IMDb-BEWERTUNG
6,7/10
1101
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA gunfighter takes part in a scheme to bilk a wealthy cattle family out of half a million dollars by pretending to be their son, who was kidnapped as child.A gunfighter takes part in a scheme to bilk a wealthy cattle family out of half a million dollars by pretending to be their son, who was kidnapped as child.A gunfighter takes part in a scheme to bilk a wealthy cattle family out of half a million dollars by pretending to be their son, who was kidnapped as child.
Carl Andre
- Ranch Hand
- (Nicht genannt)
Salvador Baguez
- Roberto
- (Nicht genannt)
Dick Botiller
- Vaquero
- (Nicht genannt)
Carlos Conde
- Vaquero
- (Nicht genannt)
James Cornell
- Ranch Hand
- (Nicht genannt)
Empfohlene Bewertungen
Excellent Paramount western, which I regularely confound with William Dieterle's RED MOUNTAIN, starring the same Ladd. Rudolph Maté the director shows us here his talent for westerns, as he also will for THREE VIOLENT PEOPLE, VIOLENT MEN. A bit less with RAWHIDE YEARS though. I would prefer SHANE, I admit, and also maybe RED MOUNTAIN. Of course there is not much surprise in this classic western, nothing much unpredictable. Robert Keith is excellent in this role. Photography is also jaw dropping, and it contributes a lot to the pleasure I had to watch it after several decades. Awesome settings with desert and valley landscapes. One of the best of Alan Ladd.
Some have said it's too bad Ladd made "Shane", because it overshadowed this great piece. I'd like to think there's room for both great Westerns to fill the honor roll of classic Westerns.
Ladd plays a gunman named Choya. He's probably a lot like Shane, only perhaps a month before Shane becomes the character we see in his film.
He's recruited by an older man to pretend to be the son of a wealthy rancher, a son who was kidnapped at the age of five.
Many revelations come about during the movie, and most of them very early. The new partner of Choya (Ladd) quickly shows himself to be the last person you'd want near you, a true monster. Yet he's a very believable monster. The first death scene, which is a murder committed by this man, may be one of the best Hollywood stunt scenes ever done. It's worth watching all on its own. Too bad we never see the victim again, as he is a character we could truly like, which makes the act even more deplorable.
The dramatics and action that unfold are rugged "tough guy" Western traditions united with very believable motivations. This is a great script, and it is superbly directed, which also means the acting is superb.
I won't spoil the film any more. It is a truly great Western, made during the golden age of Westerns, when people actually knew some of the rugged individualists of the late nineteenth century and the West, before all of our information came from self righteous rich kids and bubble boys who probably never stepped foot in a park by themselves.
Enough of the cynicism. Back to the film. It's rich and full of every ingredient, action, drama, three dimensional characters, pathos, scenery, everything that makes a great film. So sit back and enjoy.
Ladd plays a gunman named Choya. He's probably a lot like Shane, only perhaps a month before Shane becomes the character we see in his film.
He's recruited by an older man to pretend to be the son of a wealthy rancher, a son who was kidnapped at the age of five.
Many revelations come about during the movie, and most of them very early. The new partner of Choya (Ladd) quickly shows himself to be the last person you'd want near you, a true monster. Yet he's a very believable monster. The first death scene, which is a murder committed by this man, may be one of the best Hollywood stunt scenes ever done. It's worth watching all on its own. Too bad we never see the victim again, as he is a character we could truly like, which makes the act even more deplorable.
The dramatics and action that unfold are rugged "tough guy" Western traditions united with very believable motivations. This is a great script, and it is superbly directed, which also means the acting is superb.
I won't spoil the film any more. It is a truly great Western, made during the golden age of Westerns, when people actually knew some of the rugged individualists of the late nineteenth century and the West, before all of our information came from self righteous rich kids and bubble boys who probably never stepped foot in a park by themselves.
Enough of the cynicism. Back to the film. It's rich and full of every ingredient, action, drama, three dimensional characters, pathos, scenery, everything that makes a great film. So sit back and enjoy.
