Ein frustrierter, ehemaliger Großstadtjournalist, der seither in Albuquerque festsitzt und dort für ein Lokalblatt schreibt, will eine Reportage über einen in einer Höhle eingeschlossenen Ma... Alles lesenEin frustrierter, ehemaliger Großstadtjournalist, der seither in Albuquerque festsitzt und dort für ein Lokalblatt schreibt, will eine Reportage über einen in einer Höhle eingeschlossenen Mann zu einem neuen Karrierestart nutzen, doch die Situation gerät schnell außer Kontrolle.Ein frustrierter, ehemaliger Großstadtjournalist, der seither in Albuquerque festsitzt und dort für ein Lokalblatt schreibt, will eine Reportage über einen in einer Höhle eingeschlossenen Mann zu einem neuen Karrierestart nutzen, doch die Situation gerät schnell außer Kontrolle.
- Für 1 Oscar nominiert
- 5 Gewinne & 3 Nominierungen insgesamt
- Herbie Cook
- (as Bob Arthur)
- Nagel - New York Editor (replaced by Richard Gaines)
- (Gelöschte Szenen)
- Barker
- (Nicht genannt)
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Along comes Andy Warhol almost two decades later with his notion of "fifteen minutes of fame" and everyone buys that concept. It's not quite the same as the concept of this. Nor is that of the very popular "Network," which came even later. But the premise here is that reporter Kirk Douglas will literally jeopardize a man's life in order to get a series of big newspaper stories. And does anyone today doubt that such things happen? Wilder was often cynical, though here it is to the most meaningful end. "the Fortune Cookie" and "Kiss Me, Stupid" are cynical also and they are both fun but this one makes a very trenchant point and they do not.
The acting is superb. Kirk Douglas gave many brilliant performances. This is one of them. The trailer included in the DVD I just saw crows that with this Jan Sterling will be immediately elevated to the top rank of female stars. That never happened but she is excellent here, as generally elsewhere.
The interviews of Wilder by Cameron Crowe tell a funny story about the genesis of one of her lines. I'd better not quote it; so get that book. It's very entertaining, informative, and touching.
Wilder was one of =this country's great directors. This will probably never be one of his most popular movies but I'd certainly rank it as one of his best.
Tatum, after visiting the man, Leo Minoso in the cave, has visions of Floyd Collins and a Pulitzer prize dancing in his head. Through blackmail and manipulation of the story, Tatum sells his soul and his journalistic ethics in his quest for a chance at the big time again.
This movie was ahead of it's time in estimating how low the media would go to sell a story. Tatum leads the carnival of onlookers, vendors and other reporters wanting a piece of the story until the inevitable tragic ending occurs. He realizes too late how he has turned a simple event into a tragedy and become part of the story instead of a reporter. Kirk Douglas turns in a powerful performance.
Few films I remember as vividly as this dark movie, the images linger to haunt me still. 'Why?' one might ask 'would a sombre movie like this made over 50 years ago remain so memorable, when so many others have vanished. Was it the surreal inhumanity of the plot, the repugnant newsman devoid of ethics, the exploitation of the trapped victim, the purposeful prolonging of the victim's entrapment to create a media frenzy, the ultimate commercial creation of an 'event' style attraction complete with a circus like atmosphere surrounding the cave while the victim remained entrapped and close to death.'
Supposedly based on a real incident, it's a tough movie to watch and more so if one is prepared to accept the premise that such inhumanity displayed in the movie has an element of truth.
I echo the desires of others to have the availability of this movie on VHS or DVD. In the interim my memory will continue to keep the images intact. See it if you can.
Movies about manipulation of people are usually excellent. I remember Costa-Gravas' "Mad City (1997), Barry Levinson's "Wag the Dog (1997)", Howard Hawks' "His Girl Friday (1940)", and even the recent real case of the chemical weapons. Yesterday I saw "Ace in the Hole" for the first time and I really was impressed how this film is amazingly real and updated. There are elements present in every modern society, such as: the powerful sheriff very corrupt, like most of the worldwide members of the governments; the press, interested in selling news only; the victim used for other interests greater than rescuing him; and the people, completely manipulated and with very short memory. Kirk Douglas is amazing in the role of a nasty reporter. I do not understand why this movie is not in the IMDb Top 250. My vote is ten.
Title (Brazil): "A Montanha dos Sete Abutres" ("The Mountain of the Seven Vultures")
Wusstest du schon
- WissenswertesAfter the film was released, it got bad reviews and lost money. The studio, without Billy Wilder's permission, changed the title to "The Big Carnival" to increase the box office take of the film. It didn't work. On top of that, Wilder's next picture, Stalag 17 (1953), was a hit and he expected a share of the picture's profits. Paramount's accountants told him that since this picture lost money, the money it lost would be subtracted from the profits of "Stalag 17".
- PatzerWhen Lorraine and Chuck are talking out in front of Minosa's store by the gas pumps, reflections of the crew moving around behind the camera can be seen in the store windows.
- Zitate
Charles Tatum: Bad news sells best. Cause good news is no news.
- VerbindungenFeatured in Salut für ...: A Tribute to Billy Wilder (1986)
- SoundtracksThe Hut-Sut Song
(uncredited)
Written by Leo Killion, Ted McMichael and Jack Owens
Sung by Richard Benedict and Kirk Douglas
Top-Auswahl
Details
Box Office
- Budget
- 1.800.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 2.300.087 $
- Laufzeit
- 1 Std. 51 Min.(111 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1