Das letzte Gefecht

No western hero who was in the military ever took more on himself than did Dale Robertson in Sitting Bull. Not even Errol Flynn who buried Confederate gold in violation of orders in Virginia City got himself in as much trouble as did Major than Captain Robertson did here.

This B film from MGM is yet another version of the events of surrounding the Little Big Horn battle where Douglas Kennedy as Custer got himself surrounded and massacred by some angry Sioux Indians. This version does show the Indian side of the events, how badly treated they were on reservations, how the whites once word of gold being discovered in their sacred Black Hills of Dakota territory systematically broke the treaties signed. Yet in fact the film went a bit overboard with presenting the Indian side and took great liberty with the facts.

Dale Robertson's an army major who zealously follows his orders about respecting the Indian rights, to the dismay of former General now Colonel George Armstrong Custer. Robertson's maverick tendencies wouldn't be liked in the army in any event, but his fiancé Mary Murphy who is General John Litel's daughter wants an upwardly mobile career man and Robertson doesn't look like a good bet. For standing on his beliefs Robertson loses her to newspaper reporter William Hopper.

But Dale gets himself in an even bigger jackpot. He's got an agreement with his former commander Ulysses S. Grant who is now president of the United States, the big chief of all the white folks. But when Custer moves prematurely and gets massacred and troops are sent on reprisal, Robertson does a very daring and potentially foolish thing to keep the peace process alive. That's the essence of our story.

Which of course never did happen. Neither did Ulysses S. Grant as played by John Hamilton on hiatus from the Superman series ever come west to negotiate with J. Carrol Naish as Sitting Bull. That's the biggest flaw in this film.

Murphy's character doesn't ring true either. From a woman who makes no bones about her desire for an upwardly mobile man, she does an about face and would make Tammy Wynette proud if Tammy had in fact ever seen Sitting Bull.

The film's heart is the in the right place, but the rest of it is out to lunch.

Though I will say one thing. If what I read is true about Mary Murphy's bout with Montezuma's revenge on location for this movie, she may have given one of the great performances of all time just getting through this film without a hint on screen.

SITTING BULL is a sluggish western about a cavalry major (DALE ROBERTSON) who is compassionate toward the Indians and must face insubordination for some of his actions against harsh superior officers.

There's a traditional romance thrown into the mix, between a General's daughter (MARY MURPHY) and Robertson, with rival suitor WILLIAM HOPPER as another man interested in Murphy. J. CARROL NAISH is Chief Sitting Bull, who wants peace and refuses to put on his war paint although some members of his tribe are anxious to fight some of the white men's injustices. DOUGLAS KENNEDY is flamboyant and seriously miscast as the yellow-haired General Custer of the 7th Cavalry.

It's handsomely produced in outdoor settings that look authentic, but the stilted dialog is handled indifferently by a lackluster cast of players. DALE ROBERTSON gives a leaden performance in the major role and he doesn't get much help from WILLIAM HOPPER or MARY MURPHY, who in real life, married Robertson after this film. Their chemistry on film fails to register and her motivations throughout are sketchy, to say the least.

A major plot development has President Grant helping Robertson when he is condemned for helping Chief Sitting Bull and there are a few other subplots before we get to the battle at Little Big Horn. Robertson's compassion for the redskins almost lands him in big trouble toward the end, until Chief Sitting Bull intercedes just before he's about to be executed for treason by a firing squad.

Good western should have been much better but is marred by dull performances and uninspired direction of Sidney Salkow. The director unwisely allowed few close-ups of his cast throughout the film, depending solely on medium shots for most of the scenes, probably because he was new at the CinemaScope process. Since most of the cast underacts considerably, this is a real drawback in the more intimate moments.

Historians Love to Quibble and Nit-Pick with Hollywood's Treatment of "Real History".

But the "Bottom-Line" is that Most Movies are Made as Entertainment with a Profit Motive.

So Historical "Facts" Aside, as an Entertaining Piece of an Early Cinemascope Film (the first Independent) In the First-Half of the "Decade of the Western",

You Could Do Much Worse than this Nobly Intended Movie about the Sioux Chief "Sitting Bull",

His Constant Battles with "Forked-Tongue" Treaties and the General Inhumane Treatment of Prisoners,

Leading Up to the "Battle of Little Big-Horn" and Custer's Last Stand.

Playing Fast and Loose with some "Facts" is a Consideration to Make the Movie Box-Office Friendly.

But the Film Deserves Credit for Bucking the Trend of "White-Man Wins Called Victory...Indian Wins Called a Massacre" and Taking a Liberal Other-Sided Approach.

In the End it is Not Guilty of Over-Indulging the Re-Writing of History and Shows Respectable Behavior on Both Sides.

The Casting is Weak but the Story and the Epic Battles are Well Staged, Engaging, and Somewhat Informative.

All Things Considered...A Fine Film and Definitely...

Worth a Watch.

"Sitting Bull" is a film that shocked me. For a biopic/western, it's actually much closer to fact than I would have suspected. It also is much more sympathetic towards the Sioux nation than many westerns....and is well worth your time.

The story revolves around an officer who has been demoted. Bob Parrish (Dale Robertson) is not your typical cavalry officer, as he thinks that the American government should respect and treat the natives much better than they do. As he put it, 'they just want to live and raise their families'. But folks like General Custer and the rest give him a lot of guff and they seem to follow the old axiom, 'the only good Indian is a dead Indian'. What's to become of him and his mission to work WITH the natives instead of AGAINST them?

It is ironic that not only did Iron Eyes Cody appear in the film as Crazy Horse, but he was the consultant to the production about native culture. Only later in life did folks learn that Cody (the most American Indian looking guy on the planet) was actually an Italian!! But you can't blame the film....at the time everyone thought Cody was exactly what and who he pretended to be! But he and the filmmakers STILL got so much right in this one...and the movie holds up far better than most from the genre*. Well worth seeing and an excellent picture in so many ways.

*For the worst possible depiction of this same story, try "They Died With Their Boots On". While the cast was incredibly impressive (with Errol Flynn and Olivia de Havilland), the facts are pretty much tossed out the window and Custer is depicted as a great man...not the incompetent he actually was.

"Sitting Bull" as one might expect, takes place at the time of the infamous and oft filmed "Custer's Last Stand".

The story involves the efforts of the fictional Major Bob Parrish (Dale Robertson) and Sioux Chief Sitting Bull (J. Carroll Naish) to prevent a war between the Sioux nations and the U.S. Cavalry. On one side, Sitting Bull's chiefs led by Crazy Horse (Iron Eyes Cody) and Colonel Custer (Douglas Kennedy) on the other push their superiors into war.

The requisite love triangle involves Parrish, the General's daughter Kathy (Mary Murphy) and newspaperman Wentworth (william Hopper). Kathy turns away from Parrish when he is charged with insubordination and reduced in rank to Captain. She then becomes engaged to Wentworth.

Parrish meanwhile with the assistance of former black slave "Sam" (Joel Flueller)arranges a meeting between President U.S. Grant (John Hamilton) and Sitting Bull. However, before the meeting can take place several incidents occur and war breaks out culminating with Custer's last stand at the Little Big Horn.

J. Carroll Naish lends dignity to his portrayal of Sitting Bull. We see him as an intelligent caring and cautious leader who will stoop to war only as a last resort. In a move unusual for its time black actor Joel Flueller was cast in one of the leading roles in the film.

The battle scenes are spectacular and well staged by director Sidney Salkow. In spite of the contrived Hollywood ending, this western is a lot better than some would have you believe.