Die Missgeschicke eines alleinerziehenden Adoptivvaters, der mit Hilfe seines Dieners eine Nichte im Teenageralter großzieht.Die Missgeschicke eines alleinerziehenden Adoptivvaters, der mit Hilfe seines Dieners eine Nichte im Teenageralter großzieht.Die Missgeschicke eines alleinerziehenden Adoptivvaters, der mit Hilfe seines Dieners eine Nichte im Teenageralter großzieht.
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I generally agree with the other poster's comments here, but as one who grew up in the relative same era in which the series' story lines existed, who saw the series in first-run syndication, may view it from a slightly different perspective.
"tvpdean's" comment that Brian Keith's character on "Family Affair" was always "railing against fate," implying he was somehow brash or hard-nosed with his juvenile charges, strikes me as way off base. In fact, what was so appealing & endearing about Keith's portrayal of engineer/playboy "Uncle Bill (Davis)" was that he WAS a "tough guy" who was very gentle and reasonable with his two nieces and nephew, albeit with the help of his manservants, "Giles French" (and, briefly, "Niles French"). Not that Keith's character was above sometimes shouting in frustration, but that's only human in any situation. Keith's "Bill Davis" was a helluva lot more realistic than Forsythe's "Bentley Gregg" on this series, though actually Forsythe would play the sort of character "tvpdean" implies Forsythe was on this series in another, later sitcom, "To Rome With Love," which was produced by Don Fedderson, the same guy who created "Family Affair" and "My Three Sons" (and who also produced Betty White's first series, "Life With Elizabeth").
Also, it was certainly not "apparent" this series' family lived in an Eastern or Midwestern city. What with "Gregg" running around with all sorts of starlets and their driving in an open convertible all the time (as "Mike Tee Vee" so duly noted), I'd say it was rather suspiciously like sunny, Southern California. It would also make sense that it would be West Coast, where in those days there was much more an influx of Asian persons, such as houseboy "Peter Tong," than on the East coast or in the Midwest.
"tvpdean's" assertion this series was an ancestor of single father figure dating shows is right on the mark, however, and "The Courtship Of Eddie's Father" is a good analogy, although Bill Bixby's character on that show was an actual father, not an uncle (as Forsythe is here); and also, Bixby's character was a widower, whereas Forsythe's "Gregg" was, presumably, never married. But "Bentley Gregg" and Bixby's "Tom Corbett" (not to be confused with "Tom Corbett, Space Cadet") did have one, other trait in common--Asian servants; the aforementioned "Peter" on "Bachelor Father" & "Mrs. Livingston" as housekeeper to "Mr. Eddie's Father" (and babysitter/governess to master "Eddie" himself).
So actually, "Bachelor Father" has much more in common with "Family Affair"--a single uncle, with a manservant of foreign ethnicity, who adopted his niece and is leading an active romantic life. Although, in the later years of "Family Affair," Keith's "Uncle Bill" became much more domestic, less the globe-trotting playboy (except when his jobs took him out of NYC).
By the way--Noreen Corcoran, who played "Kelly" on this series, was part of a large family of kid actors that included Disney ensemble regular Kevin Corcoran ("Moochie" on the "Spin & Marty" episodes of "The Mickey Mouse Club," Tommy Kirk's younger brother in "Old Yeller" & "The Shaggy Dog," and himself star of Disney's circus boy film, "Toby Tyler." And since I brought him up, Sebastian Cabot was not, as commonly believed, British. Rather he was a Canadian citizen--which, I realize, would still make Cabot a British subject, but would hardly explain his British-sounding accent. I think that was "cultivated" for effect, much as William F. Buckley's upper crusty inflection.
