), who truly loved him. He was also romantically involved with Alexis Smith "Christine Gilbert" (The Age of Innocence). She was a socialite painter who lived in Paris. George would have married Julie, but he somehow was married to his music and ended up never marrying Julie, due to his early death. Each scene of the movie has the rhythm of Gershwin's music and the music played is a piece which corresponds that period of his life. To my surprise Al Jolson plays himself where he sings and dances. Remember him the guy that Warner Brothers decided to star him in their first partly-talking-picture, "The Jazz Singer" in 1927. The two Gershwin's had a wonderful relationship with their parents and Ira became their parent's caretaker because George traveled a lot. I love the fact that "George Gershwin" is played by Robert Alda (Imitation of Life), a great actor and singer and also father one of my favorite actors Alan Alda (M.A.S.H., Same Time, Next Year). Talent runs in the families in the cases at hand, (the Aldas and the Gershwins) and Robert and Alan Alda they looked a lot alike. This is a must see for anybody to see, specially Gershwin fans such as myself. It has an imaginable body of their work in this movie, their music is vibrant and happy. Favorite Scenes: Gershwin's parents getting their first piano to their apartment I believe up to the sixth floor of the building where they lived. George getting fired when he meets Julie because he gives her his own work to sing. Favorite Quotes: Ira: "Good Night Mr.Music." George: "Thank you Mr. Words." George: "It is only with music that I can prove my right to live." Dad Gershwin to George: "Take time to be happy, George." This is a great old fashion movie I think that you will love it as I have.

The "Gershwin Years" were very exciting times, and the life and career of George --and his brother, Ira--are well captured in this memorable classic, "Rhapsody in Blue." Tackling this subject was a difficult one, and it manages to reveal the composer's exuberance for his art, his trials and his successes. Robert Alda is a perfect choice for George; others making fine contributions are Oscar Levant and Alexis Smith. A host of great artists, many playing themselves round out a star-studded cast. A wonderful selection of Gershwin's works are represented, some in near-complete versions. This is one of the most successful of classical composer bios ever brought to the screen. It is a cherished part of my video library, and I thoroughly enjoy watching and listening to this recreation of the life, times, and music of one of American's great composers.

This film presents many Gershwin tunes in great fashion with several great settings and great production numbers. Yes, it's unfortunate that the story line is so heavily fictionalized and even misleading. But, the sets are honest to the periods covered, several sequences are very tastefully done and fun, the show excerpts are good, and did I mention the music? As several other commentators have indicated, the music is faithfully recreated in long segments that bring you much or all of the tune.

If you come to this film to hear some wonderful Gershwin performed by some great artists staged with a lot of character and splash (my favorite set is Hazel Scott's Paris show), you won't be disappointed. The story line is simply a convenient string to tie together the thread of music.

The music was wonderful, I enjoyed watching the father of Alan Alda in the title role & I got one "mini surprise"! That was the solo song of a very young, enchanting Hazel Scott, accompanying herself on the piano. She was a musical prodigy on the piano from the age of 4 and the youngist student admitted to the Julliard School of Music at age 16. This was the last of her early film appearances, as she focused more on musical recordings and a TV series, until the late 50s. She also married Adam Clayton Powell Jr., noted congressman from Harlem & civil rights activist. Her 1955 album, "Relaxed Piano Moods," recorded with Charles Mingus and Max Roach was recently reissued on CD & named Album of the Month by National Public Radio.