IMDb-BEWERTUNG
6,7/10
175
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuOn the run from the U.S. Army, Ringo ends up in a small Utah town where he takes sides in a land feud between local ranchers but he always keeps an eye out for the Army patrols closing-in on... Alles lesenOn the run from the U.S. Army, Ringo ends up in a small Utah town where he takes sides in a land feud between local ranchers but he always keeps an eye out for the Army patrols closing-in on him.On the run from the U.S. Army, Ringo ends up in a small Utah town where he takes sides in a land feud between local ranchers but he always keeps an eye out for the Army patrols closing-in on him.
- Regie
- Drehbuch
- Hauptbesetzung
Bill Elliott
- John Baker - aka Ringo
- (as William Elliott)
Lorna Gray
- Livvy Weston
- (as Adrian Booth)
Noah Beery Jr.
- Glenn Larrabee
- (as Noah Beery)
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If you're anything like me, movies with no regard to continuity are just too distracting to enjoy. This little gem caught me by surprise right from the first few scenes because its continuity is absolutely dead on perfect. There are probably very few people who are fooled by sound stages versus the real outdoors. Not much can be done to satisfactorily convince the viewer that the actors are in the desert when they are actually in a studio with sand on the floor. BUT! This movie uses continuity to make the transition from indoor sound stage to outdoor reality as seamless and believable as I've ever seen. Watch closely as Wild Bill Elliot goes into a crouching position at the campfire on the sound stage to the exact same crouching position at the outdoor campfire. Someone cared about details like this in a 1950 western when it seems like no one in today's movie making industry can keep the level in a water glass within two inches of the proper level from scene to scene.
Watch this movie for everything it has to offer, but while you're doing that PLEASE keep an eye on the near perfect job the continuity department did. I'm afraid this kind of pride in workmanship is a fading Hollywood legend.
Watch this movie for everything it has to offer, but while you're doing that PLEASE keep an eye on the near perfect job the continuity department did. I'm afraid this kind of pride in workmanship is a fading Hollywood legend.
"The Savage Horde," a somewhat generic title unless the viewer considers Wade Proctor (Grant Withers) and his henchmen to be a horde, is a top notch Wild Bill Elliott oater with some of the best acting to be seen in a B western. The Standout performance from a fine cast belongs to former cowboy star Bob Steele as Dancer, proctor's aloof paid gunman who gets pleasure from shooting men down in cold blood. He reminds one of a similar character, Jack Wilson (Jack Palance), in the classic "Shane" a few years later. Keeping up with the likes of Noah Beery Jr., Douglass Dumbrille, Roy Barcroft, and Jim Davis is country western songwriter and balladeer Stuart Hamblen who wrote such standards as "It Is No Secret" and "This Ole House." He plays a clownish role with a tragic twist at the end. Lorna Gray and Barbra Fuller do well portraying frontier women in a man's world.
The cast consists of a gallery of Republic support players with faces easy to recognize, though the names such as Bud Osborne, George Chesebro, Marshall Reed, and Wally Wales, aka Hal Taliaferro, may not register at first. Former cowboy star Kermit Maynard, brother to the famous Ken Maynard, plays one of the ranchers. He was also a noted stuntman by this time. Character actor Earle Hodgins, noted for his medicine show con artist pitch, has a small but telling role. He is not as obnoxious as usual, actually turning in a fairly restrained performance.
The story is a familiar one about two brothers, one good (Lt. Mike Baker played by Davis) and one bad (John Baker, aka Ringo, played by Wild Bill Elliott). This time the "bad" one with a price on his head killed in self-defense but only his brother, the cavalry officer who has been assigned to track him down, believes his story. Ringo is determined to see an old flame to try to rekindle their romance and in the process gets caught in the middle of a range feud between cattlemen and homesteaders. The familiar plot has a few novel winds and turns before the final shootout involving plenty of action directed by B western master Joseph Kane. It is a Republic film so expect to watch the best stunt work around. The crisp black and white photography rests easy on the eyes and adds to the overall effect of the picture.
The cast consists of a gallery of Republic support players with faces easy to recognize, though the names such as Bud Osborne, George Chesebro, Marshall Reed, and Wally Wales, aka Hal Taliaferro, may not register at first. Former cowboy star Kermit Maynard, brother to the famous Ken Maynard, plays one of the ranchers. He was also a noted stuntman by this time. Character actor Earle Hodgins, noted for his medicine show con artist pitch, has a small but telling role. He is not as obnoxious as usual, actually turning in a fairly restrained performance.
The story is a familiar one about two brothers, one good (Lt. Mike Baker played by Davis) and one bad (John Baker, aka Ringo, played by Wild Bill Elliott). This time the "bad" one with a price on his head killed in self-defense but only his brother, the cavalry officer who has been assigned to track him down, believes his story. Ringo is determined to see an old flame to try to rekindle their romance and in the process gets caught in the middle of a range feud between cattlemen and homesteaders. The familiar plot has a few novel winds and turns before the final shootout involving plenty of action directed by B western master Joseph Kane. It is a Republic film so expect to watch the best stunt work around. The crisp black and white photography rests easy on the eyes and adds to the overall effect of the picture.
Wild Bill Elliott whose later westerns for Republic were pretty good does another fine one in The Savage Horde. He plays one of two brothers, a gunfighter named Ringo who shot an army captain and the army in the person of Colonel Douglass Dumbrille wants him. And charged with bringing him in is Lieutenant Jim Davis who is Elliott's younger brother.