"tvpdean's" comment that Brian Keith's character on "Family Affair" was always "railing against fate," implying he was somehow brash or hard-nosed with his juvenile charges, strikes me as way off base. In fact, what was so appealing & endearing about Keith's portrayal of engineer/playboy "Uncle Bill (Davis)" was that he WAS a "tough guy" who was very gentle and reasonable with his two nieces and nephew, albeit with the help of his manservants, "Giles French" (and, briefly, "Niles French"). Not that Keith's character was above sometimes shouting in frustration, but that's only human in any situation. Keith's "Bill Davis" was a helluva lot more realistic than Forsythe's "Bentley Gregg" on this series, though actually Forsythe would play the sort of character "tvpdean" implies Forsythe was on this series in another, later sitcom, "To Rome With Love," which was produced by Don Fedderson, the same guy who created "Family Affair" and "My Three Sons" (and who also produced Betty White's first series, "Life With Elizabeth").
Also, it was certainly not "apparent" this series' family lived in an Eastern or Midwestern city. What with "Gregg" running around with all sorts of starlets and their driving in an open convertible all the time (as "Mike Tee Vee" so duly noted), I'd say it was rather suspiciously like sunny, Southern California. It would also make sense that it would be West Coast, where in those days there was much more an influx of Asian persons, such as houseboy "Peter Tong," than on the East coast or in the Midwest.
"tvpdean's" assertion this series was an ancestor of single father figure dating shows is right on the mark, however, and "The Courtship Of Eddie's Father" is a good analogy, although Bill Bixby's character on that show was an actual father, not an uncle (as Forsythe is here); and also, Bixby's character was a widower, whereas Forsythe's "Gregg" was, presumably, never married. But "Bentley Gregg" and Bixby's "Tom Corbett" (not to be confused with "Tom Corbett, Space Cadet") did have one, other trait in common--Asian servants; the aforementioned "Peter" on "Bachelor Father" & "Mrs. Livingston" as housekeeper to "Mr. Eddie's Father" (and babysitter/governess to master "Eddie" himself).
So actually, "Bachelor Father" has much more in common with "Family Affair"--a single uncle, with a manservant of foreign ethnicity, who adopted his niece and is leading an active romantic life. Although, in the later years of "Family Affair," Keith's "Uncle Bill" became much more domestic, less the globe-trotting playboy (except when his jobs took him out of NYC).
By the way--Noreen Corcoran, who played "Kelly" on this series, was part of a large family of kid actors that included Disney ensemble regular Kevin Corcoran ("Moochie" on the "Spin & Marty" episodes of "The Mickey Mouse Club," Tommy Kirk's younger brother in "Old Yeller" & "The Shaggy Dog," and himself star of Disney's circus boy film, "Toby Tyler." And since I brought him up, Sebastian Cabot was not, as commonly believed, British. Rather he was a Canadian citizen--which, I realize, would still make Cabot a British subject, but would hardly explain his British-sounding accent. I think that was "cultivated" for effect, much as William F. Buckley's upper crusty inflection.
This program was a forerunner (one of them) of today's benign, bland TV show. Corny but cute, BF offers us a chance to look in on what used to be a very common plot theme (parents dead, kids live with relative) of the early TV era. BF was the first, from my limited research, to exploit the theme and engage it as a series. As noted similar programs followed and then dropped off by the early 70's. BF deals with its premise, after the initial couple of episodes, by never mentioning why Kelly is living with Bentley again.
BF is fun to watch. It is so of it's era, the direct opposite of Seinfeld which downplayed the present tense (in order to increase its syndication value), that you almost expect to catch 'Wagon Train' or 'The Ann Sothern Show' when its over. It's really nothing special. That is its charm.
Each episode's theme seems to be based on Bentley chasing ladies and its 'unintended consequences' or Kelly's awkward ritual of passage through her teens. All are done with a classy ease that makes one wish life really was so certain and clear. Bentley's 'dates' are all beauties of the era, all seem to fall into his lap, and all are a bit leery of his reputation. None break him down enough to actually merit more than dating. Kelly runs the usual gauntlet of teen angst and manages to deal with all as expected. She boarders on being super bright, average, bossy, selfish, cute, hip, sexy, dumb, boy crazy (often), jealous, etc.
