The History of Mr. Polly

I was underwhelmed by the tale of a simple and weak character, Alfred Polly, played by the stalwart of the British cinema, John Mills, who has had enough of being henpecked, so leaves her and his shop to seek fresh pastures. It has several amusing scenes where Mills encounters the drunken, oafish Uncle Jim, played by the wonderful Finlay Curry, but overall the film is disappointing, for it seems to drift aimlessly from one scene to another without a clear and cohesive thread. I loved the music which gives the film a carefree and whimsical dimension but the real problem with the film is it's central character. It's very difficult to sustain interest in Mr Polly, a meek and mild character, who's simply wishing to see a quiet life.

John Mills prefers to read and dream rather than learn the haberdasher's trade, so he's fired. His father up and dies, and leaves him a nice sum of money. He enjoys bicycling around, saying he is "looking for a busienss to invest in", but marriage with his cousin, Betty Ann Davies, forces him to be a shop. It soon turns into a dull routine and marginal business. He burns it down for the insurance, then takes off. Soon he has settled down at a waterside inn run by Meg Jenks, punting the ferry and doing odd jobs.

Anthony Pelissier did not have a tremendously productive career as a writer-director, but he turned out fine screen transitions of literary works. In his first movie, he tackles H. G. Wells novel about a man who just wants to get by and not meddle in affairs that are none of his business.... and as it turns out, he does meddle and demonstrates that, as ridiculous as he appears fighting off Miss Jenks' drunk and vindictive uncle Finlay Currie, time and chance are on his side. What we are to make of this, except that people are ridiculous, I don't really know. But it does demonstrate that. With Diana Churchill, Sally Ann Howe, Juliet Mills, Moore Marriott, and Irene Handl.

Alfred Poly is a timid young man who reads and enjoys a life of leisure. His daydreaming losses him job after job and he finds his daydreams all he's left with. After the death of his father he marries a girl because it seems the right thing to do and they plan to open a shop together. 15 years later he is married to an abusive spiteful wife and feeling trapped in his little life. Plans to burn his shop down and kill himself led him to become a hero and decide to strike out to make a new life for himself.

Based on HG Wells story (which I have not read) this classic film is a reasonable little tale that maybe suffers from being too short. The plot spans something like 20 years (most of which is covered by a subtitle) and doesn't give us enough time to really get to know Poly well enough to get behind him. Instead the film tries to have a sort of light comedic feel to it. However for me this doesn't sit well with the subject of a man's life and the journey he eventually decides to make.

Some of it is amusing enough but really I needed to feel more for Poly. The fast track and the set pieces prevented me knowing enough about him to care beyond the fact that he wants a mediating quiet life - but this fact is painted thick without developing character. The actual moral of the tale is difficult to reach but appears to be about overcoming personal weakness to have the life you want, as seen in Poly's final journey.

Mills is good in the lead but does lay on the whole `I want a quiet life' thing a bit thick and doesn't blend it well with the comedic touches (although he does do these well). The support cast are fine but do tend to drift in and out of Poly's history. Although they do help to know Poly better as they reflect his changing life and they all have an impact on who he is.

Overall this is very light when it should have had better character development and the comedy doesn't sit well with the heavier tale of Poly's search for the life he wants.

I have to say I was a bit disappointed in The History Of Mr. Polly, I have always thought that H.G.Wells was better at writing science fiction than at social commentary. Many have said he's an early 20th century Charles Dickens, I think he falls short of the mark, especially here.

There's a lot of Walter Mitty in the interpretation that John Mills gives Alfred Polly. He's a dreamer who can't quite find himself, but gets the opportunity to do so when he inherits a large sum of money.

For a man in Edwardian Great Britain that usually meant acquiring a business and becoming a man of property. This Mills does, but it hardly brings him fulfillment. The film is his search to find some kind of place and some kind of fulfillment.

Mills and the rest of the cast do a creditable job in the roles, but I never really got the message of what Wells was trying to say or what his solution to Polly's problem was. Was it settling for peanuts or maybe even crackers?

HG Wells was one of the most successful novelists of the early 20th century, particularly famous for his science fiction. But earlier his tales of life among the ordinary people won him great success and eventually a wide reputation as a thinker and commentator as well as a writer. He wrote from personal experience - his mother was a domestic servant in a great house called Uppark, now one of the showplace of the National Trust. Mr Polly was a typical Wells characters - easy-going, unambitious, an innocent in a wicked world. John MIlls, one of the best-loved of British actors, captures perfectly the character of this harmless, well-meaning man, destined to be pushed hither and thither by a variety of females. But the film lack a strong story line and is often aimless and boring. THere are some hilarious scenes - the funeral of his father, which was more like a wedding party than a wake, with young women circling the newly rich innocent like sharks round a seal. Best of all was the scene where Mr Polly tries his hand at punting, struggling with his passenger and throwing them both in to the water. The music here was brilliantly written for the wind of the orchestra and played by a team of virtuosos with an outstanding clarinettist - who were they? The composer William Alwyn was probably the most prolific film composer of his or any generation. His work here saved the film from well-meant but earnest tedium. There should be a celebration of Alwyn's contribution to the art of film.