Füge eine Handlung in deiner Sprache hinzuChicago reporter P.J. McNeal re-opens a decade-old murder case.Chicago reporter P.J. McNeal re-opens a decade-old murder case.Chicago reporter P.J. McNeal re-opens a decade-old murder case.
- Auszeichnungen
- 4 Gewinne & 2 Nominierungen insgesamt
- Helen Wiecek
- (as Joanne de Bergh)
- Taxicab Driver
- (Nicht genannt)
- Warden of Stateville Prison
- (Nicht genannt)
- Police Photographic Technician
- (Nicht genannt)
- Jan Gruska
- (Nicht genannt)
- Narrator
- (Synchronisation)
- (Nicht genannt)
- Secretary
- (Nicht genannt)
Empfohlene Bewertungen
Stewart is at first uninterested but as he thinks out loud and asks questions, Cobb urges him to investigate and see what he can come up with. Stewart starts with meeting the owner of the classifieds ad, who turns out to be the mother of one of the men put in prison for the murder. She is adamant that her son is innocent, and has scrubbed floors since his imprisonment to save up the reward money and pay for the ad.
As Stewart interviews more people investigated in the case, and reviews more news stories and documents related to the case, he realizes that the man in jail for this crime may really be innocent. Noir mainstay Richard Conte stars as the (allegedly) wrong-fully convicted man. Helen Walker has a small but effective role as Stewart's devoted wife whom he confides in when he's trying to figure out the case. They also work on a jigsaw puzzle together throughout the film, which very skillfully acts as a metaphor for what Stewart is trying to do in his work life.
Betty Garde plays the eyewitness whose inconsistent ability to pick out the murderer in the lineup comes into question by Stewart. She is very bitter and uncooperative towards Stewart, and obviously afraid of something or someone unnamed, so he's forced to undermine her credibility and go without her assistance in clearing the man whom he feels was wrongfully convicted.
I thought Stewart was excellent in his role as the everyday man whose work could affect the lives of many people associated with the case. Lee J. Cobb was authentic in the role of Stewart's boss who urges him to keep going in his investigation. I do get the sense though that Cobb is just trying to increase readership in the newspaper, and that he couldn't care less about Conte's character. But Stewart is the one with a little more humanity who is more about solving the crime than increasing readership of his newspaper.
One thing I thought was interesting about this film was that the man who administers the lie detector test to Conte is the actual inventor of the lie detector test.
Docudrama/thriller based on the actual facts about Joe Majczek and the Pulitzer Price winning reporter Jim McGuire who through a deep investigation , found enough evidence to have the case reopened . This is a thrilling picture , as you get completely absorbed in its vision , captivating every step of the way thanks to pacy filmmaking and awesome interpretations . Interesting as well as thought-provoking plot with an incident-filled script by Jerome Cady and Jay Dratler based on articles by James P. McGuire and Jack McPhaul . Very good acting by the great James Stewart as an obstinate journalist who slowly comes to realize that there was a miscarriage of justice . Secondary cast is frankly excellent such as Lee J Cobb , E. G. Marshall , Moroni Olsen , Charles Lane and Helen Walker as wife . First credited film role of John McIntire, who portrayed Sam Faxon and Thelma Ritter's role as the police captain's secretary was mostly deleted from the released print, but she can still briefly be seen and heard in one scene . And film debut of Kasia Orzazewski who portrayed Tillie Wiecek, mother of the second lead character of Frank W. Wiecek.
Evocative cinematography in black and white by Joseph MacDonald .This film was photographed in the State of Illinois using wherever possible, the actual locales associated with the story. "Call Northside 777 ¨ (1948) was actually the very first Hollywood produced feature film to be shot entirely on location in Chicago . Many famous landmarks, such as the Chicago Merchandise Mart, Holy Trinity Polish Mission, and the Wrigley Building on North Michigan Avenue, can be seen throughout the film. Emotive as well as atmospheric musical score by the classical Alfred Newman . The motion picture was stunningly directed by Henry Hathaway . Henry was a craftsman who had a long career from the 30s with successful films , and especially Westerns , as ¨Brigham Young¨ and ¨Raw Hide¨ . In his 60s Hathaway still got the vigour to make some fiery movies as ¨From Hell to Texas¨, ¨How the West was won¨, ¨Nevada Smith¨, and ¨Shoot out¨ . Hathaway also directed Noir genre as ¨Kiss of Death¨, ¨The House on 92nd Street¨ , ¨Niagara¨, ¨23 Paces to Baker Street¨ , adventures as ¨The last safari¨ , ¨Prince valiant¨ , ¨White rose¨ , ¨White Witch Doctor¨ and other kind of genres .
Eleven years later, the Chicago Times' editor Brian Kelly (Lee J. Cobb) is curious with an advertisement offering a US$ 5,000.00 reward for information about the identity of the killers of the policeman eleven years ago. He assigns the efficient reporter P.J. McNeal (James Stewart) to interview the person responsible for the ad. McNeal discovers that Frank's mother Tillie Wiecek (Kasia Orzazewski), who is a janitor, has saved her salary for eleven years to prove the innocence of her beloved son and now is offering the reward for additional information. McNeal is skeptical and believes that Frank is a cop killer, but his matter is successful and Kelly asks him to investigate further. Soon he changes his mind and realizes that Frank is a victim of the corrupt system.
