Ich und der Herr Direktor

I grew up watching this film, and his others, and even though I'd class The Square Peg as my favourite, I'd class trouble in store as one of the best. Watching it as an adult I still adore the innocent, sweet humour, but I also loved the more feeling side of it when he started singing. Performances vary a little it's fair to say, for me though the best of them is Margaret Rutherford, she is absolutely joyous as the eccentric, but slightly adorable thief. Her spree is a terrific scene, so funny, as is the the window display scene.

I had forgotten how nimble and fit Wisdom was, such a talented all rounder, he dazzles here.

I adore this film, and not just for the sake of nostalgia, 9/10.

When a major London department store is taken over by a new manager, Mr Freeman, stock boy Norman finds himself out of a job after a series of misunderstandings. He wins back his job in time to get embroiled in an internal robbery of the store.

This was the first of the Norman Wisdom/Rank comedies that became an annual money spinner from the 50's well into the 1960's. The plot is rarely important and here we have a mix of romance and robbery that supports the usual mix of accidents and misunderstandings. The romance and the robbery don't really work, the romance seems to happen far too quickly while the robbery is tacked on at the end.

Wisdom is as excellent as always - his uncoordinated, shy, eager, accident prone and misunderstood personality allows him to have a series of funny set pieces. It's an acquired taste, but if you like the short of slapstick humour then Wisdom will appeal to you. Wisdom regular Jerry Desmonde is good as the store manager and Margaret Rutherford (second in the cast list for a very small role) is funny as an upper-class shop lifter. The only weak link is Lister as Norman's love interest, she's a little light and her character changes depending on how the story is going.

Overall it's not a masterpiece but it's a good Norman Wisdom comedy. It won't appeal to everyone but it's a gentle family comedy from another age.

"Trouble in Store" is one of the first films in which British actor Norman Wisdom starred. The versatile and talented Wisdom went on to a distinguished comedy career in England. He received a knighthood and retired from entertaining at the age of 90, living another five years beyond that.

Wisdom came from a poor beginning and broken family background. He learned to forage and scrounge early for survival and struck out on his own in his early teens. With such a background, the irrepressible Wisdom devoted a lifetime to trying to make people laugh. He especially liked to entertain children outside of films.

Besides his acting and athleticism that he used in his comedic roles, Wisdom had a very good singing voice. He learned to play several instruments – clarinet, sax, trumpet, French horn, drums and piano. He was also an accomplished songwriter.

In this early comedy film, he shows much of the slapstick, falling down, tripping and mishap behavior that became his trademark in many more films and in live performances. The supporting cast, plot and other aspects of the film are all good. But, this is a Norman Wisdom showcase all around.

In reading about this beloved English entertainer, I came across some of his clever quotes and cute sayings. Here's one that might describe the basis for his playful attitude and fun-filled approach to life: "Such is life and life is such and after all it isn't much. First a cradle. Then a hearse. It might have been better, but it could have been worse."

Over the past few months, I've gotten into Norman Wisdom (I'd literally never heard of him before some people lent me a DVD containing some of his movies). Well, after I nearly laughed myself to death watching "Up in the World", "The Square Peg" and "A Stitch in Time", "Trouble in Store" actually seems weaker. Maybe it's that there are some scenes where he breaks into song, or that the whole movie is rather hokey, but it just can't equal the quality reached by its successors.

Still, I will say that the movie is good for a few laughs. Playing his usual clumsy character Norman, he works in a London department store and hopes to get promoted, but his idiocy keeps working against him...until he and a female co-worker discover a plot to rob the store. I guess that what I really like about Norman Wisdom's movies is how he pokes fun at the class system, as the underdog messing up the stuffy rich people's lives; certainly he does that here. But they really could have done without the songs.

Overall, I get the feeling that maybe Wisdom was still trying to figure out his version of comedy, so I can forgive him if this flick isn't as funny as his later ones. I would recommend watching his later movies first, so as not to get put off by this one.

It's often said you have to be English to understand Norman Wisdom's humour – Albanians would probably agree, the same as Russians would've done about George Formby. The fact is he's always appealed to certain parts of the population, usually kids or people with defiantly unsophisticated humour like me. In his films I cringe at the obligatory mawkish bad bits but overall have always got more out than I put in, apart from his last.

This was his first big effort: he plays lowly Norman in the stockroom at a big department store under the control of new broom Jerry Desmonde and intent on winning the love of the girl on the record counter. There's various adventures along the way, many firings and re-hirings and a tiny sub-plot involving a gang of what turned out to be extremely cartoony robbers, but basically it's a one man show. However if you already know that Norman isn't your bag, try this one solely for the beautiful performances by the ever frothing Desmonde up against Wisdom for the first time, and regal Margaret Rutherford as an expert shoplifter in a fantastic feathered hat. Favourite bits: the smashing window dressing scene; Norman's first explosive encounter with Desmonde; the climactic violent gunfight in front of an audience. Norman's most famous song is here too: Don't Laugh At Me 'Cause I'm A Fool; in 2008 UK BBC broadcast an otherwise interesting programme on him at 92 years old with Alzheimer's disease setting in with that precise aim in mind. I do hope no one takes the mickey out of those particular sensitive documentary makers if they ever get old and in the way too.

Recommended as I've always liked Norman's films - to a point - but then again maybe my funny bone froze at age 11.