IMDb-BEWERTUNG
8,6/10
9787
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe short-tempered Daffy Duck must improvise madly as the backgrounds, his costumes, the soundtrack, and even his physical form shift and change at the whim of the animator.The short-tempered Daffy Duck must improvise madly as the backgrounds, his costumes, the soundtrack, and even his physical form shift and change at the whim of the animator.The short-tempered Daffy Duck must improvise madly as the backgrounds, his costumes, the soundtrack, and even his physical form shift and change at the whim of the animator.
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- Drehbuch
- Hauptbesetzung
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- 1 wins total
Mel Blanc
- Daffy Duck
- (Synchronisation)
- …
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This has to be the wackiest Daffy Duck cartoon ever....maybe the wackiest (and most clever) cartoon ever. There is no story; just Daffy getting "jerked around," so to speak by the cartoonist drawing both he and the background scenery.
For example, Daffy, dressed as a musketeer, sword in hand, yells "en guarde," and soon the screen is totally white in back of him. After a few seconds of silence, Daffy turns to the camera (us) and says, "Can we get some scenery here?" So, an artist paints us a rural picture. Daffy changes clothes and is a now a farmer. Suddenly it's a winter scene. Daffy stops and asks the not-seen cartoon artist, "Is it too much to ask to make your mind?" Now, he changes outfits again in a flash and is skiing.
This goes on and on, and then really weird things happen with the screen and with Daffy as he's erased, redrawn, erased, muted, given his voice back, etc. All of this is driving him crazy....and it's fun to watch because you have no clue what crazy things is going to happen next.
This is an incredible cartoon. If ever the word "unique" would be appropriate, it's here.
For example, Daffy, dressed as a musketeer, sword in hand, yells "en guarde," and soon the screen is totally white in back of him. After a few seconds of silence, Daffy turns to the camera (us) and says, "Can we get some scenery here?" So, an artist paints us a rural picture. Daffy changes clothes and is a now a farmer. Suddenly it's a winter scene. Daffy stops and asks the not-seen cartoon artist, "Is it too much to ask to make your mind?" Now, he changes outfits again in a flash and is skiing.
This goes on and on, and then really weird things happen with the screen and with Daffy as he's erased, redrawn, erased, muted, given his voice back, etc. All of this is driving him crazy....and it's fun to watch because you have no clue what crazy things is going to happen next.
This is an incredible cartoon. If ever the word "unique" would be appropriate, it's here.
Already as a boy I could understand the humor in 'Duck Amuck' - but perhaps not it's meta-ambitions! If I knew then how good this short movie is I would never ever let my father erase it!
Quotes like: "NOW WHAT?" and "Give me a close-up!" can't leave my head! Duffy (or Daffy) has since this movie always been my personal cartoon favorite.
Don't miss this incredible masterpiece, then you will miss one of the best movies ever made!!!
Rating: 10 of 10.
Quotes like: "NOW WHAT?" and "Give me a close-up!" can't leave my head! Duffy (or Daffy) has since this movie always been my personal cartoon favorite.
Don't miss this incredible masterpiece, then you will miss one of the best movies ever made!!!
Rating: 10 of 10.
Chuck Jones has to be the greatest Looney Tunes director ever, he directed Whats Opera Doc, Rabbit of Seville and the classic Duck Dodgers, but this surreal masterpiece is his pure genius. The cartoon focuses around Daffy, who thinks he is in a Musketeer set, then as he progress left, the background fades, leaving only Daffy hiding behind the frame of the film asking where the scenery is.
