IMDb-BEWERTUNG
5,8/10
709
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAn ex-soldier turned highwayman uncovers a plot to take control of England from King Charles II.An ex-soldier turned highwayman uncovers a plot to take control of England from King Charles II.An ex-soldier turned highwayman uncovers a plot to take control of England from King Charles II.
- Regie
- Drehbuch
- Hauptbesetzung
Lillian Kemble-Cooper
- Mrs. Fell
- (as Lillian Kemble Cooper)
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How bad is this thing? Well, let's just say Robert Z Leonard was brought in to rescue it. Just think about that for a second. I mean, to paraphrase George Clooney in "Michael Clayton", Robert Z Leonard isn't the guy you bring in to RESCUE a piece of crap. He's the friggin guy you FIRE so you can bring in a guy (like Vince Minnelli on "The Bribe") to rescue a piece of crap. Also, it's most disconcerting to see David Niven in a moustache twirling villain part. He's such a good actor that he's ok but it speaks volumes about how his career was languishing at this mid 50s point, before Hecht Hill Lancaster rescued him and it in "Separate Tables", that he was consigned to parts that Christopher Lee would have spat upon. C minus.
PS...A previous reviewer wrote that this is his favorite Robert Z Leonard film. That's like saying Chad is your favorite poverty stricken nation.
PS...A previous reviewer wrote that this is his favorite Robert Z Leonard film. That's like saying Chad is your favorite poverty stricken nation.
Under the reign of Charles the Second , his counsellor ,the Duke of Brampton is making things rough all over ; in a screenplay taken by force from Robin Hood, complete with a band of nobles deprived of their possessions and a lady Mary(an) , it's nevertheless an entertaining sword and sandal yarn ,with glittering colors. George Sanders,as usual ,has style in his royal part ,athough I wished he had been cast as the villain .....played by cast against type David Niven ; both easily steal the show from bland Edmund Purdom. Gorgeous Ann Blyth provides the love interest .
Forget history : Cromwell replaces the crusades and the counsellor the sheriff of Nottingham.
Forget history : Cromwell replaces the crusades and the counsellor the sheriff of Nottingham.
I watched The King's Thief for one reason only, and that was that I am a bit of a Roger Moore fan. Alas, Roger isn't in the film very much, though what little he does he does well enough. However, I still enjoyed it as an easy-on-the-brain swashbuckler, the type of thing that Errol Flynn might have starred in twenty years earlier.
The plot is brisk and simple. It involves a plot to overthrow the king of England, recorded in a notebook which falls into the hands of a woodland bandit. The bandit is a bad man, but when he realises what is going on, he knows that he must do something to protect the monarch. In this way, the villain actually becomes the good guy. After a lot of swordplay and treachery, the bandit and his merry men save the king and catch the deceivers.
There's not much to remember about the film once it's over. There's one particularly suspenseful escape sequence, in which two bandits get out of Newgate prison, but besides that it kind of floats out of your head as quickly as it floated in. All the same, this is fun. It is the kind of movie your kids could watch without being exposed to blood and gore, sex and swearing. Yet at the same time it deals with action, murder, treachery and brigandry. I can't honestly recommend the film as a great viewing experience (it certainly isn't some kind of forgotten classic, so don't think it is), but if you want to pass an hour and a half on a Saturday afternoon, you could do a lot worse.
The plot is brisk and simple. It involves a plot to overthrow the king of England, recorded in a notebook which falls into the hands of a woodland bandit. The bandit is a bad man, but when he realises what is going on, he knows that he must do something to protect the monarch. In this way, the villain actually becomes the good guy. After a lot of swordplay and treachery, the bandit and his merry men save the king and catch the deceivers.
There's not much to remember about the film once it's over. There's one particularly suspenseful escape sequence, in which two bandits get out of Newgate prison, but besides that it kind of floats out of your head as quickly as it floated in. All the same, this is fun. It is the kind of movie your kids could watch without being exposed to blood and gore, sex and swearing. Yet at the same time it deals with action, murder, treachery and brigandry. I can't honestly recommend the film as a great viewing experience (it certainly isn't some kind of forgotten classic, so don't think it is), but if you want to pass an hour and a half on a Saturday afternoon, you could do a lot worse.
Even lavish sets and costumes and a background score by Miklos Rozsa can't save THE KING'S THIEF from the boredom of a banal script. Lots of flashing swordplay takes place, but none of it has enough sizzle to make up for a tiresome story about a scoundrel (David Niven) who is keeping his thievery a secret from Charles II (George Sanders).
The best sequence involves an adventurous escape from heavy chains in a prison dungeon and a final encounter in a tower holding fabulous jewels whereby our hero ultimately wins the approval of Charles II.
David Niven does well enough as the charming thief, handsome Edmund Purdom is nimble and rugged enough as a swashbuckling highwayman, and Ann Blyth is pretty in her costume finery. But none of them have more than cardboard characters to work with and the end result is a routine period adventure wasting a talented cast.
Even Rosza's score is less memorable than most of his work for this kind of swashbuckler.
The best sequence involves an adventurous escape from heavy chains in a prison dungeon and a final encounter in a tower holding fabulous jewels whereby our hero ultimately wins the approval of Charles II.
David Niven does well enough as the charming thief, handsome Edmund Purdom is nimble and rugged enough as a swashbuckling highwayman, and Ann Blyth is pretty in her costume finery. But none of them have more than cardboard characters to work with and the end result is a routine period adventure wasting a talented cast.
Even Rosza's score is less memorable than most of his work for this kind of swashbuckler.
This is an old-fashioned adventure movie, but there's nothing wrong with that! Our time period is the 1660's or so, with Charles II on the English throne. That the film is in color helps a great deal, allowing us to fully enjoy the fine costumes and the beauty of the leading lady. There is some good swordplay and other good action scenes. The knowledgeable film fan will spot a number of familiar faces in the cast. This film puts many of the backlot locations of MGM to good use. They're gone now; you can appreciate them here. Recommended.
Wusstest du schon
- WissenswertesThis is the only film to feature two James Bond actors - David Niven and Sir Roger Moore.
- VerbindungenReferenced in 1955 Motion Picture Theatre Celebration (1955)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- The King's Thief
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 1.577.000 $ (geschätzt)
- Laufzeit
- 1 Std. 18 Min.(78 min)
- Sound-Mix
- Seitenverhältnis
- 2.55 : 1
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