BF in season 5 follows Kelly into college and possibly getting married. But, having run out of networks in the spring of 1962, BF is doomed to TV black space. It leaves us hanging without knowing what becomes of Kelly, Bentley or Peter. If anything, BF kept a 50's version of TV life in a time capsule, at least to 1962.
The final season (1961-1962) is all over the place. Howard returns for several (9) episodes, I think as Kelly's boyfriend. He then disappears later in the season, replaced by (love interest) Warren Kincaid (a lawyer working for Bentley). Four episodes in he also vaporizes. Kelly is a college freshman in season 5. Howard and Ginger are as well and attend the same school. Never having a formal finale, in the last episode 'Curfew Shall Not Ring' Kelly moves near campus but soon returns home. And, with yet another boyfriend: a low-budget character who eats a lot of cake. By my count she has at least 5 boyfriends in season 5.
Given the confusing final season, it's hard to guess which direction season 6 would have gone. Probably with Kelly in college, Bentley slipping back into his 'bachelor' ways and Peter remaining Peter.
Howard was dropped late in season 5. An important character he provided continuity, laughs and male teen 'insight' for Kelly, and Bentley. His relationship with Kelly was fun yet confusing. Was he her boyfriend or not? Ginger in season 5 is portrayed as a 'typical' teen girl and Kelly's close friend and confidant. Yet, oddly, appears in only 5 episodes. This is hard to understand. BF had continuity issues. Howard and Ginger were not developed much, if at all. 'Bentley' breaks down the 4th wall in a few episodes and provides narration in most throughout the series run. Given that, it's clear, the program is from his own POV.
Kelly glides through the series with limited character development. Bentley is a superficial male of that era. Only Peter shows any real change. Guest roles were weak, usually centered on Bentley. It had light, frothy plots, none serious. They also show no unique qualities, some were imitative of others, including rip-offs of 'I Love Lucy' (travel to Europe, Bentley on vacation (season 6, ILL, 'Building a BBQ')). BF would have benefited from better writing. The characters did have room for growth.
'Bentley' went on to star in 4 shows and as the pervert judge in 'And Justice For All'. He continued acting and voice work until a few years ago (he died in 2010 at 93). Peter, portrayed by Asian prototypical actor Sammie Tong, was lined up for a new show in 1963 in much the same type role. The show failed. A 'degenerate gambler', deep in debt and in trouble with the mob (even with real life help from Forsthye) Tong committed suicide in 1964, some claim, in order to avoid shame. Kelly (Noreen Corcoran) went on to sing, appear in TV guest roles and 60's beach movies (including a popular effort which featured Lesley Gore). Never really catching on she left the trade in 1969 to focus on dancing or production. Corcoran died in January 2016 at 71. She never married and had lived in San Francisco, California.
Bachelor Father aired for a few years on Retro TV (RTV). It was picked up by Antenna TV in September, 2012 and aired there on T-F from 4-5a EST and at 2-3a on Sundays. It was dropped at the end of 2014. According to sources the cable channel decided not to renew it after negotiations with the rights owners failed to reach agreement on long-term plans to broadcast the show. After decades of not being on broadcast television at all it has once again returned to TV black space. It also is not out in DVD.
BF is fun to watch. It is so of it's era, the direct opposite of Seinfeld which downplayed the present tense (in order to increase its syndication value), that you almost expect to catch 'Wagon Train' or 'The Ann Sothern Show' when its over. It's really nothing special. That is its charm.
Each episode's theme seems to be based on Bentley chasing ladies and its 'unintended consequences' or Kelly's awkward ritual of passage through her teens. All are done with a classy ease that makes one wish life really was so certain and clear. Bentley's 'dates' are all beauties of the era, all seem to fall into his lap, and all are a bit leery of his reputation. None break him down enough to actually merit more than dating. Kelly runs the usual gauntlet of teen angst and manages to deal with all as expected. She boarders on being super bright, average, bossy, selfish, cute, hip, sexy, dumb, boy crazy (often), jealous, etc.
