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Die Tataren

Originaltitel: I tartari
  • 1961
  • 12
  • 1 Std. 23 Min.
IMDb-BEWERTUNG
4,7/10
531
IHRE BEWERTUNG
Die Tataren (1961)
Tartan and Viking forces clash in what is modern-day Russia.
trailer wiedergeben2:28
1 Video
44 Fotos
AbenteuerAktionDrama

Füge eine Handlung in deiner Sprache hinzuTartan and Viking forces clash in what is modern-day Russia.Tartan and Viking forces clash in what is modern-day Russia.Tartan and Viking forces clash in what is modern-day Russia.

  • Regie
    • Richard Thorpe
    • Ferdinando Baldi
  • Drehbuch
    • Domenico Salvati
    • Sabatino Ciuffini
    • Oreste Palella
  • Hauptbesetzung
    • Victor Mature
    • Orson Welles
    • Liana Orfei
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    4,7/10
    531
    IHRE BEWERTUNG
    • Regie
      • Richard Thorpe
      • Ferdinando Baldi
    • Drehbuch
      • Domenico Salvati
      • Sabatino Ciuffini
      • Oreste Palella
    • Hauptbesetzung
      • Victor Mature
      • Orson Welles
      • Liana Orfei
    • 22Benutzerrezensionen
    • 6Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Trailer
    Trailer 2:28
    Trailer

    Fotos44

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    Topbesetzung13

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    Victor Mature
    Victor Mature
    • Oleg
    Orson Welles
    Orson Welles
    • Burundai
    Liana Orfei
    Liana Orfei
    • Helga
    Arnoldo Foà
    Arnoldo Foà
    • Ciu Lang
    Luciano Marin
    Luciano Marin
    • Eric
    Bella Cortez
    Bella Cortez
    • Samia
    Furio Meniconi
    Furio Meniconi
    • Sigrun
    Pietro Ceccarelli
    • Tartaro
    Renato Terra
    Renato Terra
    • Vichingo
    Folco Lulli
    Folco Lulli
    • Togrul
    Omero Capanna
    • Soldato
    • (Nicht genannt)
    Nando Gazzolo
    • Narratore italiano
    • (Nicht genannt)
    Spartaco Nale
      • Regie
        • Richard Thorpe
        • Ferdinando Baldi
      • Drehbuch
        • Domenico Salvati
        • Sabatino Ciuffini
        • Oreste Palella
      • Komplette Besetzung und alle Crew-Mitglieder
      • Produktion, Einspielergebnisse & mehr bei IMDbPro

      Benutzerrezensionen22

      4,7531
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      2bkoganbing

      Oh The Tartars And The Vikings Should Be Friends

      Victor Mature and Orson Welles head a continental cast in I Tartari, a badly dubbed Italian film about the Vikings and the Tartars set somewhere in the steppes of Eastern Europe. Both of these American film icons had nothing better to do. Welles just needed the money for his own projects and Mature after the studio system was shutting down was putting his career into half speed as he concentrated on golf more than films.

      Like the cowboys and the farmers in Oklahoma, the Tartars and Vikings just feud because its natural both being imperialist sorts. The Tartars are moving west and would eventually reach the Balkans. The Vikings expanded in every direction including voyages southward down river routes into what is now Byelorussia and the Ukraine.

      The Tartars make an offer the Vikings under Mature can and do refuse. The Tartars want to have a military alliance and attack the native Slavs, but Mature who has married into the Slavs refuses and negotiations break down. The Tartar chief is killed and his daughter is carried off by the Vikings and Mature's brother has a yen for her and they get to kanoodling.

      Orson Welles who is the brother of the slain chief takes over and his troops capture Mature's wife. He's willing to exchange Mature's wife for his niece, but not after a little forced kanoodling of his own, brought on as Welles and the wife are being entertained by some sexy oriental strip dancing and Orson's hormones get the better of him.

