Das Kabinett des Professor Bondi

House of Wax is a decent film without the three-dimensional effects, but it is a complete riot when viewed in the original 3-D, especially when we get to see the emcee in front of the theater. Vincent Price is at his creepy best in this film about a man who opens up a wax museum that has a secret as to why the figures look so life-like. This was the second time I had seen it in its original format, and I enjoyed it just as much this time, including its over the top melodrama and unbelievably dated dialogue. Do not miss this film if you can find it showing at a classic movie house, because it is extremely entertaining to experience.

--Shelly

Here's the film that put Vincent Price on the horror map and redefined his career. His wonderfully unhinged performance as Professor Jarod is one that you should not miss. Price chews up the scenery and has a great time doing it. It would have been great to see it in 3D but I don't even know if you can get 3D on home video. But don't let that stop you from checking this one out. There is also a fine supporting cast including Frank Lovejoy, Phyllis Kirk, and a very dasterly Roy Roberts. Price plays a scuplter who takes his work just a little too seriously, especially after Roberts sets his wax mueseum on fire with Vinnie in it. The rest of the film focusses on Price's revenge, as it were. Also check out a very young Carolyn Jones (the future Morticia Adams). Check it out, you won't be disappointed.

The House of Wax is a true horror classic! I saw it for the first time in 1953 at a local theatre in 3-D.

I have seen it many times since on video. It never ceases to entertain.

While watching it today I noticed something for the very first time: a most interesting anachronism.

This film takes place in old New York circa 1900. Every indoor scene has a gaslight in it, and the fire department responds with a horse-drawn wagon. Well, in one of the early scenes in the film Prof. Jarrod(Vincent Price)is conducting a prospective investor, Sidney Wallace(Paul Cavanagh), on a tour of his wax museum. There are gas lights everywhere. They arrive at an exhibit and Prof. Jarrod flips a wall switch, and presto the exhibit is illuminated in light. Somebody goofed!

If you've never seen The House of Wax, watch it. You'll love it.

One more interesting note. Dabbs Greer who plays Sergeant Jim Shane in this film also plays old Paul Edgecomb in the 1999 thriller The Green Mile.

For me, House of Wax is a very good movie, but I am not sure if it is Price's best horror film. I did prefer the Corman-Price-Poe collaborations Pit and the Pendulum, The Raven, The Fall of the House of Usher and especially The Masque of the Red Death. The story occasionally loses bite and Phyllis Kirk is a rather bland female lead(though in all fairness her character is as well). Conversely, the Gothic sets look gorgeous and add a real sensual beauty to a lot of scenes. The photography is just as lavish. On the subject of visuals, I had the pleasure of watching House of Wax in 3D, I am not a fan of 3D and find it distracts from the film and doesn't focus on the story enough. In the case of House of Wax however, not only does the 3D look good, but it enhances the scares without making them gimmicky. Igor appearing to have leapt out of the audience was a standout. House of Wax is fine in 2D, but even better in 3D in my view, and I thought I'd never say that. The music is haunting and robust, the writing is sharp and the story is suspenseful and mostly exciting. There are some very effective scenes, such as the sight of the figure in the cloak, Jarrod chasing Sue down the alleyways(pure suspense and horror), the murders especially that of Jarrod's partner, the heart-breaking scene where Jarrod tries in vain to save his wax works and Sue strapped nude on the table in the climax. The wax works are very creepy as well. The pace is brisk and the direction handles the atmosphere very well. The performances are very good on the whole, Carolyn Jones went on to do better things but is interesting to see. Frank Lovejoy is great at just playing it straight, Reggie Rymal provides another of the 3D's finest moments with the paddle-ball and Charles Bronson is wonderfully creepy even without uttering a word. Best of all is Vincent Price in his first array into horror and for me still one of his best roles, his make-up is exceptional and he is very malevolent and sympathetic, a type of role that always saw him at his best. Looking at him also, you'd never guess that it was his first horror role, he looks as though he'd done it for years beforehand. In conclusion, a very good film and a great 3D experience. 8/10 Bethany Cox

Perhaps I've been lucky. I've only seen this film twice in the past 15 years, but both times were in 3D, the second time last night. The crowd just loved it, with a big round of applause at the end.

The paddle ball scene is a highlight, but the reprise of the paddle ball is even more hilarious. It's completely over the top, and helps to create the carnival atmosphere that makes the film so effective in a large group.

The really dramatic 3D effects in this film are played for laughs, and I think that's one of the keys to its overall success. Director André De Toth treats the gimmick as a gimmick, and doesn't try to get more out of it than that. Hitchcock, in "Dial M For Murder", tried to use the technology for dramatic effect, but that was a complete failure. The gimmick gets in the way of real drama. The attempted murder of Grace Kelly in "Dial M" is more shocking in 2D. In 3D, you're completely jolted out of your involvement in the scene when Grace's grasping hand comes lunging halfway out into the audience at you.

In "House of Wax", the effect found its real home, a melodramatic thriller, played by everyone with tongue firmly in cheek.

De Toth composes his shots really nicely, I think. There's some foregrounding of chandeliers and other props, but never too much. He mostly holds back on the effect until he can make the best use of it -- the paddle ball, the can-can dancer's round bottom, the bust of Charles Bronson at the end. There is one great 3D thrill, the shot where Bronson, playing Vincent Price's evil mute assistant, has to grapple with policeman Frank Lovejoy. Bronson appears to leap out of the audience and onto the screen; it's an unexpected moment, and a real treat.