Füge eine Handlung in deiner Sprache hinzuA somewhat happy-go-lucky bunch of Brits in a German POW camp find their new acerbic fellow prisoner is a key officer who must be got out at all cost.A somewhat happy-go-lucky bunch of Brits in a German POW camp find their new acerbic fellow prisoner is a key officer who must be got out at all cost.A somewhat happy-go-lucky bunch of Brits in a German POW camp find their new acerbic fellow prisoner is a key officer who must be got out at all cost.
- Regie
- Drehbuch
- Hauptbesetzung
Ronald Leigh-Hunt
- Clynes
- (as Ronald Leigh Hunt)
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I've seen a few James Robertson Justice/Leslie Phillips/Stanley Baxter films recently (thanks, Amazon Rental!), such as THE FAST LADY and FATHER CAME TOO, and compared with such absurd and dated fluff this works well. The 'This is Your Life' framing device is simple but neat; Annakin keeps thing moving, without allowing any of his cast to go over the top, even James R-J's role has more depth and less bluster than usual; various comedy stalwarts (Eric Sykes, Richard Wattis, John Le Mesurier) do their thing in ways that make sense in plot terms; Baxter's dual role is brilliantly handled, with tiny adjustments in gait and expression making it quite clear which is which when they appear in the same scenes. Even Leslie Phillips (with the possible exception of Kenneth Connor the most annoying of all the British comic actors of the 50s & 60s) brings something to the party this time. In some ways it stands up better than 'serious' POW stuff like THE WOODEN HORSE.
When this movie came out, World War II had been over for nearly 16 years. Time, with God's mercy, had healed most wounds of those who had lost loved ones and of those who had suffered as German prisoners of war. Of course, the horrors of war, especially the atrocities committed by the Nazis in the Holocaust, are never forgotten by those who lived through them. But, enough time had passed that civilized peoples could now look back on some of the times and situations of the war years with some humor. Allied military prisoners in POW camps were treated far better than were the civilians in the notorious Nazi concentration camps. So, the POW camps are the milieu of the first and many of the humorous films about the war that were made in the 1960s and later. This British film is one of, if not the first comedy set in a POW camp.
It's not a comedy of witty dialog or humorous lines, but one that is mostly situational, based on various characters. James Robertson Justice plays the main character around whom the whole plot plays out. He is Sir Ernest Pease, a brilliant, no-nonsense scientist who is the director of Applied Aeronautical Science in England. When he wants to fly over Germany to see how well his latest project is working, he is given the identity of Lt. Farrow of the Royal Navy. His plane is hit by flak and he falls through a hole blown in the fuselage. That's how he came to be in a POW camp after his parachute got caught in a tree.
A number of other characters contribute to the humorous situations. Stanley Baxter has a double role, playing Jock Everett, the master tunnel digger, and the camp commander, Kommandant Stamfel. There's more to this than is said here, but that's to be seen in watching the film. Leslie Phillips plays Flying Officer Jimmy Cooper, and Jeremy Lloyd plays his friend Flt. Lt. Bonzo Baines. Several others have lesser supporting roles, but the best among them is John Le Mesurier who plays the escape officer, Piggot, and Eric Sykes who plays the sports officer, Willoughby..
"Very Important Person" was the original title of the film, and considering the subject and plot it seems much more on point than "A Coming-Out Party." The April 1961 film was released in the UK under its original title. The revised title may have been chosen to reflect on the TV celebration of the main character's life as well as his getting out of a POW camp. Perhaps someone thought the connection to a popular TV show would draw more audience.
Most of the film takes place in a flashback as Sir Pease is on the popular TV program, "This is Your Life." An American live radio show by that tittle began in 1948 and ran through 1952 when it then became a live TV program. The BBC copied the program and began airing its live version, under the same title, in 1955. This was one of the most popular shows in the history of TV in both the U.S. and England. The English program ran, with some short interludes when it changed productions, until 1987.
More to the point on this movie, though, is the fact that it seemed to spark interest in POW camps of WW II, for both drama and comedy in movies and TV programs. Two years later, probably the most popular POW drama movie of all time was made by the Mirisch Company in Germany and distributed by United Artists. "The Great Escape" was one of the most star-studded films of all time, with top American and British actors of the day. Steve McQueen, James Garner, Charles Bronson and James Coburn head the American cast. Richard Attenborough, Donald Pleasence, Gordon Jackson, and David McCallum head the UK cast.
The next big POW story success was the TV comedy series, "Hogan's Heroes." It was hugely popular and made stars of a number of actors including Bob Crane, Werner Klemperer and John Banner. The series ran seven years on CBS, 1965-1971.
So, "A Coming-Out Party," or, "Very Important Person" had an effect beyond the entertainment of audiences in 1961. It helped open the door for more than three decades of POW and escape movies, for situational comedies in POW films, and for outright comedy in TV programs. While this movie isn't anywhere near the level of "The Great Escape" for drama, or "Hogan's Heroes" for comedy, most people should enjoy it. War film and history buffs, especially, should find it entertaining
Here are some favorite lines from this film.
Lt. Farrow, "Cooking requires no intelligence. Whereas otherwise, women would be no good at it."
