Das Kabinett des Professor Bondi

HOUSE OF WAX established Vincent Price as a horror film icon. He's never hammy here. He's best when describing gruesome details (like torture or murder) with a slight grin, as if he's building to a punchline. Crane Wilbur's screenplay has well researched details (regarding how wax sculpting works, the effects of chemical burns for example) improves on the 1933 original. Here Vincent Price plays Henry Jerrod, a wax sculptor whose first try at a wax museum meets the same infernal end as Atwill's museum in the first film. 12 years later, Jerrod opens a new museum. One of his intern sculptors dates a model, Sue (Phyllis Kirk) who is hounded by a mysterious man with a distorted face. In the original film version, made in 1933, Fay Wray plays a beautiful, but uninteresting damsel in distress. Phyllis Kirk fills Fay Wray's part here, and man, is she even more boring! But don't worry, you have plenty of Vincent to make this DVD worthwhile. It's easy to find in a bit part, young Charles Bronson (billed here as Charles Buchinsky) as one of Jerrod's s interns. HOUSE OF WAX's most famous element is that it was made in 3-D. This new gimmick, meant to lure television viewers back to the box office was novel, but it had it's kinks. (Warner Brothers improved the process a year later with the 3-D release of Hitchcock's DIAL M FOR MURDER, and yet another period horror film, PHANTOM OF THE RUE MORGUE.) The most amusing 3-D moment in HOUSE OF WAX has almost nothing to do with the story. A carnival barker, (played with crowd-pleasing energy by Reggie Rymal) constantly whacks a paddle-ball outside the wax museum, while heralding the museum's opening night thrills. He faces the camera (meaning us) and says `You! With the popcorn. Hold still.' and he proceeds to repeatingly whack the ball at the camera. HOUSE OF WAX is a lot of fun, and was a big hit at the time. The DVD does not come with a 3-D Process, but it does come with coverage of HOUSE OF WAX's Hollywood Premier. It's attended by Bela Lugosi and friend, Jack Warner, and Ronald Reagan (See, even Presidents watch horror movies!)

House of Wax is a decent film without the three-dimensional effects, but it is a complete riot when viewed in the original 3-D, especially when we get to see the emcee in front of the theater. Vincent Price is at his creepy best in this film about a man who opens up a wax museum that has a secret as to why the figures look so life-like. This was the second time I had seen it in its original format, and I enjoyed it just as much this time, including its over the top melodrama and unbelievably dated dialogue. Do not miss this film if you can find it showing at a classic movie house, because it is extremely entertaining to experience.

--Shelly

For me, House of Wax is a very good movie, but I am not sure if it is Price's best horror film. I did prefer the Corman-Price-Poe collaborations Pit and the Pendulum, The Raven, The Fall of the House of Usher and especially The Masque of the Red Death. The story occasionally loses bite and Phyllis Kirk is a rather bland female lead(though in all fairness her character is as well). Conversely, the Gothic sets look gorgeous and add a real sensual beauty to a lot of scenes. The photography is just as lavish. On the subject of visuals, I had the pleasure of watching House of Wax in 3D, I am not a fan of 3D and find it distracts from the film and doesn't focus on the story enough. In the case of House of Wax however, not only does the 3D look good, but it enhances the scares without making them gimmicky. Igor appearing to have leapt out of the audience was a standout. House of Wax is fine in 2D, but even better in 3D in my view, and I thought I'd never say that. The music is haunting and robust, the writing is sharp and the story is suspenseful and mostly exciting. There are some very effective scenes, such as the sight of the figure in the cloak, Jarrod chasing Sue down the alleyways(pure suspense and horror), the murders especially that of Jarrod's partner, the heart-breaking scene where Jarrod tries in vain to save his wax works and Sue strapped nude on the table in the climax. The wax works are very creepy as well. The pace is brisk and the direction handles the atmosphere very well. The performances are very good on the whole, Carolyn Jones went on to do better things but is interesting to see. Frank Lovejoy is great at just playing it straight, Reggie Rymal provides another of the 3D's finest moments with the paddle-ball and Charles Bronson is wonderfully creepy even without uttering a word. Best of all is Vincent Price in his first array into horror and for me still one of his best roles, his make-up is exceptional and he is very malevolent and sympathetic, a type of role that always saw him at his best. Looking at him also, you'd never guess that it was his first horror role, he looks as though he'd done it for years beforehand. In conclusion, a very good film and a great 3D experience. 8/10 Bethany Cox

The House of Wax is a true horror classic! I saw it for the first time in 1953 at a local theatre in 3-D.

I have seen it many times since on video. It never ceases to entertain.

While watching it today I noticed something for the very first time: a most interesting anachronism.

This film takes place in old New York circa 1900. Every indoor scene has a gaslight in it, and the fire department responds with a horse-drawn wagon. Well, in one of the early scenes in the film Prof. Jarrod(Vincent Price)is conducting a prospective investor, Sidney Wallace(Paul Cavanagh), on a tour of his wax museum. There are gas lights everywhere. They arrive at an exhibit and Prof. Jarrod flips a wall switch, and presto the exhibit is illuminated in light. Somebody goofed!

If you've never seen The House of Wax, watch it. You'll love it.

One more interesting note. Dabbs Greer who plays Sergeant Jim Shane in this film also plays old Paul Edgecomb in the 1999 thriller The Green Mile.

My great uncle was in this movie, being the barker. Watch this movie and get out of the way of his ''tricks''. His name was Reggie Rymal. I'm Larry...

My uncle was an entertainer and comedian in the early 1950s and was well known for his paddle-ball skills. He performed standup comedy and paddle-ball at hotels around the country. He appeared on many television shows during the early days of TV including "The Eddie Cantor Show, You Asked For It, and Ladies Choice.

I have always felt he was chosen for this movie due to the contribution in content for the 3-D effects. He was simply an amazing guy.