Schwein gehabt

This is one of two cartoons I have watched with Porky and Sylvester (the other being "Jumpin' Jupiter"). Personally, I thought this cartoon worked very well, with a new theme of horror (which is both funny and freaky) and the fact that Sylvester never speaks and is a great deal more of a coward than a hunter of Tweety (who is not in this cartoon whatsoever). Porky is an entertaining character here, who is especially heart-warming closer to the end.

In this short, Porky and Sylvester have moved into a big, spooky house and Sylvester is terrified of his new surroundings. He has good reason to be terrified, as the house is populated with horribly murdering mice. Sylvester, as he is a cat who cannot speak, cannot tell Porky of the horrible creatures in the house and just stays close to his owner, hoping that they will not be killed...

I enjoyed this cartoon for the originality of it and for some of the jokes, which, despite being very slapsticky, were quite humorous. I enjoyed the new character of Sylvester, whom I prefer to his character with Tweety, of which he is more famous for.

I recommend this to people who like Sylvester and Porky and who like/don't mind to see cartoon horror. Enjoy "Scaredy Cat"! :-)

This is the primary pretext of SCAREDY CAT. The feline set also tends to be quite self-centered, evidenced by Sylvester hoisting an anvil over his tuna fish provider P. Pig, forcing him onto the wagon to the killing field. If there were any cats along for the maiden voyage of the Titanic, one can bet that they'd have filled the space on the few available lifeboats as soon as the crow's nest dude yelled "Thar she's blowing free ice cubes for your drinks!" Fluffy does not observe any of the laws stipulating "Women and children first!" Fickle felines always desert just when their owners need them the most. That's why no one writes about "The cats of war" or "Fluffy come home."

In most cartoons starring Sylvester the Cat that are directed by Friz Freling or Robert McKimson, the pussycat is usually the aggressor who's after either Tweety or Hippity Hopper, the baby kangaroo mistaken for a giant mouse either by the red-nosed feline or his son, Sylvester, Jr. In Chuck Jones' Scaredy Cat, he's Porky Pig's mute pet who, despite many attempts of signaling his master of danger, gets admonished as being delusional since Porky always sees something different. This change of characterization is quite convincing in Jones' hands and he stages many scenes of mice about to carry another cat for execution quite atmospheric. The rodents look like Hubie and Bertie, by the way. Quite funny scenes of Porky just being nonchalant almost the whole way when weird things happen behind his back. The ending may be lost to modern audiences but Scaredy Cat is mostly successful in being spooky and highly amusing at the same time.

While not the best of the Looney Tunes canon, it is still enjoyable with a lot to recommend it. The villainous mice could have been developed more, but other than that I had little problem with Scaredy Cat. Porky and Sylvester are both great, especially Sylvester who gets the worst of the scares, particularly the infamous sequence down in the basement, that and the scene after did scare me as a kid. As well as being freaky, there are some funny moments too, slapsticky yes but they were well timed and funny. The animation is excellent, Sylvester is somewhat different-looking, but Porky is drawn very well and the backgrounds and colouring are audacious. The music is both rousing and atmospheric, the dialogue is great, the gags are fine, the story is well-constructed and quite original and Mel Blanc is once again brilliant as both Sylvester and Porky. Overall, not the best but very well done. 9/10 Bethany Cox

Classic Chuck Jones short with Porky Pig and his cat Sylvester moving into a run-down old house. Sylvester soon discovers the house is full of not-so-friendly mice that try to kill them at every turn. This is the first of three cartoons that paired Porky and Sylvester in a spooky place where strange things are happening. The animation is fluid and beautiful with rich Technicolor and well-drawn characters and backgrounds. Excellent voice work from Mel Blanc. Lively music by Carl Stalling. This is a great cartoon with nice atmosphere and lots of humor. Sylvester gets the funniest bits, despite his not talking in this entire short. The mice are a hoot! Love the ending.