The opening scenes set the tone of the film
Ladd, an itinerant gunman known simply as Choya and with the aid of a tattooed birthmark, passes himself off as the lost son and is accepted wholeheartedly by the parents (Bickford and Royle) and Ruth (Freeman), the man's sister
Ruth had responded to his arrival on the ranch as any pretty woman would respond to a mysterious, handsome stranger, but she rapidly sets right to the fact that he is a relative
As soon as he is welcomed as Richard Jr, however, something happens to Choya As a member of a loving family, Choya experiences feelings denied him by his own childhood and became increasingly sickened by his contribution in the tricking
Leading a cattle drive to El Paso, Choya decides to give up his charade revealing his true identity to Ruth, who turns on him with consternation and antagonism There remains only one way to redeem himself and make up for the distressing emotion he has caused the Lavery family: To find their real son
All the elements in "Branded" are taken directly from the straight-shooting school of Western movies Choya, despite his confession to Ruth that he is a "four-flushin' thief," is true-blue outlaw hero The smart Leffingwell has him classified correctly: "You won't hit an older man. You ain't the kind that'll draw first, or shoot a man in the back." Even with the rules thus outlined, Ladd still has a chance to present his standard beguiling bad guy early in the film, merely holding back a victorious smile as he pretends confusion over the elder Lavery's excited reaction to his birthmark
Besides its other values, "Branded" is a visual delight In fact, the movie's one drawback as a Western entertainment is a lack of big action highlights
Ruth had responded to his arrival on the ranch as any pretty woman would respond to a mysterious, handsome stranger, but she rapidly sets right to the fact that he is a relative
As soon as he is welcomed as Richard Jr, however, something happens to Choya As a member of a loving family, Choya experiences feelings denied him by his own childhood and became increasingly sickened by his contribution in the tricking
Leading a cattle drive to El Paso, Choya decides to give up his charade revealing his true identity to Ruth, who turns on him with consternation and antagonism There remains only one way to redeem himself and make up for the distressing emotion he has caused the Lavery family: To find their real son
All the elements in "Branded" are taken directly from the straight-shooting school of Western movies Choya, despite his confession to Ruth that he is a "four-flushin' thief," is true-blue outlaw hero The smart Leffingwell has him classified correctly: "You won't hit an older man. You ain't the kind that'll draw first, or shoot a man in the back." Even with the rules thus outlined, Ladd still has a chance to present his standard beguiling bad guy early in the film, merely holding back a victorious smile as he pretends confusion over the elder Lavery's excited reaction to his birthmark
Besides its other values, "Branded" is a visual delight In fact, the movie's one drawback as a Western entertainment is a lack of big action highlights
A fine western that was better than I expected It to be.Alan Ladd, although sometimes wooden puts In a good performance here. The cinematography and the colour process of this movie are outstanding. This western has a few good plot twists to make It stand out.The location scenery Is stunning too. Alan Ladd has something of a mystery persona here not unlike his role In Shane. The colours In this movie are very vivid and lifelike not at all garish as I thought they might be. This western has good support acting too, Charles Bickford plays his part with ruthless relish ala Big country. Robert Keith Is a shady slime ball who's demise In the film Is very fitting. This Is an out and out satisfying western and one I can thoroughly recommend.
One of Alan Ladd's lesser-known westerns is this adventure of a scheming outlaw with a conscience who sets out to solve the mystery of a lost son and return him to his parents. Of course, the mission is fraught with danger, from a partner and assorted crooks. After getting to know the missing lad's family, Choya's change of heart takes across the Rio Grande where the boy is being raised by a tough, mean outlaw who aims to keep the boy, using gun play if necessary to get his point across. The picture is helped by great scenery and several scenes show a realistic slice of ranch life and cattle drives. Ladd gets a great boost from Robert Keith, Charles Bickford and Joseph Calleia, and Mona Freeman, always tough and spirited, is pretty as she takes a fancy to the dashing outlaw who would be her brother.
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- WissenswertesDas Brandmal (1950)'s location shooting took place in Douglas, Portal, San Simon and Globe, AZ. Scenes of the Salt River Canyon were shot near Globe. Some scenes were also shot at Vasquez Rocks in Agua Dulce, CA, and the Monogram Ranch in Placerita Canyon, Newhall, CA.
- VerbindungenFeatured in Straßen der Nacht (1975)
Top-Auswahl
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- How long is Branded?Powered by Alexa
Details
- Laufzeit1 Stunde 35 Minuten
- Seitenverhältnis
- 1.37 : 1
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