IMDb-BEWERTUNG
7,1/10
4406
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuIn turn-of-the century America, Andrew and Veronica are co-workers in a music shop who dislike one another during business hours but unwittingly carry on an anonymous romance through the mai... Alles lesenIn turn-of-the century America, Andrew and Veronica are co-workers in a music shop who dislike one another during business hours but unwittingly carry on an anonymous romance through the mail.In turn-of-the century America, Andrew and Veronica are co-workers in a music shop who dislike one another during business hours but unwittingly carry on an anonymous romance through the mail.
- Auszeichnungen
- 1 Nominierung
S.Z. Sakall
- Otto Oberkugen
- (as S.Z. 'Cuddles' Sakall)
John Alban
- Audience Member
- (Nicht genannt)
Bette Arlen
- Pretty Girl
- (Nicht genannt)
William Bailey
- Supper Club Patron
- (Nicht genannt)
Mary Bayless
- Supper Club Patron
- (Nicht genannt)
Edward Biby
- Judge
- (Nicht genannt)
George Boyce
- Male Quartette Member
- (Nicht genannt)
Chester Clute
- Sheet Music Customer
- (Nicht genannt)
Jack Deery
- Supper Club Patron
- (Nicht genannt)
Carli Elinor
- Band Leader
- (Nicht genannt)
Antonio Filauri
- Italian Proprietor
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesBuster Keaton was working as a gag writer at MGM when this movie was made. The filmmakers approached him to devise a way for a violin to get broken that would be both comic and plausible. Keaton came up with an appropriate fall, and the filmmakers then realized he was the only one who would be able to execute it properly, so they cast him in the film. Keaton also devised the sequence in which Van Johnson inadvertently wrecks Judy Garland's hat, and coached Johnson intensively in how to perform the scene. This was the first MGM film Keaton appeared in since being fired from the studio in 1933.
- PatzerWhen Andy and Veronica collide on the post office steps, her hat is completely knocked off her head and hanging just below her chin, but in the immediate close up it is on top of her head.
- Zitate
[last lines]
Veronica Fisher: Psychologically, I'm very confused, but personally I feel just wonderful.
- Alternative VersionenThere is an Italian edition of this film on DVD (Extra Movie with "EASTER PARADE"), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- VerbindungenFeatured in Some of the Best: Twenty-Five Years of Motion Picture Leadership (1949)
- SoundtracksIn the Good Old Summertime
Music by George Evans
Lyrics by Ren Shields
Played during the opening credits and often throughout the picture
Sung by Spring Byington, Van Johnson (uncredited), S.Z. Sakall (uncredited) and Buster Keaton (uncredited)
Ausgewählte Rezension
Funny that a movie which has 'Summertime" in its title spends most of its duration in the Winter. No matter, this is a charming and quaint musical from MGM. Judy and Van are anonymous pen pals, who also happen to work together, each of them not knowing the other is their mystery 'friend'.
It's a little disconcerting watching Judy Garland, as lively as ever, in her second to last MGM musical from the studio's classic period. It's unfortunate she was dropped a couple years later, because even in this minor film, she is wonderful, using her talents to better the story with her cinematic personality and melodic singing. She had a gift for comedy and a talent for drama as well.
Van Johnson, in one of his few memorable musical film roles, is good as Judy's counterpart. His role seems more like a character Gene Kelly would have played, a bit of a 'smart Alec'. I think if Kelly were cast instead, there would have been more of a balance in this film, because as it is, much of the singing in this film comes from Judy...she really is the only singer in the whole cast. The songs, themselves, are period pieces which are pleasant enough. Aside from the title tune, there is the "Dreamland" number, which is nice, Judy's rousing "I Don't Care", and her amusing song with the Barbershop Quartet. The other actors in the cast are also good. Buster Keaton has a funny, but modest role as a shop worker, along with Spring Byington and S.Z. "Cuddles" Sakall, as the shop owner.
Overall, a pleasant film. Not quite what I would think of as a musical, as the songs are modest filler, not showstoppers. This is not on par with "On the Town" or "The Pirate", but it is enjoyable enough. Good costumes, charming sets, and lovely Technicolor contribute to the look of an antique hand-colored postcard. In that sense, it's something of a curio; amusing, but not quite a gem.
It's a little disconcerting watching Judy Garland, as lively as ever, in her second to last MGM musical from the studio's classic period. It's unfortunate she was dropped a couple years later, because even in this minor film, she is wonderful, using her talents to better the story with her cinematic personality and melodic singing. She had a gift for comedy and a talent for drama as well.
Van Johnson, in one of his few memorable musical film roles, is good as Judy's counterpart. His role seems more like a character Gene Kelly would have played, a bit of a 'smart Alec'. I think if Kelly were cast instead, there would have been more of a balance in this film, because as it is, much of the singing in this film comes from Judy...she really is the only singer in the whole cast. The songs, themselves, are period pieces which are pleasant enough. Aside from the title tune, there is the "Dreamland" number, which is nice, Judy's rousing "I Don't Care", and her amusing song with the Barbershop Quartet. The other actors in the cast are also good. Buster Keaton has a funny, but modest role as a shop worker, along with Spring Byington and S.Z. "Cuddles" Sakall, as the shop owner.
Overall, a pleasant film. Not quite what I would think of as a musical, as the songs are modest filler, not showstoppers. This is not on par with "On the Town" or "The Pirate", but it is enjoyable enough. Good costumes, charming sets, and lovely Technicolor contribute to the look of an antique hand-colored postcard. In that sense, it's something of a curio; amusing, but not quite a gem.
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- In the Good Old Summertime
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 6.304.560 $
- Weltweiter Bruttoertrag
- 7.704.120 $
- Laufzeit1 Stunde 42 Minuten
- Seitenverhältnis
- 1.37 : 1
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Oberste Lücke
By what name was Damals im Sommer (1949) officially released in India in English?
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