The Fatal Hour

An old, creaky Monogram mystery with Karloff as Mr. Wong, the celebrated Chinese detective. Grant Withers as policeman Street gets news his partner has been killed, and soon he and Wong begin to unravel the truth. Helping is spunky newswoman Marjorie Reynolds. This is not a great mystery by any means, but it is highly watchable as Karloff ably plays Wong - though not in a very Oriental fashion. Karloff of course is good and surprisingly so is the rest of the cast. Everyone seems adept at being mediocre, which for a film like this, directed by the very mediocre director William Nigh, works. The 68 minutes of running time just zip by and the ending, while very inventive and highly implausible, pays off as being clever.

Although not as legendary or eloquent as his contemporary British colleague Sherlock Holmes, Oriental detective Mr. Wong successfully solved quite a lot of difficult cases as well, with his splendid observation talents and marvelous deduction skills. "The Fatal Hour" is the fourth film in a series of six, all but one starring the unequaled master-actor Boris Karloff in the role James Lee Wong. Police Captain Bill Street always calls him upon for help whenever there's a complex murder case with connections to the oriental community of San Francisco. In "The Fatal Hour", Street's colleague and long time friend Dan O'Grady has been murdered during his investigation of an extended oriental jewelry smuggling network. The owner of the dubious Neptune bar near the harbor – where all the smuggling import and export takes place - is the obvious suspect, but there are a lot more people involved. This isn't a very sensational film in terms of violent bloodshed or wild car chases, but the plot is quite compelling and the dialogues are fluently written. There are a couple of ingenious red herrings and I liked the realistic aspect that Wong isn't a superhero who prevents further murders from happening and thus has to face several more dead bodies during his investigation. Even though pretty much performing on automatic pilot, Karloff is terrific and he receives good feedback from the supportive cast. Particularly Marjorie Reynolds is likable as the obtrusive yet helpful gossip reporter Bobby Logan. Recommended in case you have 70 minutes to spare.

After a number of Mr. Wong detective movies, Boris Karloff's performance as a "Chinese copper" is a smooth transition in believing Karloff is Chinese. The battling twosome of Captain Street and Reporter Bobbie Logan returns as usual. Because of the number of mysteries solved by Mr. Wong, Street seeks out the detective in solving the murder of Street's friend and fellow cop, Dan O'Grady. A level head is needed in solving this mystery. Numerous clues appear and only Wong can see them. Of course, this will occur only if Wong can survive till the end of the movie. For once, the female reporter Logan saves the lives of both of the men. A good movie to watch if you like a mystery.

1940's "The Fatal Hour" began shooting Nov. 28, 1939 for release in January (original title "Mr. Wong at Headquarters"), Boris Karloff's 4th Monogram entry as Oriental detective James Lee Wong, again teamed with Grant Withers as Capt. Bill Street and Marjorie Reynolds as reporter Bobbie Logan. As a whodunit it might very well be the best of the entire series, with its culprit guilty of four murders during the course of the film while using a remote controlled radio for an alibi, the brand new Philco Mystery Control. A somber note is struck at the beginning when Street learns of the murder of one of his colleagues, whom he has known since childhood, found dead in the bay while on smuggling detail at the waterfront. Wong's investigation involves a number of suspects: a shady jeweler (Hooper Atchley), his dense but innocent son (Craig Reynolds), the son's fiancee (Lita Chevret), and her association with a nightclub owner (Frank Puglia) directly involved with the smuggling ring. Even a radio actor (Jason Robards) isn't safe from danger, Karloff himself oddly more of a background figure in many scenes, essentially silent as Grant Withers does all the tiresome bullying (not once is Wong seen in his home). Once again, Bobbie Logan is capable of far more than her police captain boyfriend lets on, and even delivers the payoff for the climax by preventing two more killings. Richard Loo puts in another performance in aged makeup, Frank Puglia fresh from the set of "Charlie Chan in Panama," where he played an Egyptian building his own tomb! Karloff's final outing as the Asian sleuth is preceded by mad scientist roles in Universal's "Black Friday" and Columbia's "The Man with Nine Lives."

The Mr. Wong series borrows somewhat from the Torchy Blane series at Warner Bros., i.e. feisty female reporter annoying the police officer/boyfriend, but also key to solving the crime. A comment was made elsewhere about that character here having a "Lois Lane" moment. Torchy Blane was allegedly the inspiration for the Lois Lane character of Superman comics.

A humorous, but probably unintentional, mistake shows up early in the film when Boris Karloff's darkening makeup is forgotten on his neck, giving him a two-tone head.

Although one can disparage Karloff for these films, keep in mind that film actors then, as now, need and want work. There are plenty of other well-experienced actors appearing in the Mr. Wong films, whom you can see in better films at better studios in the 1930s, or even in later films.

Although Karloff was making "B" films at Monogram and Columbia around this time, at least he had an "up" blip in his career when he played a major role in "Arsenic and Old Lace" on Broadway from 1941 to 1944.

This film is no worse than the formulaic TV series we have now, both comedy and drama, TV now being today's equivalent of the "B" movies of yesterday.