Füge eine Handlung in deiner Sprache hinzuA concert pianist unhappily married to a mentally ill woman falls in love with a waitress.A concert pianist unhappily married to a mentally ill woman falls in love with a waitress.A concert pianist unhappily married to a mentally ill woman falls in love with a waitress.
- 1 Oscar gewonnen
- 1 wins total
Eddie Acuff
- Second Bus Driver
- (Nicht genannt)
Maude Allen
- Woman
- (Nicht genannt)
Dorothy Appleby
- Waitress
- (Nicht genannt)
Jane Barnes
- Waitress
- (Nicht genannt)
Georgie Billings
- Boy Hiding From Policeman
- (Nicht genannt)
Gladys Blake
- Tenement Resident
- (Nicht genannt)
Stanley Blystone
- First Bus Driver
- (Nicht genannt)
Wade Boteler
- Policeman at Pier
- (Nicht genannt)
Harry C. Bradley
- Reverend Mr. Morris
- (Nicht genannt)
Helen Brown
- Waitress
- (Nicht genannt)
Sonny Bupp
- Boy Hiding from Policeman
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesAfter the movie came out, author James M. Cain sued Universal Pictures and director John M. Stahl for copyright violation. Although the movie was based on Cain's novel, "A Modern Cinderella," Cain claimed the filmmakers had stolen the scene where the two lovers take refuge in a church during a storm from his 1937 novel, "Serenade." Screenwriter Dwight Taylor admitted he'd taken the concept of the church scene from "Serenade," but had written an entirely new scene for the movie. The judge in the case ruled against Cain, saying there were significant differences between the book and movie scenes. The case established the legal principle of "scènes à faire" ("scenes to be written"), which states that certain concepts, settings, and devices (i.e. spy gadgets in spy novels) appear in multiple works of fiction and are therefore not subject to copyright laws. Today, the concept of "scènes à faire" is often used in software copyright cases, where certain types of programs, files, and variables appear in all software packages and cannot be copyrighted.
- VerbindungenRemade as Der letzte Akkord (1957)
- SoundtracksYankee Doodle
Traditional
Played by the busboys at the labor meeting
Ausgewählte Rezension
I love Dunne and Boyer and think they are a good match. However, I am constantly amazed at how long Irene Dunne was able to get away with 20-something roles. She is 41 here, and looks it. She is playing a waitress with a roommate who is about to strike for better pay. Her character at most would be 25. Yet producers continued to give Dunne these types of roles even after this movie. I don't really get it. When Lana Turner was in her early 40s, she was playing mothers of teenagers in "Imitation of Life" and "Portrait in Black" and Mary Astor had moved to these roles by the time she was 38. I don't understand why they weren't moving Dunne to more motherly roles by this time; she certainly does not look or act like an ingenue.
- traceywilliamson-41698
- 6. Nov. 2019
- Permalink
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- How long is When Tomorrow Comes?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Give Us the Night
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 1.000.000 $ (geschätzt)
- Laufzeit1 Stunde 32 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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Oberste Lücke
By what name was When Tomorrow Comes (1939) officially released in Canada in English?
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