Anatomy of a Psycho

some of same music as "Plan 9" scar came and went as well as changed size killed guy--made it look like another guy killed him.

The title "Anatomy of a Psycho" would certainly lead you to believe this would be an exciting and most likely salacious film. I was very surprised, as the film was anything but like this. It was, surprisingly, a bit dull. The story is about a screwed up young man whose older brother was convicted on murder and was executed. However, the guy won't believe that his brother was guilty and he's sworn to get revenge on those who convicted him. Now considering that much of what he does for revenge requires planning and a cool head, this isn't exact what anyone would term psychotic! Sociopathic....sure...but NOT the behaviors of a psycho. So, I was expecting a wild-eyed and over the top performance by the guy...but got very, very little of this. What a disappointment. In addition to not living up to the title and being a bit dull, the film also suffers from occasional poor acting and a moving and disappearing scar! What do I mean by this? Well, the troubled young man gets his face slashed in the beginning of the film but the continuity is so bad that in some scenes it's gone and in later scenes it's back! And, often the scar grows and shrinks before your eyes! It should also be noted that some of the music was previously used in "Plan 9 From Outer Space"--need I say more?

The bottom line is that this is a bad though not horrible film. And, it's not bad enough to be funny--just pretty dull. Probably not worth your time.

It may be that I am out of touch with 60's movies, but I am still waiting for the psycho. Great plot idea (man going insane over the wrongful death of his brother)- lousy deliverance, and was the dance scene really necessary??? I picked this movie up in a garage sale set of horror schlock and was extremely disappointed in this low budget afterthought of a movie. I couldn't even bring up the energy to make fun of it. The only good thing I can report on this was it was only 70 minutes. one minute longer and the psycho would be running through my house, cruelly torturing my DVD player. Say goodnight Gracie - this movie is toast.

The son of Burns and Allen plays a cold, messed up 25 year old teenager with a group of 25 year old high school friends. His brother is sent to the electric chair and he gets tunnel vision concerning him. There is nothing wrong with the premise. It's just that the acting is atrocious and the plot so stupid. There are two kinds of kids: the punks and the Leave It to Beaver crowd. The scene where the psychotic guy is invited to a party by his sister's boyfriend is absolutely ludicrous. You almost expect him to say, "They're going to have a clown and everything." Anyway, the good guy gets framed and the movie is about how that is handled. One thing I've noticed in watching all these films of the forties and fifties. If you kill someone, no matter the circumstances, they send you to the chair. They try really hard to make this one social commentary, but it's beyond help.

The acting and direction are wooden, and the production values are minimalist. But from time to time I really enjoy these independent films from the 50s through the 70s. Last night on TCM was one of those times. A man is about to be executed for murder. You never get to see or hear from that man. All you know about him is what other people say. The man's brother, Mickey (Ronnie Burns) is angry at everybody who played a part in his brother's execution because his brother told him he was innocent. His sister, Pat (Pamela Lincoln), does not share in his anger because she does not believe in her brother's innocence. Besides, she knew he made his living robbing other people. Mickey points out that the money from those robberies went to them being raised by their criminal brother when he could have let them go to an orphanage.

Mickey hangs with a rough crowd of teens in "the shack" - an abandoned former pool hall. When Mickey swears vengeance on everybody that helped send his brother to the gas chamber the gang helps - some. But eventually things go terribly wrong. A complicating factor is that Mickey's sister is engaged to the son of the star prosecution witness against Mickey's brother.

The overall plot line is interesting and makes some good points, almost religious ones such as the importance of forgiveness and how when a person hates it is that person who is wounded most by it.. However the actual dialogue and some of the scenes are to die for. Examples - Mickey's straight arrow sister offering to drop out of college so her delinquent brother can go because "girls don't need school". The "tough cop with a heart of gold" threatening to shoot an unarmed Mickey for - climbing up a water tower??? Was he afraid he would fly away? When he comes back down the cop says "You know you can trust me???. Mickey's girlfriend dumps him, but I really didn't pay much attention to her dialogue because her hair has a life of its own! Is there a stylist and some hair gel in the house?

If you are looking for an A or even B list film, or if you are looking for a horror film, this will disappoint. But for MST3K style goodness without the rifftrax, this fits the bill.

The perils of independent filmmaking are demonstrated in this sour, depressing movie, an example of anti-entertainment. Not a "psychotronic" film (with apologies to author Michael Weldon, who I knew quite well back when he wrote that influential tome) with some outre content, but merely a tedious crime movie, with a terrible cast, non-direction and the dubious hook decades later of having Ed Wood as one of the writers.

Were it a sexploitaton movie, within the parameters of censorship of the time, it could have been titillating. Or if it were explicitly violent in some way, that would satisfy a different audience need. But these overage juvenile delinquents on display offer zero point of identification, and the genre hooks of fantasy, horror, you name it, are missing.

So, when this was made fans could watch infinitely better crime shows on TV, ranging from police procedurals like "Naked City" to suave detectives in action, all of which featured the best talent imaginable (including numerous stars of the future like Redford, Duvall and Martin Sheen just starting out).