Crackerjack

This an early attempt at the gentleman thief idea and it works beautifully. The film offers much elegance, wit and sophistication, just like its two stars. If only Hollywood produced this type of film today.

A typically 30s-style charismatic gentleman thief and master of disguise tackles a dangerous criminal gang while posing as a butler at a stately home. Vintage in age rather than in quality, and not as good as the identically-titled British kids' TV programme of three or four decades later.

The Wonderful Lilli Palmer was very young when she made CRACKERJACK and she was a marvelous actress and a fabulously beautiful and charming actress and this film was just the beginning for her. She was rather unique in British films since most of the so called Gainsborough gals of the time were British such as Margaret Lockwood, Phyllis Calvert, Patricia Roc, Sally Gray, etc and only Miss Palmer, German born, went on to an international career and worked in Hollywood as well as in France and Germany over the years, coming back to British films from time to time. She was unique among the all British group of gals making names for themselves in the late 30s and 40s in British cinema. She married Rex Harrison, had a son with him and happens to be my favorite all time actress.

I've always liked Tom Walls' farces – this is a more straightforward comedy, full of frothy sometimes witty dialogue and period furnishings with music veering from staid British dance band to hot American and a corny yet cogent script. Mind you, it also had an innocent bystander shot by hoodlums at point blank defending "a string of duds" from being stolen.

Mysterious and confident cracksman robs to order for almost purely altruistic reasons, but takes great exception when he's embroiled with and considered by the police to be the head hoodlum of a rather nasty gang of thieves so decides decidedly to clear his alias. It's inventive and predictable at the same time, interesting and so-so – basically I enjoyed it! It was the first time of viewing, I really wouldn't mind taking another crack at it and viewing it again sometime. Tom Walls is urbane and monocled, Lilli Palmer is elegant and shrewd, Noel Madison is snarly and impetuous – and everything else runs true to form too. There seems to be even more of an age-gulf between Lilli and the rest of the cast which was ignored of course so we have to accept it too and put any qualms we may have down to our collective post-rock and roll cynicism. The other star of the picture is Art Deco – for example the "hotel" and its interiors and furniture where a lot of the story is based is quite breathtaking at times in its poignant gleaming beauty. Not so long ago this fashion was sneered at, now that it's becoming more obvious we're living in a completely styleless age the focus on the past only gets sharper.

And yes, that's clearly a sound mike seen dangling in the ornate mirror in Lilli Palmer's apartment at 46 minutes – even that's interesting to view! Enjoyable stuff, but probably only to those of us who appreciate British pre-War comedies.

Ever since the 13th century legend of Robin Hood surfaced, writers have created various good thieves as heroes. "The Adventures of Robin Hood" was first made as a 1922 silent film and then in a 1938 technicolor sound movie that is a classic today. That swashbuckler starred Erol Flynn and Olivia de Haviland and was set in the early Middle Ages.

"The Man With 100 Faces" film is a modern rendition, also set in England. It is based on a 1926 novel by William B.M. Ferguson, "Other Folks' Money: an adventure story." As the mythical Robin Hood before him, "Crackerjack" robs from the rich to help the poor. Only, the real person known as Crackerjack isn't known. And, the Sherwood Forest where the thievery takes places in this film is the world of the wealthy and high society of London.

Tom Walls stars as Jack Drake, aka "Crackerjack," known as such only by his personal secretary, Burdge (played by Charles Heslop), and a couple of other characters who are mostly out of sight except when needed. One can't help thinking that the Batman comic stories seem to have similar characters - masks that hide real identities, only a choice few in on the real people, and heroes for justice. Of course the hero there is independently wealthy.

Jack Drake has been taking from the wealthy for the benefit of the needy and good causes. After some years, he writes a book about his exploits. The best seller earns him considerable "honest" money on which to live - for a time. But, as he continues to give to good causes, he must once again resort to relieving the rich of some of their surplus.

Lili Palmer plays the love of Drake's life, Baroness Von Haltz. The film has a sizable cast of characters, many with substantial roles. All perform very well. Walls is particularly interesting to watch for his different disguises. He is excellent in each of his different roles. A mark of the superb makeup as well as his acting, is that one can barely tell that it is Walls under those disguises. But for the sake of the audience, he makes one or two gestures to convince viewers that this isn't a stand-in or double.

For a very early sound film, this one has quite good quality. It's an interesting story that has some nice scenes of the culture and social landscape of London just before World War II. This is a very good comedy mystery that those who like old films especially should enjoy.

Here are some favorite lines from the film.

Sculpie, after Jack Drake knocks out Benting of Scotland Yard during the airplane heist, "Thanks, brother. What's the big idea?" Jack Drake, "Well, I thought he might prefer a headache to lead."

Superintendent Benting, "From now on, every crime in the country will be attributed to Crackerjack."

Superintendent Benting, "Don't forget to let me know if you get on the trail of Crackerjack." Baroness Von Haltz, "Why should I do your work for you?" Benting, "Because, it's a woman's job, not a policeman's."

Jack Drake, "You've hit on the two reasons that are keeping me here. Firstly, the infernal woman you mentioned. And secondly, I dislike having my nice clean charitable robberies messed up by a lot of murdering swine. I'm gonna put those gangsters out of business." Burdge, "How?" Drake, "I haven't the faintest idea."

Hambro Golding, "You're a very clever young woman." Baroness Von Haltz, "You're the second person within the last hour who has told me that this is a woman's job."

Baroness Von Haltz, "The only way you'll meet that man is to catch him on a job."

Hambro Golding, "Many problems, my dear, have been solved by a woman's intuition."

Jack Drake, to Burdge, "You ought to know by now, that where the baroness Is concerned, you matter very little."