Torchy Gets Her Man

The sixth in the Torchy Blane series and the return of Glenda Farrell and Barton MacLane after one movie with different leads. This time around Torchy is after a group of clever counterfeiters running circles around boyfriend Steve and the police department. Tom Kennedy once again shines as the dimwitted but lovable Gahagan. George Guhl is funny as the desk sergeant. Farrell and MacLane are both fine, although the script doesn't really give either much that highlights their talents. The rest of the cast includes solid character actors like Willard Robertson, Thomas E. Jackson, Frank Reicher, and John Ridgely.

A fun movie but something is definitely different compared to the previous Farrell Torchy movies. For one, it's more focused on comedy. For another, the relationship between Torchy and Steve isn't quite the same. It isn't even all that focused on Torchy, for that matter. Gahagan and the criminals get a lot of screen time. The case in this one is pretty good, though. The police may be buffoons but the crooks are interesting and pretty smart for B movie villains.

With the fifth of Glenda Farrell's seven Torchy Blaine films, the Warner Bros. series would begin to drift away from knotty whodunits to more cops-and-robbers action with which the series would remain, incl. the two non-Farrell Torchys made after hers. Too bad, because now, instead of two sweethearts partnering to solve a murder, Torchy and Barton MacLane's Detective Steve McBride relationship now becomes adversarial reporter vs cop. Ho hum. Still, it was fun while it lasted. The chief pleasure of the series remains; Glenda Farrell as the brassy, intuitive and unstoppable newshound, Torchy Blane - greatest of all 30s Hollywood B movie female reporters.

Torchy Gets Her Man (1938)

** 1/2 (out of 4)

The sixth film in the Warner series has Glena Farrell returning to the role of reporter Torchy Blane. This time out she learns that her fiancé detective (Barton MacLane) is working with a government man as they two to capture a counterfeiter known as $100 Bailey. TORCHY GETS HER MAN is certainly a step up from the previous film, which was just downright flat due in large part to a weak story and the lack of Farrell. Thankfully the studio was able to get her back for this installment and there's no question that the picture is much better for it. As with the previous entries, the stories themselves aren't the greatest things out there but this here is good enough to at least keep you interested in everything that's going on and the cast just makes everything all the more entertaining. Farrell was certainly at ease in the role and I think her comic timing is right on the mark from start to finish and she just gives such a fun performance that you can't help but smile watching her work. MacLane, also back after missing the previous film, is good but there's no question that he's not given too much to do. Tom Kennedy nearly steals the film as the dimwitted driver and wannabe poet. The supporting cast doesn't feature any real stand outs but everyone is nice in their roles. I think the weakest thing about this entry is that director William Beaudine lives up to his reputation of just doing one take. There are some pretty ugly and cheap shots to be seen here and it takes the "B" level quality down a notch. Still, he at least keeps the film moving at a nice pace and fans of the series should be entertained.

Starring the usual cast of Torchy films, Glenda Farrell is Torchy, reporter hot on the trail of criminals on the run. Co-stars Tom Kennedy and Barton MacLane. In this one, Willard Robertson is from the Secret Service, trying to track down a counterfeiter, starting with the local racetrack. Gahagan is again the stumbling, bumbling goof, who doesn't realize he's spilling his guts to all the wrong people. But Torchy is onto him, and is determined to get her man! No real surprises here, but it's all part of the grand adventure if you're a fan of the series.

Directed by William Beaudine, and has a very detailed bio on wikipedia.org ... he had worked with DW Griffith in the EARLY days of silents, including "Birth of a Nation". and apparently fimed about half of the MANY Bowery Boys films. His brother was director Harold Beaudine. Turner Classics shows this about once a year.

Reporter Torchy Blane bumps lightly into a cop as she breezes through the police station's front door. "Oh, sorry," she says. "I meant to knock you down." Torchy's friendly smirk pretty much sums up her attitude toward the police: they're supposedly in charge but they sure move a lot slower than she does.

Glenda Farrell returns as spunky girl reporter Torchy Blane in this amusing but uneven series entry. Farrell is excellent as usual—Torchy is a quick thinker and a fast talker, and Farrell presents just the right mix of wit, charm and silliness.

Tom Kennedy is equally good as Gahagan, the lumbering police chauffeur who is liable to burst into poetry at any moment. This time around, Gahagan is given an unscheduled vacation, the other cops figuring that keeping him off of the case entirely is the only way to prevent him from spilling inside information to Torchy.

Barton McLane's role as Lieutenant Steve McBride is, alas, rather dry. The plot sets him up to be the eventual hero…but boy, it sure takes him a while to sort things out. What's worse, he's not only dumb, he's boring.

The story, for what it's worth, concerns a master counterfeiter known as "Hundred Dollar Bill" Bailey (Willard Robertson) playing an elaborate trick on an extremely gullible police force. Posing as an ace federal agent, this Bailey sets up shop behind a window at the racetrack, where he exchanges his phony bills right under the cops' noses. Needless to say, Torchy catches on that something is fishy long before Steve or the other cops.

Highlights include Gahagan's system for betting on the horses (it involves the fact that 6 x 6 = 37); and a rented German shepherd that only understands German (Torchy rents a phrase book along with the dog).

Very silly and enjoyable when Torchy and Gahagan are on the scene….not as lively during passages involving counterfeiters or detectives.