IMDb-BEWERTUNG
6,0/10
557
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe U.S. Ambassador's (Walter Pidgeon) daughter falls for a Mexican pianist (Jose Iturbi) old enough to be her grandfather.The U.S. Ambassador's (Walter Pidgeon) daughter falls for a Mexican pianist (Jose Iturbi) old enough to be her grandfather.The U.S. Ambassador's (Walter Pidgeon) daughter falls for a Mexican pianist (Jose Iturbi) old enough to be her grandfather.
José Iturbi
- José Iturbi
- (as Jose Iturbi)
William 'Bill' Phillips
- Sam, Evans' Chauffeur
- (as Wm. "Bill" Phillips)
Ed Agresti
- Guest
- (Nicht genannt)
Leon Belasco
- Orchestra Leader
- (Nicht genannt)
Brooks Benedict
- Dance Extra
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesContrary to rumor, a young Fidel Castro does not appear as an extra. The rumor grew from two sources: his yearbook, in which teachers noted that he was "somewhat of an actor," and a 1943 interview where Xavier Cugat cryptically referred to one of his dancers becoming "a South American general." In his 1948, Cugat references being an acquaintance of Huber Benitez, who later became a General and supporter of Fulgencio Batista, whom Castro overthrew in 1959.
- PatzerAfter her party, Christine and her father are talking in her room. There is a close-up of the drawing of her father. In later shots, it is a different picture. The face in the picture is at a different angle.
- Zitate
Jeffrey Evans: Is Stanley pretty upset over your going?
Christine Evans: Yes.
Jeffrey Evans: Well, you've hurt him a lot lately - once more won't kill him.
Christine Evans: But I never meant to hurt his feelings.
Jeffrey Evans: You know, uh, if you hurt someone, it doesn't matter very much whether you meant to or not.
- Alternative Versionen"Why So Gloomy?", a musical number featuring Jane Powell and a Chinese boy, was cut from the film. It is included in the "Musical Jukebox" feature of the 2004 That's Entertainment! DVD box set.
- VerbindungenEdited into Moments in Music (1950)
- SoundtracksI Think of You
(uncredited)
Music based on "Piano Concerto No.2" by Sergei Rachmaninoff
Music Adaptation and Lyrics by Jack Elliott & Don Marcotte
Ausgewählte Rezension
'Holiday in Mexico' may not be a great film, but it is good at what it set out to do, doesn't try to be any more than it is and knows exactly what it wants to be.
Its weak link is the thin and insipid story, the first half being almost plot less, which also suffers from draggy pacing that is especially uninteresting in the scenes between Roddy McDowell and Jane Powell that dominate too much of the second half. The overlong length, not unusual in George Sidney's 1940s films. McDowell has an annoying caricature character, and not only does he do little with it but he does grate somewhat.
There is so much to enjoy about 'Holiday in Mexico' on the other hand. Even with not much authentic Mexico in sight, being on the most part more Culver City soundstage than Mexico, it is a lovely looking film, being beautifully shot in rich colour and handsomely produced. The music is similarly great, with a mix of pleasant songs and the divine piano music of Chopin and Rachmaninov masterfully played by Jose Iturbi, in every film he appeared in his piano playing was some of the finest on film.
Scripting is not exceptional, but sweet and amusing and nowhere near as trite as the story. The bittersweet romance between Ilona Massey and Walter Pidgeon has been criticised, to me it had a lot of affecting charm. Other great things are the knockout piano choreography and the clever animated title sequence, courtesy of Hanna-Barbera, that is the most evocative of Mexico that 'Holiday in Mexico' gets.
Powell is very charming and sings beautifully, and while Massey is not as natural an actress she is still likable enough. Iturbi and Xavier Cugat add enormously to the film and Pidgeon is similarly likable. Sidney directs with competence.
All in all, lots of fun and charm though not without its flaws. 7/10 Bethany Cox
Its weak link is the thin and insipid story, the first half being almost plot less, which also suffers from draggy pacing that is especially uninteresting in the scenes between Roddy McDowell and Jane Powell that dominate too much of the second half. The overlong length, not unusual in George Sidney's 1940s films. McDowell has an annoying caricature character, and not only does he do little with it but he does grate somewhat.
There is so much to enjoy about 'Holiday in Mexico' on the other hand. Even with not much authentic Mexico in sight, being on the most part more Culver City soundstage than Mexico, it is a lovely looking film, being beautifully shot in rich colour and handsomely produced. The music is similarly great, with a mix of pleasant songs and the divine piano music of Chopin and Rachmaninov masterfully played by Jose Iturbi, in every film he appeared in his piano playing was some of the finest on film.
Scripting is not exceptional, but sweet and amusing and nowhere near as trite as the story. The bittersweet romance between Ilona Massey and Walter Pidgeon has been criticised, to me it had a lot of affecting charm. Other great things are the knockout piano choreography and the clever animated title sequence, courtesy of Hanna-Barbera, that is the most evocative of Mexico that 'Holiday in Mexico' gets.
Powell is very charming and sings beautifully, and while Massey is not as natural an actress she is still likable enough. Iturbi and Xavier Cugat add enormously to the film and Pidgeon is similarly likable. Sidney directs with competence.
All in all, lots of fun and charm though not without its flaws. 7/10 Bethany Cox
- TheLittleSongbird
- 10. Feb. 2017
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Festival en México
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 2.345.000 $ (geschätzt)
- Laufzeit2 Stunden 8 Minuten
- Seitenverhältnis
- 1.37 : 1
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