Der besiegte Geizhals

In this remake of the Shirley Temple vehicle "Little Miss Marker," a little girl is left as collateral for a racetrack bet. The good news is that it's a huge improvement over the terrible Temple film. The bad news is that it's still based on the same uninteresting Runyan story. As the little girl, Saunders is much easier to take than Temple. Unlike the earlier version, the focus here shifts from the little girl to the title character, which is a good thing as Hope is always fun to watch. Hope and Ball work well together although they don't get much help from the script here. The ending is far better than the corny finale to the earlier film.

Damon Runyon was another one of those writers whose work never transferred very successfully to the screen. Even the great Ernest Hemingway and F. Scott Fitzgerald had troublesome films made from their novels. Runyon failed before with THE BIG STREET (Lucille Ball as a hard-boiled dame using Henry Fonda as a doormat) but had better luck when GUYS AND DOLLS transformed one of his works into a musical.

Here it fails once again to provide BOB HOPE and LUCILLE BALL with anything more than routine roles in this racetrack comedy about an unlikely man to chaperone a kid (MARY JANE SAUNDERS in the role originated by Shirley Temple in "Little Miss Marker"). Saunders is cute, but that's about it. She's no Temple and never went on to child star stardom as Temple did.

Sidney Lanfield directed a lot of lightweight films for Paramount, not all of them successful, and this has to be counted among his least likable comedies--unless, of course, you happen to be a fan of the stars and can watch them in anything.

Hope has some amusing one-liners as the man who takes a marker on a kid who becomes a big part of his life and Lucille Ball has a few quips of her own. Adolphe Menjou played the unsuitable man in the Temple film, with better and more believable results. Hope and Ball are simply killing time here and it shows.

The story, which depends so much on the charisma and appeal of a child star, simply hasn't got the strength to support Hope and Ball. This one's a real loser without the charm of the original.

Bob Hope stars as Sorrowful Jones in the second screen version of Damon Runyon's "Little Miss Marker". It's a bit of a move in terms of screen characterization for Hope, but not enough of one to upset his fans. There are still the sarcastic asides, self-deprecating and delusional, but the character has a sense of depression implicit in the name that Hope had not brought to other roles. He would expand on this for the next half dozen years, reaching the point where he could play carefully tailored real-life characters like Jimmy Walker and Eddie Foy, that showed his actual abilities as an actor, before he would become a bit stale in the late 1950s.

Although Hope would not adopt the. Fractured English that was a trademark of Runyon's Broadway characters -- only Tom Pedi does -- a competent cast, including Lucille Ball as her most sarcastic, William Demarest, and Thomas Gomez run ably with their parts. Only Mary Jane Saunders as the little girl suffers in comparison, but Shirley Temple had played the role in the first version, cute and bubbly and headstrong. Miss Saunders is simply sweet.

This is a remake of 1934's Little Miss Marker, a Shirley Temple movie. Sorrowful Jones, the cheap bookie, is played to a tee by Bob Hope, who suddenly has a little girl to look after when her father leaves her in his care as a bet marker, and doesn't come back. But the little girl doesn't mix well with his lifestyle, and provides him with some close shaves involving some errant gangsters, and a bout of horse napping. A predictable and sappy ending, but still a sweet little movie, with some hilarious one liners by Bob Hope and Lucille Ball. (Make sure you're not eating when you watch this, because they shoot them out so suddenly that you're likely to end up wearing your lunch.) Overall? 8 out of 10.

This movie, a re-make of Shirley Temple's "Little Miss Marker" gets little respect from the critics. As usual, I disagree with them: this is fun movie and one you should enjoy if you like Temple and laugh at Bob Hope's jokes.

I didn't always think Hope was funny but this movie had a lot of laughs, a great story and a cute kid. It isn't as hokey or dated as most of Hope's films and some of his lines in here are downright clever.

Mary Jane Saunders does a nice imitation of Temple-Margaret O'Brien, a combination of those two child stars. You also get Lucille Ball in here, although she's just okay, nothing hilarious. She does get some good wise-cracks in, however.

This is a solid, underrated comedy. I'm sorry to see I am only the second person to review this film on IMDb. A lot of people are missing out on a funny movie.