Füge eine Handlung in deiner Sprache hinzuA lonely middle-aged woman meets a younger man, but their relationship is threatened after the man's troubled past reveals itself.A lonely middle-aged woman meets a younger man, but their relationship is threatened after the man's troubled past reveals itself.A lonely middle-aged woman meets a younger man, but their relationship is threatened after the man's troubled past reveals itself.
- Auszeichnungen
- 1 wins total
- Mexican Vendor
- (Nicht genannt)
- Concert Attendee
- (Nicht genannt)
- Butcher
- (Nicht genannt)
- Mr. Magoo
- (Archivtonaufnahmen)
- (Nicht genannt)
- Minor Role
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesIn an interview for a much later documentary on Joan Crawford, Cliff Robertson recounts his first meeting with her, at her house. Already somewhat intimidated by working with the legendary Crawford, he is let in, then hears her call from poolside, where she's sunning, "Come on out, dear boy. We've been waiting for you." Robertson has nothing but admiration for Crawford's talent and incredible technical discipline. At one point, Director Robert Aldrich wanted Crawford to cry, but only slightly - a tear or two. "Which eye?" Robertson recalls Crawford asking. Then repeats the anecdote, amazed, "'Which EYE?'"
- Zitate
Virginia: Sure, he should be committed!
Milly: Of course, you'd want me to commit him, get him out of your life, put him away permanently someplace where he can never again remind either one of you of your horrible guilt; how you and you had committed the ugliest of all possible sins, so ugly that it drove him into the state he's in now!
Mr. Hanson: What kind of a woman are you to be satisfied with only half a man? There must be so...
Milly: Even when he doesn't know what he's doing, he's a saner man than you are! He's decent and proud. Can you say the same for yourselves? Where's your decency? In what garbage dump, Mr. Hanson? And where's yours, you tramp?
Mr. Hanson: I don't have to listen to that!
Virginia: She's the one who's crazy!
Mr. Hanson: She has to be crazy to put up with that weakling!
Milly: You, his loving, doting fraud of a father! And you, you SLUT! You're both so consumed with evil, so ROTTEN! Your filthy souls are too evil for Hell itself!
- Crazy CreditsOpening credits are shown over a background of...... leaves.
- VerbindungenFeatured in Joan Crawford: Always the Star (1996)
- SoundtracksAutumn Leaves
(Les Feuilles Mortes)
Music by Joseph Kosma
French lyrics by Jacques Prévert
English lyrics by Johnny Mercer
Performed by Nat 'King' Cole
Joan Crawford (one of my favorites) plays Millicent Weatherby, a 40ish spinster who spent most of her life taking care of her invalid father and bemoaning her ridiculous name. Score one for Joan already, as she was not 40ish, but 50ish. Cliff Robertson (I tell everyone "Uncle Ben" from "Spiderman") is the 20ish fella she meets in a restaurant. I think he was 20ish, but score one for him too; he's adorable. Cliff hides some horrible secret, and he's a major liar, but Joan falls for him anyway. He takes her to the beach, where they make out in the sand. (I love it when the surf comes crashing up against Joan and boy! does she flinch. Must have been chilly out that day.) They trot off to Mexico and get hitched. Then Joan starts to realize that maybe she doesn't know Cliff as well as she thought she did. He lies and then tells the truth, and who's to know the difference? Even he doesn't. Eventually Cliff's relatives get involved and then things get really sticky. Is Joan out to get Cliff? Tune in to the next episode to find out!!! Seriously, I felt for Joan. She had a rough time. First the invalid father that caused her to lose all contact with the outside world, and then this guy who can't get his lies straight. Oh, but she manages beautifully. At this point in her career, Joan believed that acting and hand gestures didn't have to go together. You sometimes begin to wonder if her arms even function. (I suspect this was a jab at the arm-flailing Bette Davis, but that's just a hunch.) Just watching her stand there, all broad-shouldered and strong, makes you realize that of course she is going to get through. Former chorus girls always do, because they've got guts and know how. Best moment--after Joan decides she's no good for Cliff, she goes back to that aforementioned beach and just sits there. It's a lovely shot, and Joan looks less ironclad than usual.
By the by, a note to the other reviewer whose name I can't remember. Joan Crawford would not DARE say "And you, YA slut." She says, very precisely, "And you, YOU slut." Enunciation was very important to the Texas-born Lucille LeSueur/Joan Crawford. Bette Davis might say "ya slut," but never Joan Crawford.
- sadie_thompson
- 2. Okt. 2003
- Permalink
Top-Auswahl
Details
- Laufzeit1 Stunde 47 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1