Füge eine Handlung in deiner Sprache hinzuAfter a bus accident, a woman comes to believe that she's actually a 300-year-old witch.After a bus accident, a woman comes to believe that she's actually a 300-year-old witch.After a bus accident, a woman comes to believe that she's actually a 300-year-old witch.
J. Farrell MacDonald
- Sheriff
- (as J. Farrel McDonald)
Jack Carr
- The Bus Driver
- (Nicht genannt)
Elspeth Dudgeon
- Old Woman in Bus
- (Nicht genannt)
- …
Marjorie Manners
- Blonde Girl
- (Nicht genannt)
Frank Mills
- Townsman
- (Nicht genannt)
Frank O'Connor
- Townsman
- (Nicht genannt)
Twinkle Watts
- Young Girl
- (Nicht genannt)
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Nancy Kelly (Lorna) returns to her small town after a 2 year absence. She is on the bus into town when cackling hag Elspeth Dudgeon (Jezebel) gets on and sits next to her. This old lady seems to know Nancy and claims to be 300 years old. The next thing that happens is the bus crashes into a lake and there are no survivors. Except Nancy. What is eerier is that there is no body of the old woman, she has just disappeared and no-one believes Nancy that she even ever existed. Well, she did exist. And Nancy seems to now possess some kind of evil spirit and be in tune with the darker forces of nature. There is a reason as foretold by a curse that tells of the revenge of an innocent woman burnt at the stake after being accused of a witch - she will return after a 300 year period and take over the body of a young woman to exact revenge. Uh-oh, guess who Nancy has just had an encounter with
..
This film has great potential and a good beginning but just sort of meanders until a real let-down of an ending that doesn't make sense. Shame. And why is John Loder (Matt) topping the bill in this film? It's Nancy Kelly's film – she's even in the goddam title, folks! There are some nice touches and spooky sequences but the film lacks that "kerpow!" factor, especially with the let-down of an ending. Could have been a strong, spooky witch film. As it is, it's OK as something different to watch.
This film has great potential and a good beginning but just sort of meanders until a real let-down of an ending that doesn't make sense. Shame. And why is John Loder (Matt) topping the bill in this film? It's Nancy Kelly's film – she's even in the goddam title, folks! There are some nice touches and spooky sequences but the film lacks that "kerpow!" factor, especially with the let-down of an ending. Could have been a strong, spooky witch film. As it is, it's OK as something different to watch.
The Woman Who Came Back is a largely unknown little forties horror film; but it's a rather good one also. The film focuses on witchcraft, and in particular the idea of a witch coming back to avenge her death. This idea would of course go on to be used in many, many films after 1945; but this is one of the earlier examples. The Woman Who Came Back is an eerie horror film that mostly relies on its atmosphere and inventiveness in order to deliver the chills, and this works quite effectively. The plot focuses on a young woman named Lorna Webster who catches a bus back home to Eben Rock. She finds herself sitting next to a cackling old woman, and before she knows it; the bus has been involved in an accident and Lorna is the only survivor. She then goes back to her old house and is reacquainted with her old lover; but she's haunted by the old woman on the bus who told Lorna of an old town legend regarding a witch that swore vengeance on her executioner. One thing leads to another, and Lorna comes to believe she is the reincarnation of that witch...
The film is very short at just sixty eight minutes, but this time is used very well and the film doesn't feel rushed or underdone for most of the duration. The plot flows very well too and director Walter Colmes keeps his audience interested by constantly feeding us with new ideas and pieces of information. There isn't a great deal of films about witchcraft (compared to other subgenres) and that's a shame really because it certainly is very interesting. This film manages to get most of things that most people would associate with witchcraft into it; including spells and the witch's familiar, which helps to make the proceedings more interesting. The performances are all very strong; with Nancy Kelly giving a particularly convincing performance in the central role. It's the atmosphere that is the real star, however, and a sequence midway through with a storm is a real standout. The film is good for about the first hour but unfortunately it's let down more than just a little bit by the ending; which does wrap things up a bit too quickly. However, this is still a very good little film and one that I'm sure will please most people with a mind to see it.
The film is very short at just sixty eight minutes, but this time is used very well and the film doesn't feel rushed or underdone for most of the duration. The plot flows very well too and director Walter Colmes keeps his audience interested by constantly feeding us with new ideas and pieces of information. There isn't a great deal of films about witchcraft (compared to other subgenres) and that's a shame really because it certainly is very interesting. This film manages to get most of things that most people would associate with witchcraft into it; including spells and the witch's familiar, which helps to make the proceedings more interesting. The performances are all very strong; with Nancy Kelly giving a particularly convincing performance in the central role. It's the atmosphere that is the real star, however, and a sequence midway through with a storm is a real standout. The film is good for about the first hour but unfortunately it's let down more than just a little bit by the ending; which does wrap things up a bit too quickly. However, this is still a very good little film and one that I'm sure will please most people with a mind to see it.
