SOS Feuer an Bord

This may be an overlooked Howard Hawks film. It's really a thoughtful film with substance under the guise of Hollywood famous stars and lively screenplay banters. Subject touches on death just 20 minutes into the film. Certainly no dull pacing. It has golden segments, like the exchanges between Grant and Barthelmess, Grant and Mitchell, Mitchell and Arthur, Arthur and Grant, and 10 minutes later, we see people gathered round by the piano singing songs and cajoling - not without sorrow beneath. Be not fooled, sentiments are there for friends passed away. It's not, but it is, a way of handling grief.

It's life, matter of fact and not hung up or lingering, simply moving on, devil may care, with boldness, dare, and risk-woe-begotten (or forgotten, for that matter). Men - one track-minded, to fly to deliver no-matter-what. Women - worry, or why worry. To love the man, much of letting go and let him be comes with the territory, even if it's Jean Arthur or Rita Hayworth. The story revolves around not just Cary Grant's Geoff leading the pack in the Andes, but also Thomas Mitchell's brother gone, Richard Barthelmess' past recur, Rita Hayworth's nostalgic fear, and the spunky, sentimental Jean Arthur's Bonnie wraps it all up. The supporting cast aptly contributes from the restaurant-hotel-mailing service owner, the lively South American accents and melody, to the pilots who are green and know not what peril is, and the lone fog-watcher and his donkey. Secrets revealed, conflicts challenged, and there's a growing promotion of trust through it all. Between business partners, colleagues, friendship or marriage - that unquestionable trust, without asking out loud but understood within - is what life and dare all about.

This film grew on me. I first saw it on cable TCM the latter half and couldn't wait to catch it again for the full story. Screenplay by Jules Furthman, music score by Dimitri Tiomkin, directed and produced by Howard Hawks, "Only Angels Have Wings" 1939 (available on DVD) is full of life, humor, drama, adventurous spirits, and non-stop exchange of word deliveries - entertaining, enjoyable, and heart-warming.

This movie makes much more sense when you put it in the context of early talkie World War I flying movies like Hawks' Today We Live or The Dawn Patrol or

Dieterle's The Last Flight (starring, not coincidentally, Richard Barthelmess). By 1939, with another war looming, audiences were long since sick of such tales, but by resetting the tale at a South American airport (where Cary Grant runs a mail service which is in danger of losing its contract), it was just barely possible to come up with a credible situation where Grant could again order his flyers to their deaths, and where death would be greeted with the callousness that

comes from knowing you're probably next and your best friend will eat your

steak for you. The reviewers who say Grant doesn't play it serious enough here are exactly missing the point-- his seemingly breezy, actually brittle facade IS the Lost Generation attitude, straight out of The Sun Also Rises.

This is one of the great tough romances, whose real romance is with death itself, which needless to say makes it several steps darker than Hawks' superficially similar To Have and Have Not, let alone Rio Bravo (which reproduces its main

characters almost exactly-- Grant as John Wayne, Arthur/Angie Dickinson as the woman trying to get into the boy's club, Barthelmess/Dean Martin as the guy

with a guilty past of failure, and Mitchell as the guy who age is catching up with/ Walter Brennan, old age fully caught up). In gleaming black and white on the DVD, the foggy, fake studio set and the silver skies might be the dreams of a pilot in the instant before his crash. Too grim a bite of caviar for the general, perhaps, but a testament for a generation that saw more than it could put on film, and one of the greatest works of art to sneak out of the studio system under

disguise of glamorous entertainment.

Geoff Carter is the head of a small run down air freight company in Barranca, one of his best pilots (and friend) is killed, but this is merely only one of the problems he has to deal with as ex flames, potential new sweethearts, and dissension in the camp, all fuse together to test him to the limit.

Howard Hawks was the perfect man for this film because of his aviation background, the result is a very well crafted character study set in a very small locale. Looking at it from the outside you would think that the film was lining up to be a soft soap romantic fable, but here the emotion is channelled into a sort of character bravado that is flawed - yet something that makes for a viewing experience that draws you in deep with the finely etched characters.

The cast are on fine form. Cary Grant gets to flex his non comedic muscles with great results as Carter, the film relies on Grant to glue the story together which he does with great aplomb. Jean Arthur & Rita Hayworth are the girls in amongst this strongly male orientated story, and it's a testament to both of the ladies ability that they don't get bogged down by all the macho heroism pouring out in the plot. Smart camera work and exciting aerial sequences further up the quality that is dotted within the piece, and were it not for some terribly twee dialogue, Only Angels Have Wings would surely be ranked as a classic of the 1930s. As it is, it's a wonderfully involving film that shows Hawks at his most humane. 8/10

For a remarkably compelling story about a fly-by-the-seat-of-their-pants airmail service in South America, director Howard Hawks has assembled a cast that includes Cary Grant as the airline's owner and Jean Arthur as a tourist stranded between boats who catches his eye. While the performances are all superb (especially Thomas Mitchell as the veteran pilot Kid), it is Hawks who turns a rather ordinary plot into an extraordinary film. Watch this movie for its visual style and atmospheric mood (note especially how Hawks fills the frame with actors while Arthur and Grant are sitting at the barroom piano), and be prepared for the ride of your life!

Cary Grant & Jean Arthur star in this Howard Hawks adventure film from 1939. Arthur is between cities finding herself in Peru where Grant runs a ragtag band of pilots ferreting mail from one dangerous locale to another. When one of his pilots buy it, a new one (who actually caused the death of a co-worker some time before) along w/his wife (an early turn by Rita Hayworth) enter the mix livening the atmosphere for the worse as suspicions mount & the increasing perils of the flight trade begin to take their toll on Grant & the men who look up to him. Now don't get me wrong, this is a good film but it could've been better if the obvious love triangle of Grant, Hayworth & Arthur were better delineated (Arthur sometimes disappears for stretches at a time) but even lesser Hawks is still Hawks. Look for Noah Beery Jr. as the first doomed pilot who would later gain fame as James Garner's dad on the Rockford Files.