      I won't go any farther in describing this disaster of an Italian spectacle film just to say it all ends rather badly for just about everyone in the film. There were spots in the film where Mature's English was dubbed and I can't see why other than Mature could not summon up enough conviction to give a passable interpretation of a performance. Given the material I can't blame him. Even Welles, professional that he is, looks positively bored even when getting ready to rape Mature's wife. Victor Mature would be off the screen for five years before appearing in Peter Sellers's After The Fox in a good natured satire of an actor very much like himself.

      Vic and Orson really hit the bottom doing this one.
      4planktonrules

      An Italian-Yugloslavian epic with a few Americans along for the ride.

      In the 1950s and 60s, Italian filmmakers realized that if they cast American actors in the leads in their films, they'd be more marketable worldwide. As a result, many B-list actors or A-listers in their waning years went there to make films. To do this, they needed to dub the actors in various languages...which is what they did with "The Tartars" ("I tartari"). Like most of the Italian epics of the era, it looks a lot like a Hercules/Maciste film...with large casts, nice costumes and adequeate acting.

      In the case of "The Tartars", two Americans lead the cast...Victor Mature plays the leader of the Russian Vikings* and Orson Wells plays the leader of the local Tartars. Of the two, Wells looks the silliest...and SHOULD look like a Mongolian, but doesn't.

      The film involves a war between the Tartars and Vikings...and various women are taken prisoner in order to try to convince the other side to capitulate. Of couse, this doesn't work so they spend much of the movie splitting each others' head open and acting macho.

      This film turned out to be pretty much what I expected...a lovely looking story but also a relatively dull one. Why? Because the acting seems so incredibly muted and none of the main characters seem to act like real people...more like statues that somehow talk. This makes it all seem quite sterile...and dull. For a MUCH better and more interesting film, try Hollywood's "The Vikings" (1958)...a film that is better in pretty much every way.

      *While most folks think the Vikings were only from Scandinavia, some migrated to Russia and instead of sacking the land, stayed and became farmers and traders. Many Russians today can trace their ancestry to these people.
      searchanddestroy-1

      At least, Richard Thorpe did not only work in Hollywood

      Richard Thorpe was known to be one of the best director of period, costumes adventure medieval movies: IVANHOE, QUENTIN DURWARD, KNIGHTS OF THE ROUND TABLE, PRODIGAL SON and now this very one; but this film was produced in Europe, as so many movies of the early sixties: THE MONGOLS, TARASS BOULBA; so it is in the fashion, but I can confirm that director Thorpe finished by working out of Hollywood. As you can see here, he is quite comfortable in this adventure period genre. And at long last, Victor Mature, also very used to period, costume flicks, finished to work with Richard Thorpe. They could have done it far earlier. I like this movie very much, as much as THE MONGOLS, which I always confound with this one. But I have excuses.
      6csdietrich

      Passable Entry in Epic/Spectacle Genre

      THE TARTARS is a tale of revenge set in the Russian steppes circa 900 A.D. Viking Prince Oleg (at best a weak and unintentionally humorous portrayal by Victor Mature) is asked by a Tartar chieftain to join the Mongol horde and destroy the indigenous Slavic tribes. Oleg refuses to betray his Slavic brethern and all hell breaks loose. The Tartar chieftan is murdered and his brother Ogotai (a "larger" than life Orson Welles) voys to avenge his brother's death which leads to more massacres and malicious deeds. Welles is interesting in the part of the Tartar Khan and his palace is a work of sensational art direction. Costumes in this Italian-made epic are first rate and half of the cast and crew are recognizable names from other Italian epics, sci-fi and horror films. Mature once said, "I'm a lousy actor with 75 motion pictures to prove it." This critic can only say, "Amen to that!" THE TARTARS is certainly worth seeing but is not the most memorable moment in epic filmmaking history.
      7elo-equipamentos

      How learn history just watching movies!!!

