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Ausser Rand und Band 2. Teil

Originaltitel: Don't Knock the Rock
  • 1956
  • 12
  • 1 Std. 24 Min.
IMDb-BEWERTUNG
5,7/10
444
IHRE BEWERTUNG
Little Richard, Bill Haley, Dave Appell, Alan Dale, Alan Freed, Bill Haley and the Comets, The Treniers, and Applejacks in Ausser Rand und Band 2. Teil (1956)
Official Trailer ansehen
trailer wiedergeben1:52
1 Video
99+ Fotos
Musik

Füge eine Handlung in deiner Sprache hinzuA disc jockey tries to prove to teenagers' parents that rock 'n' roll is harmless and won't turn their kids into juvenile delinquents.A disc jockey tries to prove to teenagers' parents that rock 'n' roll is harmless and won't turn their kids into juvenile delinquents.A disc jockey tries to prove to teenagers' parents that rock 'n' roll is harmless and won't turn their kids into juvenile delinquents.

  • Regie
    • Fred F. Sears
  • Drehbuch
    • Robert E. Kent
    • James B. Gordon
  • Hauptbesetzung
    • Bill Haley and the Comets
    • Bill Haley
    • Alan Dale
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,7/10
    444
    IHRE BEWERTUNG
    • Regie
      • Fred F. Sears
    • Drehbuch
      • Robert E. Kent
      • James B. Gordon
    • Hauptbesetzung
      • Bill Haley and the Comets
      • Bill Haley
      • Alan Dale
    • 12Benutzerrezensionen
    • 6Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Official Trailer
    Trailer 1:52
    Official Trailer

    Fotos112

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
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    + 106
    Poster ansehen

    Topbesetzung52

    Ändern
    Bill Haley and the Comets
    • Bill Haley and the Comets
    • (as Bill Haley and His Comets)
    Bill Haley
    Bill Haley
    • Bill Haley
    Alan Dale
    Alan Dale
    • Arnie Haines
    Alan Freed
    Alan Freed
    • Alan Freed
    The Treniers
    • The Treniers
    Little Richard
    Little Richard
    • Little Richard
    Dave Appell
    Dave Appell
    • Dave Appell
    Applejacks
    • The Applejacks
    Patricia Hardy
    Patricia Hardy
    • Francine MacLaine
    Fay Baker
    Fay Baker
    • Arlene MacLaine
    Jana Lund
    Jana Lund
    • Sunny Everett
    Gail Ganley
    • Molly Haines
    Pierre Watkin
    Pierre Watkin
    • Mayor George Bagley
    George Cisar
    George Cisar
    • Tom Everett - Influential Citizen
    Dick Elliott
    Dick Elliott
    • Sheriff at End
    Jovada Ballard
    • Jovada Ballard (Jitterbug Contest Winner)
    Jimmy Ballard
    • Jimmy Ballard (Jitterbug Contest Winner)
    Robert Banas
    Robert Banas
    • Dancer
    • (Nicht genannt)
    • Regie
      • Fred F. Sears
    • Drehbuch
      • Robert E. Kent
      • James B. Gordon
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen12

    5,7444
    1
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    Empfohlene Bewertungen

    7Cinemayo

    Don't Knock the Rock (1956) ***

    New York singer Arnie Haines (Alan Dale) is tired of his career as a famous recording star so he takes a break by visiting his old tiny home town. When he arrives he discovers that he's now despised by all the crotchety adults who feel that rock music is ruining their kids' lives. Haines decides to stage a big rock and roll show in the next town to prove to the parents that rock can be a good influence for their children. Arnie Haines himself is more of a crooner and not a joy to listen to, but we do get to hear several numbers by Bill Haley and His Comets, as well as the great Little Richard, who belts out his awesome killer renditions of "Long Tall Sally" and "Tutti Frutti". The movie is a good relic for rock 'n roll history, and also manages to take a shot at modern-day (1950s) parents to make them realize how their old music of the 20s and 30s was just as "wild" as their kids'. While the movie makes a valid point there in showing those generational similarities, the truth is that 1950s rock music was always pretty innocent enough, but the same case for a meeting of the generations couldn't be made for 2007 parents weaned on '50s music as compared to today's Gangsta cRap. *** out of ****
    7rdbqpaul