BF in season 5 follows Kelly into college and possibly getting married. But, having run out of networks in the spring of 1962, BF is doomed to TV black space. It leaves us hanging without knowing what becomes of Kelly, Bentley or Peter. If anything, BF kept a 50's version of TV life in a time capsule, at least to 1962.
The final season (1961-1962) is all over the place. Howard returns for several (9) episodes, I think as Kelly's boyfriend. He then disappears later in the season, replaced by (love interest) Warren Kincaid (a lawyer working for Bentley). Four episodes in he also vaporizes. Kelly is a college freshman in season 5. Howard and Ginger are as well and attend the same school. Never having a formal finale, in the last episode 'Curfew Shall Not Ring' Kelly moves near campus but soon returns home. And, with yet another boyfriend: a low-budget character who eats a lot of cake. By my count she has at least 5 boyfriends in season 5.
Given the confusing final season, it's hard to guess which direction season 6 would have gone. Probably with Kelly in college, Bentley slipping back into his 'bachelor' ways and Peter remaining Peter.
Howard was dropped late in season 5. An important character he provided continuity, laughs and male teen 'insight' for Kelly, and Bentley. His relationship with Kelly was fun yet confusing. Was he her boyfriend or not? Ginger in season 5 is portrayed as a 'typical' teen girl and Kelly's close friend and confidant. Yet, oddly, appears in only 5 episodes. This is hard to understand. BF had continuity issues. Howard and Ginger were not developed much, if at all. 'Bentley' breaks down the 4th wall in a few episodes and provides narration in most throughout the series run. Given that, it's clear, the program is from his own POV.
Kelly glides through the series with limited character development. Bentley is a superficial male of that era. Only Peter shows any real change. Guest roles were weak, usually centered on Bentley. It had light, frothy plots, none serious. They also show no unique qualities, some were imitative of others, including rip-offs of 'I Love Lucy' (travel to Europe, Bentley on vacation (season 6, ILL, 'Building a BBQ')). BF would have benefited from better writing. The characters did have room for growth.
'Bentley' went on to star in 4 shows and as the pervert judge in 'And Justice For All'. He continued acting and voice work until a few years ago (he died in 2010 at 93). Peter, portrayed by Asian prototypical actor Sammie Tong, was lined up for a new show in 1963 in much the same type role. The show failed. A 'degenerate gambler', deep in debt and in trouble with the mob (even with real life help from Forsthye) Tong committed suicide in 1964, some claim, in order to avoid shame. Kelly (Noreen Corcoran) went on to sing, appear in TV guest roles and 60's beach movies (including a popular effort which featured Lesley Gore). Never really catching on she left the trade in 1969 to focus on dancing or production. Corcoran died in January 2016 at 71. She never married and had lived in San Francisco, California.
Bachelor Father aired for a few years on Retro TV (RTV). It was picked up by Antenna TV in September, 2012 and aired there on T-F from 4-5a EST and at 2-3a on Sundays. It was dropped at the end of 2014. According to sources the cable channel decided not to renew it after negotiations with the rights owners failed to reach agreement on long-term plans to broadcast the show. After decades of not being on broadcast television at all it has once again returned to TV black space. It also is not out in DVD.
Bachelor Father (1957-1962) was a rare show that was produced during the late fifties. John Forsythe starred as "The Bachelor Father". An unwed father who lived in a house with his young niece and Chinese manservant. An interesting show when I was a young lad and it was one of my favorites because the manservant served as a comic foil and he would make me laugh. I saw quite a few of these episodes because they would air late at night on a local independent television station. the intro of the show would show the mack daddy John Forsythe, his niece and the manservant tooling around in the family automoblie. Not a great show but a different look at life in the mid to late fifties. A break from the staples like Leave it to Beaver. I'm Mike Tee Vee, keep it on this station!