Kommandant Stamfel, "Move on, English Swine." Jock Everett, "Scottish swine!"
Jock Everett, "Who'd be damn fool enough to start a tunnel under a bunk?... Yes, well."
Jimmy Cooper, 'Now look here, Farrow. If dear old Winston wants you home, I'd be only delighted to give you some of my filthy food."
Lt. Farrow, "There is enough air in that tunnel to last any normal man between 12 and 16 hours. For a man like myself in a state of suspended animation, it's possible to remain even longer."
Jock Everett, "What are you lookin' at me like that for?" Jimmy Cooper, "The height's right. The same build. The same shifty eyes. He's a natural." Everett, "You mind your own business, Cooper."
It's not a comedy of witty dialog or humorous lines, but one that is mostly situational, based on various characters. James Robertson Justice plays the main character around whom the whole plot plays out. He is Sir Ernest Pease, a brilliant, no-nonsense scientist who is the director of Applied Aeronautical Science in England. When he wants to fly over Germany to see how well his latest project is working, he is given the identity of Lt. Farrow of the Royal Navy. His plane is hit by flak and he falls through a hole blown in the fuselage. That's how he came to be in a POW camp after his parachute got caught in a tree.
A number of other characters contribute to the humorous situations. Stanley Baxter has a double role, playing Jock Everett, the master tunnel digger, and the camp commander, Kommandant Stamfel. There's more to this than is said here, but that's to be seen in watching the film. Leslie Phillips plays Flying Officer Jimmy Cooper, and Jeremy Lloyd plays his friend Flt. Lt. Bonzo Baines. Several others have lesser supporting roles, but the best among them is John Le Mesurier who plays the escape officer, Piggot, and Eric Sykes who plays the sports officer, Willoughby..
"Very Important Person" was the original title of the film, and considering the subject and plot it seems much more on point than "A Coming-Out Party." The April 1961 film was released in the UK under its original title. The revised title may have been chosen to reflect on the TV celebration of the main character's life as well as his getting out of a POW camp. Perhaps someone thought the connection to a popular TV show would draw more audience.
Most of the film takes place in a flashback as Sir Pease is on the popular TV program, "This is Your Life." An American live radio show by that tittle began in 1948 and ran through 1952 when it then became a live TV program. The BBC copied the program and began airing its live version, under the same title, in 1955. This was one of the most popular shows in the history of TV in both the U.S. and England. The English program ran, with some short interludes when it changed productions, until 1987.
More to the point on this movie, though, is the fact that it seemed to spark interest in POW camps of WW II, for both drama and comedy in movies and TV programs. Two years later, probably the most popular POW drama movie of all time was made by the Mirisch Company in Germany and distributed by United Artists. "The Great Escape" was one of the most star-studded films of all time, with top American and British actors of the day. Steve McQueen, James Garner, Charles Bronson and James Coburn head the American cast. Richard Attenborough, Donald Pleasence, Gordon Jackson, and David McCallum head the UK cast.
The next big POW story success was the TV comedy series, "Hogan's Heroes." It was hugely popular and made stars of a number of actors including Bob Crane, Werner Klemperer and John Banner. The series ran seven years on CBS, 1965-1971.
So, "A Coming-Out Party," or, "Very Important Person" had an effect beyond the entertainment of audiences in 1961. It helped open the door for more than three decades of POW and escape movies, for situational comedies in POW films, and for outright comedy in TV programs. While this movie isn't anywhere near the level of "The Great Escape" for drama, or "Hogan's Heroes" for comedy, most people should enjoy it. War film and history buffs, especially, should find it entertaining
Here are some favorite lines from this film.
Lt. Farrow, "Cooking requires no intelligence. Whereas otherwise, women would be no good at it."
Kommandant Stamfel, "Move on, English Swine." Jock Everett, "Scottish swine!"
Jock Everett, "Who'd be damn fool enough to start a tunnel under a bunk?... Yes, well."
Jimmy Cooper, 'Now look here, Farrow. If dear old Winston wants you home, I'd be only delighted to give you some of my filthy food."
Lt. Farrow, "There is enough air in that tunnel to last any normal man between 12 and 16 hours. For a man like myself in a state of suspended animation, it's possible to remain even longer."
Jock Everett, "What are you lookin' at me like that for?" Jimmy Cooper, "The height's right. The same build. The same shifty eyes. He's a natural." Everett, "You mind your own business, Cooper."
John Robertson Justice , the head of some very hush-hush research group during the war, needs to get a look at some German fortifications from the air. Things go pear-shaped and he's captured and sent to a Naval P.OW. camp. There, being John Robertson Justice, he convinces everyone he is a German spy, until orders come from Britain: he's got to be gotten back to Britain. Being John Robertson Justice, he handles it all himself.
Usually Justice is the terrifying authority figure in a comedy fronted by some one else. Here, with the lead role, he's about eighty percent of the show, and a very good show it is, with his usual comedy persona in full bloom. It's a fine mixture of comedy and thriller, with Justice being annoyingly right at all times.... we hope.