"Woman Who Came Back" is an okay film made by one of the best 'poverty row' studios, Republic. It's a little better than average for one of their films but the ending just left me very cold and unsatisfied.
The film begins with a weird old lady and her dog stopping a bus. The lady climbs aboard and begins regaling a young lady (Nancy Kelly) with stories about how she is the spirit of a centuries-old witch! Soon, the bus plunges over an embankment and everyone aboard, aside from the young lady, is killed. Soon, strange thing happen around town (such as the dog appearing to the lady and refusing to leave her side) and slowly the idiots in the town and the lady begin to wonder if she is the reincarnation of the witch who was burned so long ago.
So far, the film is a bit silly but well done and entertaining. But the studio insisted on explaining away everything at the end--so much so that I felt it undermined the story. Still, it was mildly enjoyable and I always like seeing Otto Kruger in any film. Not great but a decent time-passer.
The film begins with a weird old lady and her dog stopping a bus. The lady climbs aboard and begins regaling a young lady (Nancy Kelly) with stories about how she is the spirit of a centuries-old witch! Soon, the bus plunges over an embankment and everyone aboard, aside from the young lady, is killed. Soon, strange thing happen around town (such as the dog appearing to the lady and refusing to leave her side) and slowly the idiots in the town and the lady begin to wonder if she is the reincarnation of the witch who was burned so long ago.
So far, the film is a bit silly but well done and entertaining. But the studio insisted on explaining away everything at the end--so much so that I felt it undermined the story. Still, it was mildly enjoyable and I always like seeing Otto Kruger in any film. Not great but a decent time-passer.
THE WOMAN WHO CAME BACK is a 1940s-era spook fest with much in line with the Val Lewton horrors of the era. It's a low-key, atmospheric production about a woman who arrives at a small town in Massachusetts and is the only survivor of a bus crash (shades of UNBREAKABLE). Once she settles down in the town, the superstitious locals begin to suspect that she's possessed by the spirit of a vengeful witch.
It's fair to say that not much really happens in this movie, and nor does it need to. THE WOMAN WHO CAME BACK is a short, thinly-plotted story that's more about building a sense of mood and place than anything else. It's quite expressionistic in style, with lots of shadowy scenes and spooky, half-explained moments. The cast are certainly adroit and the only thing that really lets it down is the ending, but until that point? Lewton himself would be proud.
It's fair to say that not much really happens in this movie, and nor does it need to. THE WOMAN WHO CAME BACK is a short, thinly-plotted story that's more about building a sense of mood and place than anything else. It's quite expressionistic in style, with lots of shadowy scenes and spooky, half-explained moments. The cast are certainly adroit and the only thing that really lets it down is the ending, but until that point? Lewton himself would be proud.
Nancy Kelly stars as Lorna Webster, an attractive woman who returns to her home town of Eben Rock, Massachusetts. She is riding on a bus when an old cackling woman boards it, the vehicle crashes over a cliff (cheap effect) and into a lake, Lorna is the sole survivor. She is a descendant of a 17th Century witch finder and believes that she has become possessed by the spirit of a witch, burnt at the stake 300 years ago. This old supernatural horror movie was produced by poverty row studio Republic Pictures but do not be put off by this, I found it to be a reasonably enjoyable 68 minutes. It starts off at Halloween, we see children dressed up in delightful costumes. The movie does pack in several spooky scenes, my favourite being a very atmospheric night time thunderstorm. There are some day for night shots but hey, Hammer were infamous for doing this. The acting quality is generally good although I was not very impressed with Lorna's fiance (Jon Loder). Several reviewers deride the ending, it did perhaps feel a little rushed however I was satisfied with it. I have been watching horror movies for some 45 years now, until very recently I had not come across this one so I'd like to thank Talking Pictures TV for screening it, I would certainly watch it again in the future.
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- WissenswertesJeanne Gail's debut.
- PatzerThe opening narration states that Judge Elijah Webster "was responsible for condemning eighteen women to their fiery death," but Dr Adams (John Loder) later refers to Webster's victims as "those fifteen women he condemned."
- VerbindungenFeatured in The Vampira Show: Woman Who Came Back (1955)
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- The Woman Who Came Back
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- Laufzeit1 Stunde 8 Minuten
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By what name was Woman Who Came Back (1945) officially released in India in English?
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