    A scriptwriter - my country for a scriptwriter

    There is little wonder that the acting is stiff with dialogue this lame. I grew up in the 50s. Even then we would groan at this writing. We came to see Bill Haley (Rudy's sax was worth the admission) & Little Richard. Alan Dale had a nice voice, but I can't recall anyone of my teen friends buying one of his discs. If only Columbia recognized the fact that we came for the music and not the plot - particularly one as predictable as this. A man in his 30s hustled by an oversexed teenager? How did that get by the censors? All the men walking around in suits all day seemed dumb then, and very much like an old TV sitcom today. The fast-forward control is a gift from God and surely appreciated for movies such as this. A+ for dancers.
    8frasuer

    ENJOYABLE SHOWCASE FOR TOP RECORD STARS

    This film is very much of it's time. Sam Katzman produced a number of films featuring record stars and this is one of the better ones. The star is Alan Dale, who was one of the leading pop singers of the day. Dale was in the forefront of the post-Sinatra generation of crooners (which included Vic Damone, Tony Bennett, etc.), and his versatility ranged from opera to Rock 'n' Roll. This diversity made him a perfect choice for the role of a rock singer with a "serious" side. Dale's romantic interest is played by Pat Hardy, who soon afterward married actor Richard Egan. The main reason for these films was, of course, the records acts --- most of whom were seldom if ever seen on network television. Bill Haley and the Comets were well known, but outside of the major urban areas Little Richard was not even played on most RADIO stations (they opted for Pat Boone's version of "Long Tall Sally"!). However, thanks to films like this we could finally experience performers like Little Richard. Two numbers by The Treniers are another high point. Typical of these films, there's not much of a plot, but its a lot of fun.
    8frasuer

    ENJOYABLE MOVIE FEATURING EARLY ROCK 'N' ROLL STARS

    This film is very much of it's time. Sam Katzman produced a number of films featuring record stars and this is one of the best. The star is Alan Dale, who was one of the leading pop singers of the day. Dale was in the forefront of the post-Sinatra generation of crooners, and his versatility ranged from opera to rock 'n' roll. This diversity made him a perfect choice for the role of a rock singer with a "serious" side. Dale's romantic interest is played by Patricia Hardy, who soon afterward married actor Richard Egan and retired.

    The main reason for these films was, of course, the records acts --- most of whom were seldom if ever seen on network television (Bill Haley and the Comets being an exception). In fact, outside of major urban areas, someone like Little Richard was not even played on most RADIO stations (who chose instead to play Pat Boone's versions of "Long Tall Sally" and "Tutti Fruitti"!). But, thanks to films like this, people in Pocatello and Salt Lake City were able to experience these seminal rock 'n' roll performers. It's a fun film.
    caab241

    Amazing Lindy Hop

    I recently purchased this movie for the Lindy Hop scenes and I wasn't disappointed, the dancing is incredible. If only the movie opened with dancing instead of Arnie Haines and screaming teenagers! Once you get into the film there's dancing on pianos and couches in Arnie's apartment/hotel room?, a killer jam circle with Bill Hailey and the Comets backing, and a crazy Charleston scene that rivals anything I've seen on film. The plot was OK and the acting so-so, but the music and dancing makes up for the film's shortcomings. I was impressed with Bill Hailey and the Comets, especially during their instrumental jam session, which displays their musical talent and personality more so than their most well-known commercial hits.

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      This movie was a follow-up to Außer Rand und Band (1956) and shares many of the same sets and cast.
    • Patzer
      The dialog indicates that Arnie Haines' home town is somewhere in New England when he discusses going home for vacation, but the train that he gets off has the logo of the Sunset Limited on three cars. The Sunset Limited was a luxury train of the Southern Pacific Railroad that ran along the California Coast.
    • Zitate

      [Bill Haley walks up to a table with Arnie Haines and Alan Freed]

      Bill Haley: How we doin', Dad, the newspaper gal diggin' us?

      Arnie Haines: Yeah, real deep. She sounds like she has us plowed way under already.

      Alan Freed: That's freedom of the press.

      Bill Haley: Yeah, and I always thought that freedom of the press was a tailor who irons your suits for nothing. It shows you.

      [everyone laughs a forced and phony laugh, and then they all get up and leave; Bill Haley looks offended]

    • Verbindungen
      Featured in It Came from Hollywood (1982)
    • Soundtracks
      Don't Knock the Rock
      Written by Robert E. Kent and Fred Karger

      Performed by Bill Haley and the Comets

    Top-Auswahl

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    FAQ13

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    Details

    Ändern
    • Erscheinungsdatum
      • 3. Januar 1957 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Don't Knock the Rock
    • Drehorte
      • Railroad Station, Chatsworth, Los Angeles, Kalifornien, USA(train depot exteriors)
    • Produktionsfirma
      • Sam Katzman Productions
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    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 24 Min.(84 min)
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.85 : 1

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