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That's Right - You're Wrong

  • 1939
  • Approved
  • 1 Std. 34 Min.
IMDb-BEWERTUNG
6,0/10
376
IHRE BEWERTUNG
Lucille Ball, Edward Everett Horton, Kay Kyser, and Adolphe Menjou in That's Right - You're Wrong (1939)
ParodieKomödieMusikRomanze

Füge eine Handlung in deiner Sprache hinzuRadio sensation Kay Kyser and his band are lured to Hollywood to make a movie, but the screenwriters assigned to the project have difficulty tailoring a script to Kyser's persona.Radio sensation Kay Kyser and his band are lured to Hollywood to make a movie, but the screenwriters assigned to the project have difficulty tailoring a script to Kyser's persona.Radio sensation Kay Kyser and his band are lured to Hollywood to make a movie, but the screenwriters assigned to the project have difficulty tailoring a script to Kyser's persona.

  • Regie
    • David Butler
  • Drehbuch
    • William M. Conselman
    • James V. Kern
    • David Butler
  • Hauptbesetzung
    • Kay Kyser
    • Adolphe Menjou
    • May Robson
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,0/10
    376
    IHRE BEWERTUNG
    • Regie
      • David Butler
    • Drehbuch
      • William M. Conselman
      • James V. Kern
      • David Butler
    • Hauptbesetzung
      • Kay Kyser
      • Adolphe Menjou
      • May Robson
    • 15Benutzerrezensionen
    • 1Kritische Rezension
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos8

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    Topbesetzung44

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    Kay Kyser
    Kay Kyser
    • Kay Kyser
    Adolphe Menjou
    Adolphe Menjou
    • Stacey Delmore
    May Robson
    May Robson
    • Grandma
    Lucille Ball
    Lucille Ball
    • Sandra Sand
    Dennis O'Keefe
    Dennis O'Keefe
    • Chuck Deems - the Band Manager
    Edward Everett Horton
    Edward Everett Horton
    • Tom Village - a Screenwriter
    Roscoe Karns
    Roscoe Karns
    • Mal Stamp
    Moroni Olsen
    Moroni Olsen
    • Jonathan Forbes
    Hobart Cavanaugh
    Hobart Cavanaugh
    • Dwight Cook - a Screenwriter
    Kay Kyser Band
    Kay Kyser Band
    • Kay Kyser's Band
    • (as Kay Kyser's Band)
    Ginny Simms
    Ginny Simms
    • Ginny Simms - Band Singer
    Harry Babbitt
    Harry Babbitt
    • Harry Babbitt
    Sully Mason
    Sully Mason
    • Sully Mason
    M.A. Bogue
    M.A. Bogue
    • Ish Kabibble
    • (as Ish Kabibble)
    Kathryn Adams
    Kathryn Adams
    • Mrs. Elizabeth Ralston
    • (Nicht genannt)
    Mary Bayless
    • Party Guest
    • (Nicht genannt)
    Ernani Bernardi
    • Clarinetist
    • (Nicht genannt)
    Harrison Carroll
    • Harrison Carroll
    • (Nicht genannt)
    • Regie
      • David Butler
    • Drehbuch
      • William M. Conselman
      • James V. Kern
      • David Butler
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen15

    6,0376
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    Empfohlene Bewertungen

    8JohnHowardReid

    Ginny is wonderful

    "Kay Kyser's Kollege of Musical Knowledge" was an extremely popular weekly radio broadcast when RKO signed Kyser and his band to this, their first film. The studio's faith in the bespectacled band-leader paid off handsomely at the box office, this initial effort grossing more than a million dollars in domestic admissions alone. All told, the studio netted around $520,000 in U.S./Canadian rentals after paying all print, advertising and distribution expenses. On a negative cost of $300,000 this returned a tidy profit which was split three ways: RKO, Butler and Kyser himself.

    As to whether the film is still entertaining today, that depends on whether you're a Kay Kyser fan and/or a Ginny Simms admirer. I put myself strictly in the latter class, though I must admit Kyser is quite tolerable here — and even mildly diverting, aside from the climactically generous (but specially staged for the movie) excerpt from his weekly radio program which wears my patience a little thin. Fortunately, Miss Simms does receive a large amount of the camera's attention (beautifully costumed and photographed she is too) and sings most of the songs as well. On the other hand, I'm happy to report that my pet hate, Merwyn Bogue (Ish Kabibble to you) receives comparatively little footage. Adolphe Menjou, typecast once again as a harassed film producer, gives a somewhat mechanical performance, but does contribute some amusing moments, as do Horton and Cavanaugh as a couple of egotistical scriptwriters.

    I'm always a pushover for movies with a Hollywood background. The satire here is rather mild, but still reasonably entertaining. Especially the gondola screen test in which Lucy Ball (who has otherwise very little to do in this picture) finally gets some comic moments.
    6richard-1787

    It's all Kay Kyser

    Yes, I know Lucille Ball is in this movie, but if you blink, you'll miss her. She's in one mildly funny scene.

