Füge eine Handlung in deiner Sprache hinzuWhile waiting in New York City to ship out to Europe, a sailor stops by a serviceman's canteen and meets a USO hostess. They immediately fall for each other and get married that night. Howev... Alles lesenWhile waiting in New York City to ship out to Europe, a sailor stops by a serviceman's canteen and meets a USO hostess. They immediately fall for each other and get married that night. However, when the sailor is notified that he has been reclassified as 4-F (unfit for service) b... Alles lesenWhile waiting in New York City to ship out to Europe, a sailor stops by a serviceman's canteen and meets a USO hostess. They immediately fall for each other and get married that night. However, when the sailor is notified that he has been reclassified as 4-F (unfit for service) by the Navy and then discharged, he and his new wife realize that, having to set up house b... Alles lesen
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Robert Walker, very appealing (and extremely skinny looking when we see him chest-up in the bath tub) and June Alyson marry on impulse when he is -- well, he's the sailor and she becomes the wife.
Then he isn't a sailor anymore and they have to live in a large apartment in Greenwich Village, where they learn they have nothing in common and really don't like each other.
She wears her bunny rabbit "jammies" the night of their honeymoon; and really: What man wouldn't be frustrated at that?
The super of the building is Eddie "Rochester" Anderson, whom some tenants seem to call Eddie and some call Harry.
The generally great villain and excellent actress Audrey Totter is wasted in a third-billed role as a Romanian who speaks with an accent sometimes Russian, mostly French,m and, though she wears hats most of the time, appears to be wearing a black wig.
It isn't without charm. But it's ill conceived.
Anyway, the (mostly) single setting and small cast makes it obvious that it was based on a play. Hume Cronyn is kind of fun as June's nerdy, officious boss, and it's always fun to see "Rochester," but I'm not sure what Audrey Totter was trying to do, and Reginald Owen was in it so briefly he made no impression at all.
They end up in an empty apartment where nothing works and become immediately ensnared with a conniving Romanian refugee (Audrey Totter) and Allyson's scheming boss (Hume Cronyn) in a series of comic situations. Also on hand is Eddie Anderson as the apartment building's superintendent.
All five stars are in top form. There's also Reginald Owen as a plastics manufacturer and Chester Clute as the bemused nightclub goer. In a way it's like an early version of BAREFOOT IN THE PARK.
And there's no way unwed people will relate to the roller-coaster ride that is the 'Marriage Learning Curve' as is delightfully depicted in The Sailor Takes a Wife.
In this adorably cute, albeit dated, tale of WWII era newlyweds, two inexperienced youngsters throw themselves into the experiment of marriage with high ideals that quickly clash with real-life realities which end up creating G-rated slap-stick misunderstandings in a charming cinematic blast from the pro-housewife past!
While the story may seem unrealistic compared to modern times (as if movies packed with promiscuous office romances are now the standard by which to base realism!), the film is full of imaginative scenarios that humorously mirror true-to-life situations that devoted married couples are likely to understand and appreciate:
- unexpected career changes
- an affordable first apartment filled with its own quirks
- seeing your spouse in a different light for the first time
- realizing you don't know everything you thought you knew about your spouse
- being patient with your spouse
- defending and protecting your spouse from prying parties
- forgiving your spouse for unintended accidents
- sticking with your spouse when life doesn't go the way either of you expected
- laughing together through the ups and downs of the Marriage Learning Curve
- and putting the marriage first in the marriage!
I can understand why this movie would be viewed as a farce since Hollywood now programs women (and men!) to believe that home is no place for a woman; and that a woman is meant to be more than 'just' a housewife; and that a woman doesn't have to tolerate a man if he wants her to be a homemaker, or if he loses his job, or if he gets seduced by unscrupulous women.
A woman nowadays may not have to put up with anything she doesn't want to put up with, and that's a woman for you, but that's not a wife.
A wife has responsibilities that an unwed woman doesn't have, and a wife knows her wifely duties come before her womanly wants for the sake of her marriage and her husband; likewise, a husband has the same responsibilities, which sometimes turns marriage into a temporary tug-of-war, but only until both sides realize that winning happens when everyone lets go of the rope and the two sides come together in laughter and love!
The Sailor Takes a Wife is a fun film and an escape to a different time when women were happy to stay at home and swearing wasn't needed to be entertained.
The film could very much benefit from captions/subtitles, which TCM has now sadly removed from their movies when they should be removing the liberal hosts who aren't adding to the quality of the movies but only taking money away from skilled captioners who are the ones who truly make old movies better for everyone.
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- WissenswertesIn two other films, Als du Abschied nahmst (1944) and Urlaub für die Liebe (1945), Robert Walker also played an enlisted man who meets a girl and quickly falls in love with her. The three films were released with 18 months of one another.
- PatzerWhen John Hill is trying to open the davenport that is supposed to fold out into a bed, it keeps closing on him, to comic effect. When he tries to spread a sheet over the mattress, the wire extending from the back of the davenport to the front edge that keeps pulling it closed is visible.
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- For Better, For Worse
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 1.012.000 $ (geschätzt)
- Laufzeit1 Stunde 32 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1