Füge eine Handlung in deiner Sprache hinzuBill Lawrence wins a jackpot worth $24,000 on a radio quiz program. His happiness, and that of his family, is short-lived after he discovers he'll be compelled to sell the prizes in order to... Alles lesenBill Lawrence wins a jackpot worth $24,000 on a radio quiz program. His happiness, and that of his family, is short-lived after he discovers he'll be compelled to sell the prizes in order to pay an amount of $7,000 income tax on them.Bill Lawrence wins a jackpot worth $24,000 on a radio quiz program. His happiness, and that of his family, is short-lived after he discovers he'll be compelled to sell the prizes in order to pay an amount of $7,000 income tax on them.
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- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Gewinne & 1 Nominierung insgesamt
- Watch Saleswoman - Store Employee
- (Nicht genannt)
- Watch Buyer
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- Police Detective
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- Policeman in Bookie Raid
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- Bookie Parlor Clerk
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- Saleslady
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- Card Player
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- Man
- (Nicht genannt)
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Jimmy Stewart plays the man making around 7 grand a year (talk about inflation!) and hopes to win the.radio prize of 24 grand. Oddly his friends think he would never have to work a day in his life, though I'm not sure how far that 24 grand would have gone even in 1950. After all he's making just over 7 grand a year and has a few hundred in the bank so that award money would finance his and his family's life or less than 4 years!
Even worse, he doesn't even win the money but an absurd list of prizes. That's where the movie began to lose me. The entire radio sequence was ridiculously overdone. It's true old prize shows such as Queen for a Day did have a plethora of prizes, but they were relevant to the winner's needs, not just absurd awards like a pony or a maid or portrait artist, etc.
Despite its flaws this is one of the most interestingly plotted movies I know of. It goes all over the place and often om unexpected place.
The extended ratio sequence certainly diminishes the movie for me. But otherwise it was rather entertaining with a doze of originality.
What can one say about James Stewart, in my view the greatest actor in the history of the Hollywood cinema. I love Brando, but I can't imagine even Brando successfully handling the range of parts that Stewart played.
Barbara Hale, later of Perry Mason TV series, was a strong presence in the movie, though a very young Natalie Wood seemed unrecognizable.as the daughter. One would never have guessed she would shine as a beauty queen in adult roles. Tommy Rettig, who played the son, later got the part of the boy in the Lassie TV series.
Fred Clark, who later was the second best Harry. Morton in the Burns and Allen series seems to have been ubiquitous in films of this era, and always successfully so.
I wish I had paid more attention to the music score; but, oddly, I don't recall a single underscore cue in the entire film. I'll have to see the movie again to check the accuracy of that statement.
In sum, even apart from the interesting plotting of the story, and despite the longueurs of the radio sequence, any Jimmy Stewart is foolproof.
Clever script from the Ephrons (Henry & Phoebe), along with a number of nice touches from ace comedy director Walter Lang. Note how he has a card-playing guest humorously peek at the cards while others are distracted by the radio show-- that had to be an inspiration of the moment. Stewart, of course, brings his usual brand of amiable befuddlement to the comedy mix, and who better to play his department store boss than that 50's curmudgeon of big business, baldy Fred Clark, (I hope there's a special place in Hollywood heaven for unsung performers like him).
I remember the mystery-guest quiz shows that the movie portrays. They were popular and fascinating for an audience trying to unravel the riddle of the celebrity guest (eg. Jack Benny as the "Walking Man"). I don't know, but I'll bet that those shows started paying the taxes on prizes after this movie was released. This is a good example of the kind of family comedy that soon migrated to 50's sit-com (Ozzie & Harriet; Leave it to Beaver). Probably it would not have been produced 5 years later, quiz-show premise or not. Nonetheless, there's enough human interest and clever comedy set-ups to overcome the period limitations and keep you entertained.
Jimmy plays an executive who works for a local department store. His life is pretty happy and ordinary. Then, out of the blue, he's contacted by a national radio contest with gobs of prizes. When he gets the right answer, he wins over $20,000 in prizes--though none of it is in cash. The cash would have been nice, as Stewart soon realizes he's not as lucky as he thought, as now he owes taxes on a lot of unnecessary goods AND his marriage and job are on the rocks--all thanks to the contest.
The acting is pretty good. I particularly liked James Gleason in support and Stewart is his usual affable self. However, not all the parts are written very well--in particular, Barbara Hale (who plays his wife) comes off as very petulant and nasty. This snappy personality didn't make sense, as she went from devoted wife to jealous ----- (I can't use the word--it won't pass IMDb standards).
Overall, the film certainly isn't bad and is worth a look. However, indifferent writing and a story that seems very forced make this a film you can skip or see as purely a time-passer.
From the movie description, you would think this is the kind of plot line that the writers would give cursory treatment, but I was surprised at the quality of the writing. I should have known better since James Stewart is not likely to agree to take a lead role in a poorly written work. Stewart has a solid surrounding cast who also all deliver ably - Barbara Hale, Fred Clark, James Gleason, Bob Gist and others, including young Natalie Wood. This is a nice romp and worth viewing.
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- WissenswertesThe house interior used as Jimmy Stewart's character's residence was previously used as the interior of the home of the main characters in the Mr. Belvedere film Sitting Pretty (1948). The secretarial desk by the staircase is used by characters in both films.
- PatzerThe shadows of trees and other objects on the street in front of the Lawrence home face the same direction in both the opening-shot of the movie, which is set in the morning, and in the scene late that afternoon when Bill comes home from work.
- Zitate
Mr. Ferguson: They might attach your salary.
William J. 'Bill' Lawrence: Then I'll quit my job and live on soup.
Mr. Ferguson: They might attach this house.
William J. 'Bill' Lawrence: Then I'll burn down the house!
- SoundtracksAin't We Got Fun
(uncredited)
Music by Richard A. Whiting
Lyrics by Ray Egan and Gus Kahn
Sung by an off-screen chorus during the opening credits
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