El Perdido

An unpretentious Western told in an honest, straightforward manner.

Robert Aldrich does a very controlled job directing a story straddling the Texas Mexico border, a story told at a steady pace but rarely reaching memorable highs. The film has many elements of the classic Western including a chase, cattle drive and gunfight but it also tries to add some melodramatic, pure story based elements - though one major plot point was so well signposted, it might as well have been included in the opening credits.

Kirk Douglas, as Brendan O'Malley, provides the barely controlled dynamism at the centre of the film. Unfortunately, not all parts of the film are to this standard. Rock Hudson has difficulties with the role of the upstanding sheriff. A strong supporting cast, from Joseph Cotton to Jack Elam, provides a wide, interesting range of characters.

Overall, a solid if unspectacular film, recommended for Western and Kirk Douglas fans. 6.75.

You might know by now that I'm not the biggest western fan. I picked up The Last Sunset for the cast, expecting to groan at the end and complain about my wasted time. What I mistakenly judged to be a boring western turned out to be a very touching, well-acted drama! It just happened to take place in the land of cowboys and horses.

Kirk Douglas comes back into the life of old-flame Dorothy Malone, but it's been nearly twenty years since they've seen each other and she's moved on. She's married to Joseph Cotton and has a daughter, Carol Lynley, but the sparks still fly between her and her old beau. Rock Hudson shows up and lines up for Dorothy's attention-and that's just the beginning!

So often in love triangles, there are clear good and bad guys, and the characters are one-dimensional, so the audience can mentally check out and blindly root for the man in the white hat. Dalton Trumbo's script, based off of Howard Rigsby's novel, features wonderfully three-dimensional characters, each with strengths and weaknesses so the audience understands why Dorothy Malone can't make up her mind. It's a truly riveting story, sure to capture even more of your emotions when Carol Lynley enters the romantic arena. She and Kirk Douglas share a very different romance from Dorothy and Kirk; it's sweet, pure, and truly lovely, but is it sustainable? He's seen so much more of the world, and their scenes together are very moving. While everyone in the film gives great performances, Carol and Kirk steal the show. She's so incredibly sweet, and his unspoken emotions radiate off the screen. You might not find yourself reaching for your Kleenexes, but I certainly did! I won't spoil anything, but the last few scenes have stayed with me long after I watched them. I wish I could elaborate on how wonderful Kirk Douglas's performance is, but that would involve major spoilers. Just rent it; you'll be in for a real treat.

If you like your romances heavy with drama, or you like the idea of having to choose between Kirk Douglas and Rock Hudson, or if you've ever seen beyond forever in someone's eyes, rent The Last Sunset! And if you invite me over for a movie night, I'll bring the tissues.

The Last Sunset is an interesting western that is more story driven than many earlier westerns. A fugitive and a lawman chasing him join a cattle drive and take an interest in a woman and her daughter.

Although a bit too plodding in places, there are enough surprises throughout the film to make this a less predictable film than many of it's contemporaries. It all builds towards a surprising and welcome ending.

Kirk Douglas is at his captivating best as the anti-hero. He easily outshines Rock Hudson but to be fair his character is far more interesting. Good support is provided by Dorothy Malone and I thought Carol Lynley did a good job as the daughter.

With a more energetic script this really could have been a great western and it's a shame that despite the great final scenes, it is merely above average. Saying that it's still worth watching for fans of the western genre.

Terrific western-drama from director Robert Aldrich has sheriff Rock Hudson tracking lawless Kirk Douglas to a rancher's homestead; they soon find themselves agreeing to take part in a grueling cattle-drive, and to work out their differences along the way. Breathtakingly photographed adventure has three-dimensional characters, good writing by Dalton Trumbo and solid acting (particularly by Douglas and fresh-faced Carol Lynley, well-cast as a youngster with a crush on Kirk). The melodrama gets a little thick at times, though odd flickers of humor quickly intercede whenever things start to get too mawkish. *** from ****

The Last Sunset is directed by Robert Aldrich and adapted by Dalton Trumbo from Howard Rigsby's novel Sundown at Crazy Horse. It stars Rock Hudson, Kirk Douglas, Dorothy Malone, Joseph Cotton and Carol Lynley. In support are Jack Elam, Neville Brand & James Westmoreland. The music score is by Ernest Gold, with contributions from Dimitri Tiomkin & Tomás Méndez, and Ernest Laszlo is the cinematographer. It's shot in Eastman Color by Pathe, with the locations for the shoot being Aguascalientes & Distrito Federal in Mexico.

Brendan O'Malley (Douglas) is on the run and drifts into Mexico where he arrives at the home of old flame Belle Breckenridge (Malone). She resides with her drunkard husband John (Cotton) and her daughter Melissa, they are in preparation for a cattle drive to Texas. Hot on O'Malley's heels is lawman Dana Stribling (Hudson) who has a very personal reason for getting him back for justice to be served. Making an uneasy agreement, both men join the Breckenridge's on the drive. As they near Texas the tensions start to mount, not least because Stribling is starting to court Belle and O'Malley is increasingly drawn by her daughter Missy.

Lyrical, contemplative and evocative, three words you wouldn't readily associate with the director of Ulzana's Raid, The Longest Yard and The Dirty Dozen. Yet all three words are very fitting for this underseen Robert Aldrich movie. Although containing many of the basic elements that made up the American Western film's of the 50s, The Last Sunset has a very intriguing screenplay by Trumbo from which to flourish. The story is crammed full of sexual neurosis, yearnings, regret, hate, revenge and forbidden love. If that all sounds very "Greek Tragedy" then that's probably about right, as is the film being likened to a Western done by Douglas Sirk. It is melodramatic, but it does have moments of levity and up tempo action sequences, too. It's a very rounded picture, with very well formed characters, characters very well brought to life by the mostly on form cast. All played out amongst some gorgeous scenic panorama's that Aldrich and Laszlo have managed to make seem as poetic observers to the unfolding drama.

Some of it's odd, and the film is far from flawless (Cotten is poor, Elam & Brand underused), but the little irks are easily forgiven when judging the film as a whole. Lyrical, contemplative and evocative: indeed. 8/10