Füge eine Handlung in deiner Sprache hinzu"Slag" McGurk, a former boxing champ living on memories of glories past, spends his days and nights as a bouncer/braggert/boozer at Glenson's saloon. But when "Slag" stumbles upon a young or... Alles lesen"Slag" McGurk, a former boxing champ living on memories of glories past, spends his days and nights as a bouncer/braggert/boozer at Glenson's saloon. But when "Slag" stumbles upon a young orphaned lad and agrees to help him find a relative, his life takes on a whole new meaning."Slag" McGurk, a former boxing champ living on memories of glories past, spends his days and nights as a bouncer/braggert/boozer at Glenson's saloon. But when "Slag" stumbles upon a young orphaned lad and agrees to help him find a relative, his life takes on a whole new meaning.
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The film finds Slag McGurk (Beery) a bit of a blow-hard. While he lives on his public image as an ex-boxing champ and all around swell guy, he's a bit of a phoney--though few know the truth. But his boss (Edward Arnold) does and keeps it to himself. One day the boss sends McGurk on an errand and the guy ends up getting stuck with a cute British kid whose accent seems to come and go like the wind (Stockwell). The kid, 'Nipper', takes an almost instant like to the guy and believes all his tales of boxing and manliness. However, McGurk only hangs on to the kid because he mistakenly thinks the boy's uncle wants him and will handsomely reward McGurk for caring for him. But when the uncle turns out to be a crook, what is to become of Nipper and McGurk?
As I mentioned above, this is a standard Beery formula. This is not only because of the kid (as many Beery films did NOT have kids) but because Beery plays pretty much the same sort of rogue who eventually proves he has a heart of gold. Enjoyable but also not particularly new or unique if you've seen a few of his films.
Director John Waters not only knew what he had in a bonafide star of Wallace Beery's calibre he also surrounded his film The Mighty McGurk with a terrific supporting cast such as with the little English born orphan boy Nipper (played by the great character actor Dean Stockwell), the mean spirited bar owner Mike Glenson (Edward Arnold), a former boxing middleweight turned Salvation Army recruiter named Johnny Burden (Cameron Mitchell) and a high spirited pawn shop owner named Mamie Steeple (Aline MacMahon) round out a uniquely entertaining cast and story.
Oh, did I fail to mention that director John Waters chooses to even bring out the "big guns" in the cutest little dog nicknamed "Pat" because the orphan boy Nipper likes the way his runaway dog "pats" his little tail on the floor? It's a great family film for the ages that centers around an over the hill boxer who wants to be considered a world champion until this orphan boy named Nipper means more to him than all the money in the world and if that is not enough for you, than the dog named Pat will surely win your heart of cold hearts over.
It's a great film for 1947 and surely under rated.
Still seeing The Mighty McGurk might convince you Beery was the greatest actor who ever lived knowing what we know about him. This film has Beery working for saloonkeeper Edward Arnold as a bragging bouncer on retainer. Beery gets an assignment to pick up Arnold's daughter Dorothy Patrick over from the boat from Great Britain. But he muffs it and winds up with young English orphan Dean Stockwell who has come over to be with his uncle who has taken a powder with company funds.
So the two are kind of stuck with each other. If you've seen Treasure Island or The Champ with Beery and young Jackie Cooper you know what you'll get with this film.
As for Arnold he wants the corner location of the Salvation Army has on The Bowery where former fighter and Beery protege Cameron Mitchell is running the place. He wants Beery's help to get him out one way or another. Gives Beery some critical choices to make. Aline McMahon gets the roles that usually went to Marie Dressler or Marjorie Main as the pawnbroker who Beery parks his championship belt with when he needs a few bucks.
The Mighty McGurk is a pleasant piece of turn of the last century nostalgia.
After retiring from the ring most boxers take cushy jobs as crash-test dummies.
However, the prizefighter in this drama spends his days bouncing at a dive bar.
Former heavyweight champion Slag McGurk (Wallace Beery) now works the door at Mike's (Edward Arnold) tavern. When presented with the chance to partner on Mike's latest venture, Slag jumps at the chance to help his friend ruin the Salvation Army so Mike can expand. But as he rounds up thugs to help Slag meets an orphan (Dean Stockwell) that convinces him to stand-up to Mike.
While the story of a lovable ex-fighter finding their fire in an adoring orphan isn't all that new, this 1947 take on the dynamic is an amiable attempt that has plenty of barroom brawls to whet the appetite of fight fans.
Furthermore, this film finally proves that boxing gloves are not made out of the skins of orphans. Yellow Light
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This is not the youngest Dean Stockwell I've seen, but he does show off his acting skills by playing British. He tries. He may be able to do more without worrying about his accent. Beery is doing Beery as always and that's what he's good at. The chemistry is what it is. The story is rather random. This is for Beery fans and a chance to see a very young Stockwell.
Wusstest du schon
- WissenswertesIn the fight between the two boys, (approximately 0:40 run-time) the bigger boy inflicting the damage is none other than Dean Stockwell's older brother Guy.
- Zitate
Milbane: Mr. McGurk, you have done me and my late sister a great favor and for that reason, I'm asking you to accept with my gratitude ten thousand...
Roy 'Slag' McGurk: Ten thousand!
Roy 'Slag' McGurk: Ten thousand Utopia Mining Limited of East Africa.
Roy 'Slag' McGurk: Utopia Mining Limited of East Africa what?
Milbane: Shares. Shares, my dear McGurk. At the market value today that I guarantee will soar to a dollar a share in two weeks time.
Roy 'Slag' McGurk: Oh, I, uh, got to wait two weeks, have I?
Milbane: That's all and they're yours Mr. McGurk for one thousand dollars.
Roy 'Slag' McGurk: Oh, you mean, I give you one thousand dollars.
Milbane: Merely a formality, I assure you.
Roy 'Slag' McGurk: Well, can't we get along without the formalities?
Milbane: Unfortunately, it is illegal in this state to give away securities. We do want things ship shape.
Roy 'Slag' McGurk: Well, a thousand somoleans is a lot of ship shape.
Milbane: Well, the amount is immaterial. Shall we say seven fifty?
Roy 'Slag' McGurk: Well, well, that's closer to my bankroll. That's, that's all... One, two, four bucks is all I got.
Milbane: You mean with you?
Roy 'Slag' McGurk: With me or without me.
- VerbindungenReferenced in Forecast (1945)
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Details
- Erscheinungsdatum
- Herkunftsland
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- Auch bekannt als
- Storsläggan McGurk
- Drehorte
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Box Office
- Budget
- 896.000 $ (geschätzt)
- Laufzeit1 Stunde 25 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1