The easy natural charm of young John Forsythe and the essential sweetness of his "getting into problems" teenage niece Kelly Corcoran, caused this series to be a hit, and made Forsythe a beloved fixture in America. I remember it very fondly though I haven't seen it since it was originally broadcast.
Unlike one later series with a similar premise (The Courtship of Eddie's Father), both Forsythe and niece whom he was raising were people you'd like to know - the very definition of gentility, charm, restraint - even Kelly whose problems were never due to her own outrageousness, but simply her age.
Unlike another later series (Family Affair), Forsythe had a gentleness rare for paternal figures in television dealing with teenagers. (Brian Keith was curmudgeonly and would rail at fate!). It made the program tremendously reassuring.
Forsythe's well-dressed handsomeness, his restraint, his distinguished voice, his very movement, and the affluence of his character and home, gave this series an urban and upper middle class reassurance that was unlike most other series of the day (or any day for that matter).
E.g., Donna Reed (father a doctor) or My Three Sons (MacMurray an aircraft engineer) were suburban, patio barbecue and swimming pool sorts of series. "Father Knows Best" and "Leave it to Beaver" seemed to take place in a sort of mythical small American town. "The Life of Riley and "the Honeymooners" had dads going to the bus depot, the sewer or the "plant". Although "Make Room for Daddy" took place in New York, but the life of a nightclub comic (and the Danny Thomas character) was frenetic - voices constantly shrieking.
In contrast, Bachelor Father was set in a penthouse - and seemed to be in a large Eastern or Midwestern city - probably New York, definitely not southern California. It was lovely and I thank all those involved for presenting it so very well to create such fond memories.
Unlike one later series with a similar premise (The Courtship of Eddie's Father), both Forsythe and niece whom he was raising were people you'd like to know - the very definition of gentility, charm, restraint - even Kelly whose problems were never due to her own outrageousness, but simply her age.
Unlike another later series (Family Affair), Forsythe had a gentleness rare for paternal figures in television dealing with teenagers. (Brian Keith was curmudgeonly and would rail at fate!). It made the program tremendously reassuring.
Forsythe's well-dressed handsomeness, his restraint, his distinguished voice, his very movement, and the affluence of his character and home, gave this series an urban and upper middle class reassurance that was unlike most other series of the day (or any day for that matter).
E.g., Donna Reed (father a doctor) or My Three Sons (MacMurray an aircraft engineer) were suburban, patio barbecue and swimming pool sorts of series. "Father Knows Best" and "Leave it to Beaver" seemed to take place in a sort of mythical small American town. "The Life of Riley and "the Honeymooners" had dads going to the bus depot, the sewer or the "plant". Although "Make Room for Daddy" took place in New York, but the life of a nightclub comic (and the Danny Thomas character) was frenetic - voices constantly shrieking.
In contrast, Bachelor Father was set in a penthouse - and seemed to be in a large Eastern or Midwestern city - probably New York, definitely not southern California. It was lovely and I thank all those involved for presenting it so very well to create such fond memories.
perhaps the original "single parent" television comedy. rich, handsome Uncle Bentley (forsythe) raises his orphaned niece Kelly (corcoran). series is loaded with mid-50s teenage angst, capers & madcap stunts. Uncle Bentley always had the sage wisdom & big buck$ to solve the problem, even though quasi-rebellious Kelley would never admit it till the end of show .the episodes were always sappy, saccharine & predictable. easy to watch for modicum of insight into what the era was like, or what is was supposed to be like. rent it, don't buy it
Wusstest du schon
- WissenswertesThis is the only prime time series ever to run in consecutive seasons on three major televisions networks: on CBS from 1957 to 1959, on NBC from 1959 to 1961 and on ABC from 1961 to 1962.
- VerbindungenFeatured in Prime Times (1983)
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- 30 Min.
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- 1.33 : 1
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