With John Le Meseurier, Norman Bird and Leslie Phillips as his stooge
Usually Justice is the terrifying authority figure in a comedy fronted by some one else. Here, with the lead role, he's about eighty percent of the show, and a very good show it is, with his usual comedy persona in full bloom. It's a fine mixture of comedy and thriller, with Justice being annoyingly right at all times.... we hope.
With John Le Meseurier, Norman Bird and Leslie Phillips as his stooge
This comedy-thriller gives an unexpectedly authentic look to a German prisoner of war camp, suggesting a practical knowledge of the subject from some of those involved in the making of the film.
I remember seeing this film on TV as a kid, and enjoying it immensely. Recently, it cropped up on UK's Channel Four, and it was still just as entertaining and oddly touching.
James Robertson Justice gives a great performance as the grouchy, but underneath it all, sensitive boffin, and it's a real treat to see the young Eric Sykes, Stanley Baxter and Leslie Phillips all relishing their work. Wonderful support also in the always solid and dependable forms of John Le Mesurier and Richard Watiss. Many other familiar faces from films of the era add to the overall success of this movie. A very British little gem of a movie.
I remember seeing this film on TV as a kid, and enjoying it immensely. Recently, it cropped up on UK's Channel Four, and it was still just as entertaining and oddly touching.
James Robertson Justice gives a great performance as the grouchy, but underneath it all, sensitive boffin, and it's a real treat to see the young Eric Sykes, Stanley Baxter and Leslie Phillips all relishing their work. Wonderful support also in the always solid and dependable forms of John Le Mesurier and Richard Watiss. Many other familiar faces from films of the era add to the overall success of this movie. A very British little gem of a movie.
Avoid the book of the same name clumsily written by John Foley if you ever see it, based on the film's screenplay by Jack Davies. The main thing here is that the film was a showcase for the mammoth personality of James Robertson Justice, it would be virtually nothing with someone else in his role of frosty crusty portly professor. The book is nothing without him; get the DVD.
In WW2 acidic high-up professor (JRJ) has to get into Nazi-occupied Europe to try out some scientific experiment but gets captured and sent to a POW camp in Germany to his disgust. Then he has to get out again with the help of his room-mates who eventually discover just how important he is to Winnie in London at least. A lot of old British actors were paraded here, but particularly manic Stanley Baxter (x2), lascivious Leslie Phillips and poncey Jeremy Lloyd, all making for a comfortable familiar ride. JRJ surpassed himself, evincing stoical but disdainful contempt for everyone British or German and his surroundings, barking orders to all lesser mortals and generally displaying an organisational brainpower not usually found this side of Mount Olympus. Favourite bits: Phillips immortal impatient leg-crossed line when JRJ as a Red Cross Inspector is imperturbably wasting time in front of the German guards; and almost everything JRJ uttered during the film.
All in all, a typical British comedy from the time but turned into something special by a tour-de-force performance, and one I've seen umpteen times since the late '60's. What an original the man was to me indeed, a Very Important Person.
In WW2 acidic high-up professor (JRJ) has to get into Nazi-occupied Europe to try out some scientific experiment but gets captured and sent to a POW camp in Germany to his disgust. Then he has to get out again with the help of his room-mates who eventually discover just how important he is to Winnie in London at least. A lot of old British actors were paraded here, but particularly manic Stanley Baxter (x2), lascivious Leslie Phillips and poncey Jeremy Lloyd, all making for a comfortable familiar ride. JRJ surpassed himself, evincing stoical but disdainful contempt for everyone British or German and his surroundings, barking orders to all lesser mortals and generally displaying an organisational brainpower not usually found this side of Mount Olympus. Favourite bits: Phillips immortal impatient leg-crossed line when JRJ as a Red Cross Inspector is imperturbably wasting time in front of the German guards; and almost everything JRJ uttered during the film.
All in all, a typical British comedy from the time but turned into something special by a tour-de-force performance, and one I've seen umpteen times since the late '60's. What an original the man was to me indeed, a Very Important Person.
Wusstest du schon
- WissenswertesWhen James Robertson Justice's character shouts at the Lageroffizier, it translates as "You can kiss my arse, you filthy Nazi!" Possibly, James Robertson Justice, who spoke fluent German, ad-libbed this, certain that the rest of the crew probably wouldn't understand it, most of the audience wouldn't and the censors undoubtedly wouldn't (or get the jokes).
- PatzerWhen the Times Crossword is first introduced to the prisoners, the clue for 1 Across is stated as "What did Jupiter drop?" However, when Farrow has completed it, we see the 1 Across clue as "Preserve of Fiction" (solution:"ramjam"). Furthermore, the crossword is numbered #4548 whilst the solution to the previous day's crossword = #9547 - the leading "9" having been amended to a "4".
- Zitate
Sir Ernest Pease KBE FRS: Cooking requires no intelligence. Were it otherwise women would be no good at it.
- VerbindungenFeatured in War Stories (2006)
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- Erscheinungsdatum
- Herkunftsland
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- A Coming-Out Party
- Drehorte
- Produktionsfirma
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- Laufzeit1 Stunde 38 Minuten
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By what name was Very Important Person (1961) officially released in Canada in English?
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