Varieté-Prinzessin

Remake of 1943's "Coney Island" (both starring Betty Grable!) has Victor Mature (in suits and straw hats) playing a hustler-showman conning old acquaintance Phil Harris into going in business together in 1890s Chicago. Seems nightclub owner Harris has scuffled with a rowdy drunk and believes he's killed him; Mature holds this over his head and steals his girl in the process! Screenwriter Charles Lederer has penned a great deal of smart, sassy patter (broken up every now and again by cute musical numbers), but he fumbles what little plot there is. Lederer also isn't helped by the casting: Phil Harris seems like such a genuinely nice guy (with a big, gregarious smile) that Mature comes off a bit cold-hearted by contrast (he's not the dashing romantic intended). Grable is very lively on stage and funny in a catfight scene with a showgirl; she keeps a heated temper throughout and gives the movie a good goosing. Also funny is Margaret Hamilton in small role as a crusader for decency (no one displays comic indignation better than Hamilton). Fox production values a bit low, although the trick photography during a ferris wheel sequence is well done and Harris has a funny bit there inadvertently proposing to a sailor. ** from ****

Lots of action in this Betty Grable film with a fine supporting cast.

Victor Mature is great with his escapades of being successful at starting trouble amongst Betty and Phil Harris. Phil Harris's character is pretty good in this department at playing games as well.

The musical numbers are divine and the choreography is very good.

The cinematography is brilliant with all the vivid colors. Very entertaining for a remake of Grable's "Coney Island." Nice to know that both films, made only seven years apart, were box office hits.

For the final time Victor Mature and Betty Grable teamed up to star in a film with Wabash Avenue. And this was the second time that Betty did this film if it seems familiar. The plot is taken from previous Grable hit Coney Island and moved to Chicago at the time of the 1893 World's Fair.

Mature and Phil Harris take the parts previously played by George Montgomery and Cesar Romero, a pair of ruthless rival conmen who live to top each other. In this case and in the previous film the billing tells you who tops who in the end.

Grable of course is caught between the two of them as a period entertainer of the day. She has some period songs to sing, but unlike Coney Island she also got an original score from Joseph Myrow and Mack Gordon. The song Wilhelmina was nominated for Best Song of 1950.

Mature was at the height of his career just coming off a loan out hit from Paramount in Samson And Delilah. He was big box office for 20th Century Fox at that time as was Grable. Tn their salad days the two were in I Wake Up Screaming and Song Of The Islands together and they were a romantic item at one point. Maybe Darryl Zanuck should have included My Old Flame in the score.

Best scene is when Mature uses some temperance workers played by Margaret Hamilton and Dorothy Neumann to break up Phil Harri's joint. One of his best scenes from any of his films.

Fans of the two stars should make Wabash Avenue a must.

A quintessential Betty Grable vehicle from her time at the top of the Fox heap. Platinum blonde Betty is working as a flashy dance hall girl in Phil Harris's music emporium when Harris's old rival and sometimes best friend Victor Mature drops in with his stalwart sidekick, and comic relief, Reginald Gardiner.

In no time Vic has wheedled his way into co-managing the joint and come to loggerheads with the brassy Betty, who Harris is sweet on, but lickety split he refines her tastes and style at which point the pair fall for each other, Betty's discovered and hits the big time but with many bumps along the way until the completely expected happy ending.

Cotton candy fluff is no stretch for any of the performers but Betty's warmth and star power aided by Mature's braggadocio and both Gardiner and Harris's comic playing make it a pleasant diversion. Margaret Hamilton also pops in for a few brief scenes to add zest to the movie.

A must for Grable fans.

This remake of "Coney Island" has director Henry Koster taking the action to Chicago at the turn of the last century. Perhaps the change of locale was an attempt to mask the fact this was a film already done before with only a few years of difference.

The cast assembled for this film is colorful. Victor Mature is Andy, an enterprising young man who has an eye for the finer things in life. Betty Grable makes the most of her role with Ruby, the star at the center of the action. Both Mr. Mature and Ms. Grable prove to be a winning combination in the way they interact with each other.

Phil Harris is seen as Mike, who is in love with Ruby. There is a hilarious scene in which a poker game is taken place in which is clearly Mike has cheated, but there's no proof of it. He should have six cards in his possession, but when he shows them to everyone in the table there are the allowed five. A moment later we realize what has happened to the sixth one!

Reginald Gardiner, James Barton and Margaret Hamilton make excellent contributions to the film. The songs reflect the period in which the action takes place. It's surprising also the Technicolor used in the film doesn't look faded.