IMDb-BEWERTUNG
7,0/10
4210
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA washed-up movie queen finds romance, but still desires a comeback.A washed-up movie queen finds romance, but still desires a comeback.A washed-up movie queen finds romance, but still desires a comeback.
- Für 1 Oscar nominiert
- 1 Nominierung insgesamt
Robert Warwick
- R.J., Aging Actor at Party
- (as Robert Warrick)
David Alpert
- Keith Barkley - Director
- (Nicht genannt)
Florence Auer
- Annie's Friend in Store
- (Nicht genannt)
Marie Blake
- Annie, Stones' Maid
- (Nicht genannt)
Paul Bradley
- Party Guest
- (Nicht genannt)
Claire Carleton
- Jailbird
- (Nicht genannt)
Steve Carruthers
- Party Guest
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesWhen a drunken Margaret Elliot takes her Oscar for a ride in her car, Bette Davis used one of her own Oscars.
- PatzerWhen Gretchen changes direction on the boat for the second time, Margaret is knocked way over to the left by the sail. She turns around to laugh, but is shown seated on the far right.
- Zitate
[to her Oscar statuette]
Margaret Elliott: Come on, Oscar, let's you and me get drunk!
- VerbindungenFeatured in Hollywood: The Great Stars (1963)
Ausgewählte Rezension
Although some of Bette Davis' films were not great, a few like'Wicked Stepmother' not even good, her best films were incredible. 'All About Eve' in particular is a personal favourite film and performance of mine, both for Davis and in general. 'The Star' also has a subject that is easy to relate and is still relevant oddly enough today, on the outside stardom seems glamorous but underneath all the glamour it is much darker than it looks and many struggled, and still are struggling, with the pressure it causes.
'The Star' may not be one of Davis' best films or performances, but she still comes off very well which says a lot about the general high quality of her performances and her as an actress. It took a lot for her to give a bad performance, even in her twilight years. The film does a good, if not quite great, job with the subject, it is relatable and it holds up. For what 'The Star' lacks in subtlety and an ending that is in keeping with the rest of the film, it makes up for in emotion and intelligence.
For my, and other people's, tastes, 'The Star' does go a little too over the top on the melodrama. Melodrama can tend to get overheated, and the melodramatic bits here are on the overwrought side. It can be contrived with things happening too easily.
Did have reservations with the ending. It did admittedly leave me misty eyed, but it had a tacked on and studio interference-like feel and doesn't gel with the rest of the film, a darker and more daring ending would have been better perhaps.
On the other hand, Davis gives it absolutely everything in a meaty role and is terrific. Gutsy but also vulnerable. There is also strong work from Sterling Hayden playing his role with integrity and young pre-'Splendor in the Grass' and 'West Side Story' Natalie Wood is also worth looking out for. The direction is very skilled and judges and paces everything well, though other more distinguished directors understood Davis' strengths more perhaps.
It is an in general intelligently scripted film, subtlety is not a strong suit as said already but there are some memorable lines that made me think and came over as sincere. The story moves swift and, although it is far from flawless, it has the right amount of tension and poignancy when needed and doesn't soften the subject too much. 'The Star' is not lavish visually but it has atmosphere, as does Victor Young's haunting score.
All in all, not great but well done. 7/10
'The Star' may not be one of Davis' best films or performances, but she still comes off very well which says a lot about the general high quality of her performances and her as an actress. It took a lot for her to give a bad performance, even in her twilight years. The film does a good, if not quite great, job with the subject, it is relatable and it holds up. For what 'The Star' lacks in subtlety and an ending that is in keeping with the rest of the film, it makes up for in emotion and intelligence.
For my, and other people's, tastes, 'The Star' does go a little too over the top on the melodrama. Melodrama can tend to get overheated, and the melodramatic bits here are on the overwrought side. It can be contrived with things happening too easily.
Did have reservations with the ending. It did admittedly leave me misty eyed, but it had a tacked on and studio interference-like feel and doesn't gel with the rest of the film, a darker and more daring ending would have been better perhaps.
On the other hand, Davis gives it absolutely everything in a meaty role and is terrific. Gutsy but also vulnerable. There is also strong work from Sterling Hayden playing his role with integrity and young pre-'Splendor in the Grass' and 'West Side Story' Natalie Wood is also worth looking out for. The direction is very skilled and judges and paces everything well, though other more distinguished directors understood Davis' strengths more perhaps.
It is an in general intelligently scripted film, subtlety is not a strong suit as said already but there are some memorable lines that made me think and came over as sincere. The story moves swift and, although it is far from flawless, it has the right amount of tension and poignancy when needed and doesn't soften the subject too much. 'The Star' is not lavish visually but it has atmosphere, as does Victor Young's haunting score.
All in all, not great but well done. 7/10
- TheLittleSongbird
- 24. Feb. 2020
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Zvezda
- Drehorte
- May Company Department Store - 6067 Wilshire Boulevard, Los Angeles, Kalifornien, USA(Margaret Eliot's workplace)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 29 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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