From that moment, Daffy goes on to one wacky situation to another and so on. This episode producers one of the best lines ever said in a Looney Tunes cartoon
"Hey Come Here, Come Here, Give me a close up, A Close Up! (Screen Blackens except the top right corner). This is a close up? A CLOSE UP YOU JERK, A CLOSE UP!!!!!!!! (Camera zooms in)"
That line has got to be one of my favourites. SO is this cartoon
From that moment, Daffy goes on to one wacky situation to another and so on. This episode producers one of the best lines ever said in a Looney Tunes cartoon
"Hey Come Here, Come Here, Give me a close up, A Close Up! (Screen Blackens except the top right corner). This is a close up? A CLOSE UP YOU JERK, A CLOSE UP!!!!!!!! (Camera zooms in)"
That line has got to be one of my favourites. SO is this cartoon
10Rikichi
The Duck has been a favorite cartoon character of audiences from his inception, but in Chuck Jones' hands, Daffy was at his greediest, all too human like best (worst?).
In this cartoon, Daffy Duck is manipulated by some unseen, omnipotent force that keeps changing the scenery, the sound, and even the appearance of Daffy himself, much to his horror. The humor in most of the gags go deeper than the usual Warner Bros. cartoon, with claustrophobia, an exact duplicate of Daffy and instant deformity inflicted upon him has us laughing at our own fears.
But it's Jones' vision of Daffy that is the true star of this and many other of his cartoons. The other directors, the great Friz Freleng and the unfairly maligned Robert McKimson, never really had the grasp of the new Daffy Duck that emerged in the mid 40's, but he really was a new creation of Michael Maltese and Chuck Jones, only faintly reminiscent of the crazy antics that handlers such as Frank Tashlin, Tex Avery and Robert Clampett portrayed him as possessing. That old Daffy was wild and wacky and good, the new Daffy always has us humans at a disadvantage by making fun of our own weaknesses.
In this cartoon, Daffy Duck is manipulated by some unseen, omnipotent force that keeps changing the scenery, the sound, and even the appearance of Daffy himself, much to his horror. The humor in most of the gags go deeper than the usual Warner Bros. cartoon, with claustrophobia, an exact duplicate of Daffy and instant deformity inflicted upon him has us laughing at our own fears.
But it's Jones' vision of Daffy that is the true star of this and many other of his cartoons. The other directors, the great Friz Freleng and the unfairly maligned Robert McKimson, never really had the grasp of the new Daffy Duck that emerged in the mid 40's, but he really was a new creation of Michael Maltese and Chuck Jones, only faintly reminiscent of the crazy antics that handlers such as Frank Tashlin, Tex Avery and Robert Clampett portrayed him as possessing. That old Daffy was wild and wacky and good, the new Daffy always has us humans at a disadvantage by making fun of our own weaknesses.
This is probably the most clever and inventive short I have ever had the opportunity to watch. It shows Daffy Duck, being made VERY VERY ANGRY by being drawn into many different messes. Daffy Duck is perfect in this episode. He is well-animated, nice enough and gets angry easily when necessary (In some episodes, I feel as if he is being unnecessarily cruel and he's not in this one, he's trying to be nice!).
This short also has some MASSIVE humour. Just when you have finished laughing, yet ANOTHER joke comes on - and of course - you HAVE to laugh again!
Recommended for all Daffy Duck and cartoon animation fans! Enjoy!
This short also has some MASSIVE humour. Just when you have finished laughing, yet ANOTHER joke comes on - and of course - you HAVE to laugh again!
Recommended for all Daffy Duck and cartoon animation fans! Enjoy!
Wusstest du schon
- WissenswertesAccording to Chuck Jones, the revelation of the animator in the ending is just for comedic value - Jones (the director) is speaking to the audience directly, asking "Who is Daffy Duck anyway? Would you recognize him if I did THIS to him?"
- Crazy CreditsThe opening credits are written in essentially the same style as those of "Rabbit Hood" from 1949--red and blue "Old English" letters on parchment--deceptively suggesting "Duck Amuck" is a similar "period" cartoon.
- VerbindungenEdited into Das Hexenhaus (1966)
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 14.753 $
- Eröffnungswochenende in den USA und in Kanada
- 12.285 $
- 16. Feb. 1998
- Weltweiter Bruttoertrag
- 14.753 $
- Laufzeit7 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.37 : 1
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