Füge eine Handlung in deiner Sprache hinzuTo save his job, newsman Jeff Sherman offers to help his boss get out of a swingeing alimony settlement. But his devious plan to compromise Cornelia Porter, the judge on the case, while she ... Alles lesenTo save his job, newsman Jeff Sherman offers to help his boss get out of a swingeing alimony settlement. But his devious plan to compromise Cornelia Porter, the judge on the case, while she is on holiday at Cape Cod soon proves to be - well - too devious!To save his job, newsman Jeff Sherman offers to help his boss get out of a swingeing alimony settlement. But his devious plan to compromise Cornelia Porter, the judge on the case, while she is on holiday at Cape Cod soon proves to be - well - too devious!
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Rosalind Russell is great for this role. I love her. The trick of this is for the audience to like Sherman despite his underhanded selfish ways. I like Walter Pidgeon fine enough, but there are better picks for this role. The character is much more borderline. I'm not sure if I like Sherman. The film is borderline.
After Arnold takes a beating in his divorce case, presided over by Russell, Pidgeon offers to help him out in return for getting his job back (when he thought he was going to die, he told off the boss - always a mistake).
His assignment is to devise a scandal involving the judge so that his boss can have her removed from the bench. Pigeon follows the lady on her vacation and makes his play, enlisting the help of his girlfriend to build an alienation of affections case.
This is a very mild comedy, highly predictable, and this type of role wasn't Pidgeon's forte. He's quite handsome in the role, but the part called for someone like Cary Grant, Errol Flynn, Clark Gable - an attractive, fast-talking rogue.
Russell, like Celeste Holm and sometimes Katharine Hepburn, played these strong career women since her beauty was not conventional. She's very good, but the theme is always the same, isn't it - a successful career is fine but you're deluding yourself.
What you really want to do is take off those tailored suits and get a man - because being a smart and successful woman will never win you anything important.
It all gets a little tired, but it does give me some insight into why my mother turned out the way she did.
Pidgeon is a reporter who works for Edward Arnold a rich publisher who hates to part with a nickel. Arnold just got taken to the cleaners in a divorce settlement from gold digging Mary Beth Hughes and he's mad as hell at Judge Rosalind Russell for really socking it to him.
There's some really dirty pool played here as Pidgeon romances Russell so that Jean Rogers playing his girlfriend can sue her in a trumped up alienation of affections suit. What happens here is what happens in all movies of this type. You can truly figure out what's going on here.
The leads are fine, but Edward Arnold really steals this film as the 'mastermind' behind this scheme. His reactions every time another bill is brought to him are priceless.
Rosalind Russell plays another one of those patented career woman roles she did so well. Her fans who like to see her in these parts will be pleased.
WUSSTEST DU SCHON:
- WissenswertesAccording to contemporary articles in The Hollywood Reporter, Sam Taylor was to direct and Clark Gable was to play the male lead in this picture.
- PatzerWhen Judge Porter and Jeff are riding bicycles; in the background the exact footage of the sign saying "boats for hire" appears several times indicating that the rear projection footage is looped.
- Zitate
Jeff Sherman: I want to get something to amuse a little boy on a train.
Snack Bar Counterman: Yes, indeed. Something for a little boy, eh?
Jeff Sherman: Yeah.
Snack Bar Counterman: What age?
Jeff Sherman: Oh, about so high.
[brings palm to just above his waist]
Snack Bar Counterman: Eight. Yes sir. Right here.
[motions to shelves of toys behind him]
Snack Bar Counterman: Everything to make him happy and ruin your trip. Take your choice, sir.
Jeff Sherman: Well, you've been here a long time, you suggest something.
Snack Bar Counterman: Chloroform. Either that or a good slap in the kisser.
- Crazy CreditsBarbara Jo Allen is listed as "Barbara Jo Allen (Vera Vague)" in the opening credits. Vera Vague was the character name of the woman she played on the Bob Hope radio program, and she was often billed this way until she finally stopped using her real name and simply went by "Vera Vague," notably in her starring series of Columbia two-reelers.
- VerbindungenReferenced in We Must Have Music (1941)
- SoundtracksWonderful One
(1923) (uncredited)
Music by Paul Whiteman and Ferde Grofé Sr.
Adapted from a theme by Marshall Neilan
Lyrics by Dolly Morse
Played in a restaurant
Whistled by Walter Pidgeon
Played as background music often
Top-Auswahl
Details
Box Office
- Budget
- 558.000 $ (geschätzt)
- Laufzeit1 Stunde 25 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1