Holiday für dich und mich

Redefines family entertainment. I had totally forgotten about this mini-musical until I came across it on the IMDb just five minutes ago, whilst looking for something else that I really don't care about now.

Dear old Sir Cliff! What a time to be 18/19! I was actually just 17 when this came out and so hopelessly in love with my cousin there WAS nothing else in my life at the time. God was feeling charitable towards me in those days and orchestrated events so that she happened to come to my hometown and stay over. I asked her to go to the local theater with me and we sat in the back row watching this film....least SHE did, I had other things on my mind! What does the plot matter? Cliff as a bus driver taking his friends (Cliff's backing group - The Shadows...how odd I can remember those names...Jet Harris, Tony Meehan and Hank Marvin....and I haven't even thought about them for forty years!) on a European vacation and picking up girls on the way - between songs of course.

God! I'd like to see this again! I still have the original 45 rpm release! (for those of you could really care).

It truly is incredible to think a film so good was made so long ago. Incredibly clever scenes were created with such limited special effects available, and the camera quality is watchable. The politics have not stood the test of time. From the border line kidnapping of women that attracts them to the men, to the lack of any pocs that aren't maids, there are serious 'room for improvements'. Although this does not really excuse the behaviour, I do think it's important to remember the period this was made in and not criticize the entire film for that. The songs may be the best bit, but after you watch it they will not leave your conscious mind for at least a month - you have been warned. With such and array of happy and sad songs, it may have one of the best musical numbers of that decade. All in all, it's a great film that everyone should watch at least once in their life.

If you didn't like the story, of which there was very little, you would have enjoyed the songs and the sheer teen exuberance of the whole idea - going on a summer holiday tour in an old London double-decker.

In my case, it was just the right amount of medicine for a thirteen-year old with bad case of angst and weltschmerz. I felt the song "The Next Time" was all about me. At the time Cliff Richard was the British counterpart of Pat Boone - clean cut, a little naughty sometimes but generally a "good boy." No parent complained about him.

Cliff's songs were very big hits in my country and we made good although somewhat senseless use of his "Bachelor Boy." As senior scouts we went camping at Mount Makiling, the former site of a World Scouting Jamboree. At 10:00 p.m. after taps when all lights should be out and everybody should be asleep, we would sing it boisterously and a scoutmaster would go up our camping ground, a long way from the tourist lodge where he was staying, to scold the delinquents into piping down. Only he didn't know it was us because the boys from other schools in the other tents never squealed on us. They must have enjoyed our singing.

I first saw this flick not in a theater, but on TV back in the late 1970s. It was a very pleasant musical (for what it is), and it shows the so-called 'carefree' days when such films would really matter!

I understand that a soundtrack album was released in the USA! I have been looking for that record for YEARS! Would anybody part with their copy??

It's not as good as the previous "The Young Ones", there is no Robert Morley here, and the music is less first rate. Still it's fabulous entertainment in gorgeous colours and wonderful musical numbers including many outstanding dance sequences. Laurie Peters is a good match for Cliff Richard, and the story is excellent too: a bunch of lads working in a garage decide to leave the dreariness of the climate in England to go for a holiday south, and for that purpose they refashion a London double-decker as a camping bus with kitchen and facilities and go off through all Europe with Athens for a destination. On the way they collect passengers, especially girls, and in France a whole troupe of mime actors join the party and effect marvellous entertainment. There are many ingenious innovations in this film, and the high level of good humour never slackens. The only crooks are some intruders from America headed by Laurie Peters' dreadful mother, but even she is ultimately converted by Cliff Richard. He is no great actor, but he is a fabulous artist, and whenever he performs, he dominates everything. It's a vein of wild good houmour throughout, which can even be viewed with positive digestion and delight more than once. Forget the superficiality, and concentrate on the colours, the entertainment and the consistently wonderful good mood.