      I'm totally convinced that the pictures are a deep study of mankind, through them we learn too much about many ancient people, as shown in this picture The Tartars around 900 A.D. they live together at Russian plains with Slavs and Vikings neither, on movie Mature plays Oleg a faithful Viking's leader with strong friendship with his neighbors the Slavs, in a meeting with the greedy Khan of Tartars Togrul (Folco Lulli) try out persuade OLeg by high um of gold to invades Slavs's territory to, However due the peaceful coexistence of both people he refuses to fight, otherwise he is willing defend his friends against the Tartars's menace, both end up fighting there and Oleg kills Togrul in self defence, further he also kidnapped his daughter Samia (Bella Cortez) who falling in love for Eric, the wicked Burandai (Orson Welles) is Togrul's brother replaces him as new Khan, he swear a prompt vengeance even been advised by Ciu Lang (Foá) the skilful to handle on political matters, Burandai kidnapping the loved Oleg's wife Helga (Liana Orfei) after she returns of a voyage, now the clash among Tartars and Vikings is unavoidable, the gorgeous Italians actress allow us a bit redress over a weak screenplay, nevertheless far away to be bad as rated by mostly reviews!!!

      Resume:

      First watch: 2008 / How many: 2 / Source: DVD / Rating: 7

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      Handlung

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      • Wissenswertes
        According to Orson Welles's conversations with Peter Bogdanovich, as recounted in the book "This is Orson Welles", Victor Mature had his sandals built up by three inches to make him look taller.
      • Patzer
        Vikings did not wear horned helmets.
      • Zitate

        Burundai: Did you plan to desert me, Ciu Lang, eh? Where were you bound for? Did you dream of bearing your lying reports of me to the court of the great Khan? Did you dare to think I would let you return to the east?

        Ciu Lang: You cannot stop me, Burundai, unless you kill me.

        Burundai: Why should I spare you, then? You give me no choice. I, who stand on the threshold of glory... What does your little life mean to me?

        Ciu Lang: Less than nothing. It means no more to me. We have no choice in the matter of death. It comes for us all, Burundai.

        Burundai: You seem to desire your own.

        Ciu Lang: No, I have have no desire. I follow the way.

        Burundai: The way... Your way is mystic humbug. It leads nowhere. Mine is forward... into greatness.

        Ciu Lang: Not forward, Burundai, but downward. Your way is all downward into the darkness. Wading in blood... drowning in blood.

        Burundai: You presume upon my patience. Would you dare to speak thus before the great Khan? I do not think so. I do not think that you would stand and face him as you dare now to stand and face me.

        [to Guards]

        Burundai: Leave us.

        [Brandishes axe]

        Burundai: I will see what reverence this wise old man will make to me. In the presence of that other Khan who is still called great, you would make the kowtow, wouldn't you, Ciu Lang? You would fall prostrate on your hands and knees and bump your head upon the ground. I would like to see that, Ciu Lang. I would like to see you make your kowtow... before me.

        [Ciu Lang stands defiantly and Burundai strikes him down with the axe]

        Burundai: That's it, Ciu Lang. Even so, your head at my feet... Even so, you must make obeisance to the great Khan.

      • Verbindungen
        Featured in Sie werden mich lieben, wenn ich tot bin (2018)

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      Details

      Ändern
      • Erscheinungsdatum
        • 3. November 1961 (Westdeutschland)
      • Herkunftsländer
        • Italien
        • Jugoslawien
      • Sprachen
        • Italienisch
        • Englisch
      • Auch bekannt als
        • The Tartars
      • Drehorte
        • Titanus, Rom, Latium, Italien(Studio)
      • Produktionsfirmen
        • Dubrava Film
        • Lux Film
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      Technische Daten

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      • Laufzeit
        1 Stunde 23 Minuten
      • Sound-Mix
        • Mono
      • Seitenverhältnis
        • 2.35 : 1

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