Füge eine Handlung in deiner Sprache hinzuOlivia Harwood, missionary's widow, meets charming Mark Bellis, artist and rogue, on the ship taking them both back to 1890s London. After Olivia opens a lodging house, Mark becomes her lodg... Alles lesenOlivia Harwood, missionary's widow, meets charming Mark Bellis, artist and rogue, on the ship taking them both back to 1890s London. After Olivia opens a lodging house, Mark becomes her lodger then her lover. Olivia falls so completely under amoral Mark's spell that he's able to ... Alles lesenOlivia Harwood, missionary's widow, meets charming Mark Bellis, artist and rogue, on the ship taking them both back to 1890s London. After Olivia opens a lodging house, Mark becomes her lodger then her lover. Olivia falls so completely under amoral Mark's spell that he's able to overcome her scruples, and soon she's his willing tool in an ambitious scheme of theft and... Alles lesen
- Regie
- Drehbuch
- Hauptbesetzung
- Curtis
- (as Maureen Delany)
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"This is a true story...one of the strangest chapters in the annals of crime. Its characters lived more than fifty years ago...the leading figures in a passionate game of love and murder. It began on a sailing vessel homeward bound from the West Indies for Liverpool...."
Lewis Allen's movie falls into that category of films tagged as Gaslight Noir – Period Noir. Marjorie Bowen's literary works were always ripe for such noirish period pickings, given that many of them feature dark doings, bad people, idiotic people and just plain misery, and this filmic adaptation is no different in that respect; gloriously so for the film noir faithful.
While not in the same league as the two Gaslight movies, So Evil My Love pulses throughout with tainted blood. The period flavours are lovely, the lead cast members at home in their settings, yet you will have to search far and wide for someone you can respect. Heading up the cast is Milland, who around this time was thoroughly enjoying himself playing troubled or bad boy roles, and here, as he drags all around him through the mud, he's having a grand old time of it.
Unfortunately the long running time proves a bit much for director Allen, who sinks into deep melodrama for a good portion of the mid- section, and this is where it comes close to being dull, but the final third is worth waiting for as the septic and the stupid trot along to their respective fate. It's also disappointing that Green's photography doesn't always enhance the turbulent atmosphere, so for better work from him seek out Hatter's Castle (1942) and the mightily great Night and the City (1950).
Lots to like here for period and Gothic noir fans though. 7/10
The film develops at a leisurely pace and it seems a bit too long, but it is worth it for the final third when the tension starts to increase, and I certainly did not expect the final outcome when Todd and Milland meet up to make their getaway. I found it to be a satisfying conclusion which may leave you on a bit of a downer but it is effective melodrama.
The acting is good with a special mention to Ann Todd. She convinces as a vulnerable widow as well as a broken-hearted woman who is out for revenge. Milland's girlfriend Moira Lister (Kitty) also does well in one of the smaller roles and she is crucial to the way the story pans out in the end.
There is an atmospheric setting of Victorian London and the story is based on a true incident which all adds to the interest. It's a film that is worth seeing if only as a warning against being unfaithful in love. Don't expect forgiveness.
But it's really a film carried by Milland and Todd and they play against each other very well. The only weakness is that it's difficult to see why a woman as intelligent as Todd would fall so easily for the scheming Milland and then agree to do some dirty work on her friend's husband.
It's a Victorian crime of passion that takes its time in setting up the characters and the situations, but once the plot gets under way the viewer becomes involved in the story, thanks to some good direction, script and photography which gives a realistic feel to the gritty story with a downbeat ending.
Atmospheric and well worth watching for the little nuances along the way.
Pretty good film, though it was a bit of a stretch for me to believe missionary Olivia going over to the dark side so quickly. All of the actors give good, solid performances, with Huntley and Fitzgerald standouts. Milland could play a con artist well, and Todd is enigmatic as Olivia, a woman with deep emotions beneath the surface. Leo G. Carroll plays a detective who preys on Olivia's conscience.
The movie is very dark and atmospheric. Some of the best scenes are in the last fifteen minutes. Recommended.
Wusstest du schon
- WissenswertesElements of the plot are based on the mysterious death of barrister Charles Bravo in 1876.
- PatzerWhen Mark is painting Olivia's portrait, her necklace beads are not all twisted together; there are two strands that are hanging separately. When they move away from the portrait, the necklace strings are all uniformly twisted together with no strands hanging loose.
- Zitate
Kitty Feathers: Oh, Mark! You say things so prettily. But I never quite know what's going on inside your head.
Mark Bellis: One day I'll tell you. You may not like it.
- Crazy Credits"This is a true story... one of the strangest chapters in the annals of crime. Its characters lived more than fifty years ago... the leading figures in a passionate game of love and murder. It began on a sailing vessel homeward bound from the West Indies for Liverpool..."
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- Laufzeit1 Stunde 52 Minuten
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- Seitenverhältnis
- 1.37 : 1