Lili

All too rarely has a film about lost innocence and earnest love been so sensitively brought to the screen. Respected screenwriter Helen Deutsch (The Seventh Cross '44) adapted Paul Gallico's (The Snow Goose) darkly observant novella "The Seven Souls of Clement O'Reilly" into an inspiring story of a naive young orphaned girl coming of age. Deutsch also maintains the opportunistic exploitation of the vulnerable girl without sensationalizing this angle.

The Academy award-winning score by brilliant composer Bronislau Kaper is nothing short of unforgettable. This beautifully produced MGM film cannot be called a musical as there's only one song but what a song! It's been universally popular for over 60years, and screenplay writer Helen Deutsch also wrote the world-renowned lyrics.

The haunting dream-ballet sequence that closes this unique movie brings both tears of joy and wonder at its stirring and visually fascinating realisation. Apart from a couple of clunky trick edits, direction, cinematography (Robert Plank - 'Strange Cargo '40) and performances - combine to create movie making at its most magical - and should be seen by all lovers of classic film art. While it might not be to everyone's taste (what ever is?) in 2004 the New York Times added Lilli to their listing of the best 1,000 movies ever made.

The WB Archive DVD delivers an excellent visual and sound transfer.

"Lili" is one of the sweetest, most enchanting musicals Hollywood has ever produced. Not that most of the Hollywood musicals are ever realistic, but this particular story is more of a fable than an imitation of life. The character of Mel Ferrer is reminiscent of the Beast in "the Beauty and the Beast", a tortured soul aching for love, and as any girl worth her salt would know, tortured souls make the best kind of heroes!

The two dance/fantasy sequences are charming, especially the latter one, where Lili grows from an awkward, love-sick child into a woman of character and determination, all in a few steps of waltz. Oh, and the puppets are totally adorable!!

First of all, to correct a comment made by at least one person here, the movie came before the stage musical "Carnival." Second, the movie is far superior to the stage musical. True, it's short. So? True, there's just one song. But the one song, "Hi-Lili Hi-Lo," is better than anything in "Carnival." So much for comparisons. The movie absolutely defines movie magic. It creates an unforgettable world with an unforgettable heroine played with genius by the great Leslie Caron in a performance nominated for an Oscar and deserving of a win (she was beaten by the charming but less-inspired Audrey Hepburn). Anyone who passes up the chance to see "Lili" is denying themselves one of the prime treats in all of cinema. I've seen it countless times and never fail to laugh and cry. But where is the DVD??? Give, already!

"Lili", based on Paul Gallico's "Love For Seven Dolls", is one of the most delightful films ever. Leslie Caron deserved her Academy Award nomination as "Lili". The ballet sequence at the end of the film in which each puppet turn into Paul, the puppeteer, making Lili realize she loves him is magical. "Lili" was the basis for a big, lavish Broadway musical "Carnival" that lost the basic beautiful simplicity of the original. This film is a classic and deserves to be. The puppets are magnificent.

This is one of my all time favorite movies, and I have taken every occasion to see it again after the first time in 1953. Leslie Caron is perfectly cast as the homeless orphan who falls in with a circus troupe and becomes part of their puppet act, only to fall in love with the embittered puppet master. In the end, the lovers get together after Lili (Leslie Caron) gets to display her ballet dancing talents.