Kampf der Hyänen

It is nice to see B girl Adele Jergens have some fun right before she retired. This is pure camp, which is why we watch it. I Iove 1950s and early 1960s women's prison movies. They all have their roots done, perfect hairdos, tailored prison uniforms and are probably wearing girdles. The worst they do is use double negatives and pull each other's hair. I'm sure I watched these rerun on TV as a little kid thinking society was SO much better then, thinking, "Oh I see hippies on the street doing worse!"

I bought a VHS copy of this odd little women-in-prison film on eBay because it featured the sublime Phyllis Coates (the first "Lois Lane" on television and, arguably, the best ever) in a supporting role as 'Dorothy', a disturbed inmate. A small but memorable role for Phyllis here: oddly enough her character assumes every new female inmate is a woman named 'Lois' who broke up her family and led her to murder someone.

Lots of great-looking women inmates throughout the film. Prison life is pretty rough, with lots of meaningless busywork for the inmates.

The opening scene is pretty avant garde; the director deserves credit for his experimental approach to introducing the characters.

Who played the blonde dance partner of Paul Anderson (Lance Fuller) in the opening nightclub scene?

I don't get it. Many of these grade D- movies are often well written. The acting is sometimes very good and they move - no boredom. This one is good and has a couple surprises along the way. The earthquake is a ball. Gotta admire writers who were hired for schlock and gave it something. Compare something like this to 1956's Oscar winner "Around the World in Eighty Days." Do you really think that was as entertaining as "Girls in Prison."

Ann Carson is convicted and sentenced to prison for robbing a bank. The money was never recovered and the alleged third party went free. The bad news for Ann is that everyone thinks she has the money...the matron, her fellow inmates, and the third party who escaped! The only person who even questions her innocence is the prison reverend played by handsome Richard Denning.

A lot of stony faces and rough women in this gritty film that primarily takes place inside a women's prison.

This is by no means my favorite women's prison film... that might go to Ida Lupino or Barbara Stanwyk's previous offerings, but it was just different enough for me to recommend a watch. The film is a little slow but does have a good climax at the end.