Schach dem Mörder

A lovely immigrant night club singer gets involved in a murder case, and the man murdered had just proposed to her and been rejected, and he was deeply involved in fishy business and desperately in debt. A hoodlum was paid for having killed him, but he didn't do it. The lieutenant in charge of the case gets involved with the lovely singer and thus makes the mess worse. Another lovely lady from a dancing school happens to look out the window after the murder and recognizes the paid assassin, but instead of immediately reporting him to the police, she tries to blackmail him, whereupon he almost slugs her to death, but she survives just enough to be able to identify him when they try to put her together again at the hospital. The lovely immigrant (Vera Ralston) is still being held a suspect of murder, and the case is far from clear. Eventually she returns to go on singing at the night club. It is not a very convincing noir, but it is worth watching for the lovely colours, which are very unusual for a noir.

If for no other reason, I have three (3) absolutely insane reasons to enjoy watching this movie.

1-baby blue Continental automobile was a separate "make" from the Ford Motor Company for just the 1956 and 1957 model years.

2-Virginia Gray sweating profusely, and her bright blue eyes.

3-the almost matching (different color jackets) blackamoor lamps at the ends of the bar in the nightclub.

And a color picture from Republic in 1956 because the studio boss' wife was the singer.

This is much better than I had any reason to believe it might be.

It is almost a noir, but, aside from Virginia Grey, must of the cast don't really register very well.

A supporting turn by Lee Van Cleve, among others (David Brian, Sidney Blackmer, etc.) keep the movie moving along.

And there is Vera Ralston, singing ersatz cafe songs, and the glory of TruColor.

Still, why Eddie Muller hasn't championed the movie is beyond me, as he has justified far worse.

For some reason, I stumbled across the movie on The Criterion Channel, which keeps surprising me, as one of the best movie streaming services available.

A big time lawyer is shot on a street. The cops investigate, finding a tangled web of suspects, while the head cop gets involved with one of the suspects.

Thoroughly forgettable crime drama (not noir). Two reasons for watching might be to catch evil-eye Lee Van Cleef as a cop, of all things, and still early in his unusual career. Then there's Vera Hruba Ralston often mocked as Hollywood's worst actress. She's not too bad here as a lounge singer. Can't help but sympathize with her fruitless effort to become the Hollywood queen Republic's head honcho Herbert Yates insisted upon. And that's despite her not speaking English and having little talent. She does show some accomplishment here, however. Note, in passing, the spiffy suits the men wear, even the cops. Like maybe, they just came off the studio rack, which I expect they did. Too bad pedestrian Joe Kane directs without a single imaginative touch, while actor Brian literally walks through his cop part. Anyway, the cars are clean and shiny, the candy-box colors near perfect, and the run- time fairly brief. So it all swallows down easily if unmemorably.

Joseph Kane was a definite western specialist for Republic Pictures he made dozens if not hundreds of them but he nevertheless gave us some noirs such as this one, ACCUSED OF MURDER, HOODLUM EMPIRE, THE NOTORIOUS MR MONKS and THE MAN WHO DIED TWICE. Here, no surprise to see Vera Ralston, the Republic Pictures queen - because married to the studio boss Herbert J Yates - but to see David Brian in a positive lead caracter, and not the usual the hero's sidekick or rival, that's a surprise. That's a pretty cool crime noir, good atmosphere, not that foreseeable from a western specialist. Look for it.