Eine Stummfilmproduktionsfirma und deren Schauspieler versuchen, den schwierigen Übergang in die Tonfilmära zu schaffen.Eine Stummfilmproduktionsfirma und deren Schauspieler versuchen, den schwierigen Übergang in die Tonfilmära zu schaffen.Eine Stummfilmproduktionsfirma und deren Schauspieler versuchen, den schwierigen Übergang in die Tonfilmära zu schaffen.
- Für 2 Oscars nominiert
- 11 Gewinne & 11 Nominierungen insgesamt
Dawn Addams
- Teresa - a Lady-in-Waiting
- (Nicht genannt)
John Albright
- Call Boy
- (Nicht genannt)
Shirlee Allard
- Chorus Girl
- (Nicht genannt)
Bebe Allen
- Chorus Girl
- (Nicht genannt)
Sue Allen
- Chorus Girl
- (Nicht genannt)
John Angelo
- Dancer
- (Nicht genannt)
Marie Ardell
- Chorus Girl
- (Nicht genannt)
Bette Arlen
- 'Miss January' in 'Beautiful Girl' segment
- (Nicht genannt)
David Bair
- Chorus Boy
- (Nicht genannt)
Jane Bateman
- Chorus Girl
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesFor the "Make 'em Laugh" number, Donald O'Connor revived a trick he had done as a young dancer: running up a wall and completing a somersault. The number was so physically taxing that O'Connor ended up in a hospital bed for a week after its completion. He suffered from exhaustion and carpet burns. After an accident ruined all of the initial footage, O'Connor agreed to do the difficult number all over again.
- PatzerDuring the Cyd Charisse nightclub dance number, when she's wrapped around Gene Kelly, her body completely changes position between frames due to a clumsy edit. According to commentary on the special edition DVD, this cut of only a few frames' duration dates back to the original release of the film and no one knows why it exists.
- Zitate
Cosmo Brown: Lina. She can't act, she can't sing, she can't dance. A triple threat.
- VerbindungenEdited from Die drei Musketiere (1948)
- SoundtracksFit as a Fiddle
(1932)
Music by Al Hoffman (uncredited) and Al Goodhart (uncredited)
Lyrics by Arthur Freed
Originally from the 1932 stage revue "George White's Music Hall Varieties"
Sung by Gene Kelly (uncredited) and Donald O'Connor (uncredited)
Ausgewählte Rezension
This is my favorite movie musical with no stage forebear.
Consider what's in the mix: A cachet of songs, all tried-and-true from other movies. A cast that was at the top of its form, all the way from Kelly himself to the supporting leads played by Rita Moreno and Millard Mitchell. A script that is, at once, romantic and exciting and sharp and funny.
Stir together with a generous heaping of MGM color and a dash of a director with a stellar pedigree and the result is, well, something like "Singin' in the Rain."
There's not a misstep in the movie's entire 103-minute running time. I love the pokes at early filmmaking ("She never *did* figure out where that microphone was, boss!") and the sheer energy of the musical numbers ("Fit as a Fiddle," "Good Mornin'").
Not only that, but there's not a more romantic scene in all of filmdom that can compare with Reynolds and Kelly dancing to "You Were Meant for Me." Their side-by-side tap dancing says more about how they feel about each other than pages and pages of dialog.
Great stuff!
If you think this movie is just the sequence of Kelly splashing like a five-year-old in a puddle, you obviously haven't seen the entire film. Do so--now! You won't regret it!
PS: In the "rent-this-too" category, if you've seen and love "Singin' in the Rain," check out "The Band Wagon." It skewers the world of theater in much the same way as this film roasts Hollywood!
Consider what's in the mix: A cachet of songs, all tried-and-true from other movies. A cast that was at the top of its form, all the way from Kelly himself to the supporting leads played by Rita Moreno and Millard Mitchell. A script that is, at once, romantic and exciting and sharp and funny.
Stir together with a generous heaping of MGM color and a dash of a director with a stellar pedigree and the result is, well, something like "Singin' in the Rain."
There's not a misstep in the movie's entire 103-minute running time. I love the pokes at early filmmaking ("She never *did* figure out where that microphone was, boss!") and the sheer energy of the musical numbers ("Fit as a Fiddle," "Good Mornin'").
Not only that, but there's not a more romantic scene in all of filmdom that can compare with Reynolds and Kelly dancing to "You Were Meant for Me." Their side-by-side tap dancing says more about how they feel about each other than pages and pages of dialog.
Great stuff!
If you think this movie is just the sequence of Kelly splashing like a five-year-old in a puddle, you obviously haven't seen the entire film. Do so--now! You won't regret it!
PS: In the "rent-this-too" category, if you've seen and love "Singin' in the Rain," check out "The Band Wagon." It skewers the world of theater in much the same way as this film roasts Hollywood!
Hilfreich•6927
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Cantando bajo la lluvia
- Drehorte
- Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, Kalifornien, USA(New York City Streets)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 2.540.800 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.884.537 $
- Eröffnungswochenende in den USA und in Kanada
- 13.643 $
- 10. Nov. 2002
- Weltweiter Bruttoertrag
- 2.093.659 $
- Laufzeit1 Stunde 43 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.37 : 1
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Oberste Lücke
By what name was Du sollst mein Glücksstern sein (1952) officially released in India in Hindi?
Antwort