"Call Northside 777" is an engaging movie about injustice and redemption based on a true story. The names were changed but most of the location is real. Movies of trial are usually attractive and James Stewart is one of the best actors of the cinema history. The result is a great movie directed by the also excellent Henry Hathaway. The only remark is the awful line of McNeal in the end of the movie: "Aw, look, Frank, it's a big thing when a sovereign state admits an error. But remember this: there aren't many governments in the world that would do it." Terrible way to admit an error that has cost eleven years of a man's life and made him lose his beloved wife and son. My vote is eight.
Title (Brazil): "Sublime Devoção" ("Sublime Devotion")
Filmed in semi-documentary style by director Henry Hathaway, this James Stewart led noir thriller oozes realism from start to finish. It's actually the lack of gloss and glamour that is the film's trump card. Based on the real story of the Joe Majczek case in 1933, it's filmed perfectly on location in Chicago {where the actual events happened}, gloriously mood emphasised by Joe MacDonald's superb black & white cinematography, and scored with tonal adroitness by Alfred Newman. As intrepid Chicago Times reporter McNeal {based on real reporter Jim McGuire who was a Pulitzer Prize winner for his investigative efforts on this case}, James Stewart lays down a marker for the more edgier character roles that would follow for him in the 50s. Here he plays it perfect as McNeal shifts from mere cynical newsman to an outright crusader of justice; and it's riding along with McNeal that this human interest piece lifts itself to great crime thriller heights. Along the way we find problems are encountered and police procedural techniques are scrutinised. All may not be as it first seemed, and this mysterious element ices what was already a delightful docu-drama based cake.
There is not much else to say, it's a film I personally highly recommend, a fascinating story that is given top care and attention from all involved, mean, moody and yes, magnificent. 8/10
Frank Wiecek (Richard Conte) has been convicted of a cop killing and sentenced to 99 years in prison. Convinced of her son's innocence, Frank's mother, an elderly and lowly cleaning lady, takes out an ad in the newspaper for information that will help free her son. McNeal grudgingly looks into the case, but doubts Wiecek's innocence. As the film moves along, McNeal slowly changes his perception of Wiecek.
Some viewers consider this to be a film-noir. To me, it is more of a docudrama, a staging of a real life story. The dialogue seems realistic. And the acting is low-key and credible. The film also highlights the technology of the era, including the use of the printing press, the polygraph, and a miniature camera.
But what impressed me most was the use of the Chicago locations where the real life story took place. Further, the B&W visuals are appropriately drab, dreary, and depressing, which reflects the tone of the actual events. There's very little background music, which also adds authenticity to the film. The only downside is the matter-of-fact procedural style in which the story is told, especially relative to the fatherly VO narration at the film's beginning and end. The film comes across at times as dry, and lacking emotional depth.
Devoid of cinematic hype, and told in a straightforward and plodding manner, "Call Northside 777" will appeal to people who seek realism in films. And, of course, the film's basis in fact, vis-a-vis fiction, adds to its credibility.
Wusstest du schon
- WissenswertesThe man administering the polygraph test to convict Richard Conte was the inventor of the polygraph or lie detector machine, Leonarde Keeler. He played himself in the movie.
- PatzerWhen McNeal is interviewing Helen Wiecek Rayska, prior to the arrival home of Mr. Rayska, Helen indicates that she only divorced Frank Wiecek AFTER Mr. Rayska had met and began loving her and her son, Frank Jr. However, when Mr. Rayska and Frank Jr. arrive home after that point in the interview, Mr. Rayska tells McNeal with certainty that he never even met Helen and Frank Jr. until after the divorce was finalized, and that he could provide proof of that.
Frank's ex-wife says that Frank asked her to divorce him for over a year. In the next sentence she says then she met her new husband which can be interpreted as after she finally acted and got the divorce. Her story and her new husband's agree.
- Zitate
[McNeal is trying to get Zaleska to name his real partner in the crime and get a chance at parole]
P.J. McNeal: What have you got to lose? You're in for life now. C'mon, tell us the truth.
Tomek Zaleska: Sure, I could say I did it. Then maybe have a chance of getting out, like you say. But if I confessed, who would I name as my partner, Joe Doakes? I couldn't make it stick for one minute. That's the trouble with being innocent. You don't know what really happened. I didn't do it. Me and Frank had nothin' to do with it.
- Crazy CreditsOpening credits are printed on the pages of a book; it is also stated that this is a true story.
- VerbindungenEdited from Chicago (1938)
- SoundtracksChicago (That Toddlin' Town)
(1922) (uncredited)
Music by Fred Fisher
Played during the Prohibition montage
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Yo creo en ti
- Drehorte
- Stateville Correctional Center - 16830 South Broadway Street, Joliet, Illinois, USA(Illinois State Penitentiary: panopticon & cells interiors; entrance exteriors)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 52 Min.(112 min)
- Farbe
- Seitenverhältnis
- 1.33 : 1