    Otherwise, this movie revolves around band leader Kay Kyser. He's an engaging guy, so he more or less carries the picture.

    What he doesn't carry is the musical numbers, which are all forgettable and can be skipped. Given that there are a fair number of them, that's unfortunate.
    dougdoepke

    A Delight

    This is Kyser's first film and it sparkles with bounce and personality. Credit director Butler for keeping things moving, and band members for showing that making music is not their only talent. Kyser himself is a delight with real comedic skill. I like the way he allows his plain looks to blend into the story-line; at the same time, it's rather refreshing to see a less-than-handsome face in the starring role. And, of course, there's the lovely and toothsome Ginny Simms, singing her way into my heart, at least. I gather Kyser's band were not concert performers like Goodman's, Dorsey's or Miller's, but were more for fun and sheer entertainment. They certainly succeed here.

    The story itself amounts to a clever spoof on movie-making, with Menjou as the studio schemer, and includes assorted real-life gossipers of the day like Hedda Hopper. And, oh yes, mustn't forget the hilarious screen test, where Lucille Ball matches Kyser pratfall for pratfall. Knowing how her career will eventually turn out, this is a tasty glimpse of things to come. Then there's the old gal who plays Grandma (May Robson) who is a real hoot with genuine sass and sparkle. We also get about 20 minutes of the Kyser radio show Kollege of Musical Knowledge. It's enlightening for those of us not old enough to remember; however, I think 10 minutes would have been enough. Nonetheless, the movie never drags, and is really a lot more fun than many other musicals featuring bigger name bands and celebrities. All in all, "That's Right..." amounts to an unexpected movie delight.
    yessdanc

    KYSER'S BEST!

    THAT'S RIGHT, YOU'RE WRONG is the first Kyser feature (there were 7) and I think his best. The plot is rather formulaic, but with a couple of cute twists. I recently purchased director David Butler's script (I'm a Kyser 'kollector') and followed along as i watched the film. There was a song cut, and dialogue as well. Turns out Louella Parsons and then columnist Ed Sullivan were to be in the film alongside Hedda Hopper, Jimmy Fidler et al. Songs are great, band great, Lucille Ball great. Could be this is a bit corny by today's standards, but who cares? It's a fun, innocent flick that presented all the (then) on-air radio characters of the extremely popular Kyser band- Ish Kabibble, Harry Babbitt, Ginny Simms, and Sully Mason, as well as Kyser, visually for the first time.
    yessdanc

    KYSER'S BEST!

    THAT'S RIGHT, YOU'RE WRONG is the first Kyser feature (there were 7) and I think his best. The plot is rather formulaic, but with a couple of cute twists. I recently purchased director David Butler's script (I'm a Kyser 'kollector') and followed along as i watched the film. There was a song cut, and dialogue as well. Turns out Louella Parsons and then columnist Ed Sullivan were to be in the film alongside Hedda Hopper, Jimmy Fidler et al. Songs are great, band great, Lucille Ball great. Could be this is a bit corny by today's standards, but who cares? It's a fun, innocent flick that presented all the (then) on-air radio characters of the extremely popular Kyser band- Ish Kabibble, Harry Babbitt, Ginny Simms, and Sully Mason, as well as Kyser, visually for the first time.

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    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      This movie provides a rare opportunity to see three of the most influential Hollywood columnists active at the time. Sheilah Graham, Hedda Hopper and Jimmy Starr all appear as themselves in the press conference / party scene at the house.
    • Patzer
      The title card for Kyser's screen test lists him as age 32. The movie was released in 1939, when Kyser turned 34 (b. 1905).
    • Zitate

      Kay Kyser: It looks like at the age of 32, I've become a problem child!

    • Crazy Credits
      Listed in the acting credits were "The College of Musical Knowledge", but that referred to Kay Kyser's audience at the radio program, which he called "students."
    • Verbindungen
      Referenced in Africa Squeaks (1940)
    • Soundtracks
      The Little Red Fox (N'Ya N'Ya You Can't Catch Me)
      (1939)

      Music by Lew Porter

      Lyrics by James V. Kern, Hy Heath, Johnny Lange

      Played by the Kay Kyser Band (uncredited) and sung by Ginny Simms (uncredited), Harry Babbitt (uncredited), Sully Mason (uncredited), M.A. Bogue (uncredited) and Kay Kyser (uncredited) at the studio

      Reprised on the radio show at the end

    Top-Auswahl

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    Details

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    • Erscheinungsdatum
      • 24. November 1939 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Rapsódia da Ilusão
    • Drehorte
      • RKO Studios - 780 N. Gower Street, Hollywood, Los Angeles, Kalifornien, USA(Studio)
    • Produktionsfirma
      • RKO Radio Pictures
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    Box Office

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    • Budget
      • 271.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 34 Minuten
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.37 : 1

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