Escaping the army's clutches, Elliott arrives in the town of Gunlock which is in the midst of a range war started by the local Ponderosa owner Grant Withers who's backed by his tough foreman Roy Barcroft and a murderous gunslinger in Bob Steele. He's also got the local judge Will Wright in his pocket and he's courting Wright's daughter Barbara Fuller who is also being courted by young Noah Beery, Jr., the leader of the small ranchers. Seems that Withers thinks that government land and open range are his exclusively.
Naturally Elliott sides with the little guys, but he's a fugitive and of course that is always in the back of his mind. But even fugitives are entitled to some romance and he has it with hash house owner Lorna Gray.
As you can see there are a lot of plot elements, but they're woven nicely into a tight no frills story that doesn't waste a minute of film frame. Pay attention to Wright as a troubled figure and Withers who is a bit more complex than most standard B western villains are.
Most of all there's Bob Steele who in my book was always better as a villain than a cowboy hero. His gunslinger Dancer ranks right up there with the villain roles he did in The Big Sleep, The Enforcer and South Of St. Louis. He's one murderous punk in this one.
I would strongly urge anyone who is a western fan to check out this and other westerns done by Bill Elliott after he stopped being Red Ryder.
Escaping the army's clutches, Elliott arrives in the town of Gunlock which is in the midst of a range war started by the local Ponderosa owner Grant Withers who's backed by his tough foreman Roy Barcroft and a murderous gunslinger in Bob Steele. He's also got the local judge Will Wright in his pocket and he's courting Wright's daughter Barbara Fuller who is also being courted by young Noah Beery, Jr., the leader of the small ranchers. Seems that Withers thinks that government land and open range are his exclusively.
Naturally Elliott sides with the little guys, but he's a fugitive and of course that is always in the back of his mind. But even fugitives are entitled to some romance and he has it with hash house owner Lorna Gray.
As you can see there are a lot of plot elements, but they're woven nicely into a tight no frills story that doesn't waste a minute of film frame. Pay attention to Wright as a troubled figure and Withers who is a bit more complex than most standard B western villains are.
Most of all there's Bob Steele who in my book was always better as a villain than a cowboy hero. His gunslinger Dancer ranks right up there with the villain roles he did in The Big Sleep, The Enforcer and South Of St. Louis. He's one murderous punk in this one.
I would strongly urge anyone who is a western fan to check out this and other westerns done by Bill Elliott after he stopped being Red Ryder.
On the run after killing a man in self-defense, Ringo (Bill Elliot) lies low in a cattle town that isn't as quiet as he hoped it would be. A power-hungry landowner is trying to push out the local ranchers. When Ringo's sense of justice gets provoked, he throws in with the ranchers to fight against proctor and his band of hired guns. But doing the right thing means risking capture and death, especially when the army puts Ringo's brother, Mike, on his trail.
A fine Bill Elliott western that is intelligently scripted, and features some depth in the characterisation. Grant Withers as Proctor- villain -isn't a pencil twirling villain and has some scruples such as not turning to gunplay, especially against older folk, but his overpowering ambition and losing the leading lady makes him go totally bad. He's quite a shrewd character who seems to be winning the range war, and even manages to oust Ringo - Bill Elliott - out of the way. Speaking of which, Wild Bill acts brilliantly as the gunfighter running from the cavalry and ends up helping the ranchers, and without a gun. Well not until the very end.
The Savage Horde is an engrossing western featuring great performances and nice gunplay at the end. Bob Steele does fine as trigger-happy gunslinger on Proctor's side called Dancer.
A fine Bill Elliott western that is intelligently scripted, and features some depth in the characterisation. Grant Withers as Proctor- villain -isn't a pencil twirling villain and has some scruples such as not turning to gunplay, especially against older folk, but his overpowering ambition and losing the leading lady makes him go totally bad. He's quite a shrewd character who seems to be winning the range war, and even manages to oust Ringo - Bill Elliott - out of the way. Speaking of which, Wild Bill acts brilliantly as the gunfighter running from the cavalry and ends up helping the ranchers, and without a gun. Well not until the very end.
The Savage Horde is an engrossing western featuring great performances and nice gunplay at the end. Bob Steele does fine as trigger-happy gunslinger on Proctor's side called Dancer.
7bux
Well above average western from Republic Studios. Elliott is 'Ringo', on the run and Davis is his brother, in charge of a cavalry command chasing him. Ringo stops to visit old girl friend, and becomes embroiled in a range war. Withers portrayal of a psychopathic mogul is convincing. Great supporting cast-Noah Beery Noah Jr. is the 'Kid' and Hamblin provides some enjoyable tunes along the way. Supposedly the title "Savage Horde" was a tribute, by director Kane, to actor Grant Withers, who appeared in "the Fighting Marines", a serial, containing a chapter titled "The Savage Horde." Unexpected climax can leave you wondering. A good western.
Wusstest du schon
- WissenswertesFinal film of Chuck Baldra.
- SoundtracksRide An Old Paint, Lead An Old Bald
Written by Stuart Hamblen
Sung by Stuart Hamblem
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- Terror über Colorado - Western Perlen 22
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- Laufzeit
- 1 Std. 30 Min.(90 min)
- Farbe
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- 1.37 : 1
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