Staatsaffären

Hope is wonderful in this movie. Yes I agree the plot is unrealistic but that is the beauty of this film. It is played for laughs and does not take itself seriously in any way. The movie is entertaining and fun. This movie shows Bob Hope gagging it up and having fun with a script that could have been better but still manages to make us laugh and entertains us. It is wonderful to see what NYC was like in 1964 when I was 7 years old! I do agree that one major flaw was the fact that no one would allow a baby to be handled in such a matter without contacting the authorities. The movie is predictable and that is part of its charm.

Frank Larrimore (Bob Hope) works at the UN and talks on the radio. A mother hears his speech and leaves her baby at the UN for him. While UN security searches for the mother, he's the one forced to take care of the baby.

This one allows Bob Hope to have a parade of international babes chasing him. The UN premise is a bit of ridiculous fun. It is missing the one scene where Bob Hope is being chased down the street by the crowd of beautiful international babes like The Beatles. I was not expecting a whole lot and I got that nothing more. One thing concerns me. The mom did not come back. That seems to be the better ending.

I'm a fan of Bob Hope, but I'm not a fan of baby movies. But since I am indeed a fan of Bob Hope and this movie only has 8 reviews at the time I am writing this, I've decided to watch it and then write a review. Okay, I am now going to watch the movie and I'll see you in the next paragraph.

Well, I watched it. It was kind of cute. A baby is abandoned and every country in the world wants to adopt it, including Russia who threatens nuclear war if they don't get the baby. Oh those wacky Russians.

Bob Hope is the one in charge of the baby. He gets to decide who gets it. In the meantime he has to take care of it. When the countries learn that he is a bachelor that loves women they each send a beautiful woman to persuade him to pick their country. The scene with the Russian woman is pretty good. It gets a little preachy at times, but over all they had good chemistry together I thought.

There are some beautiful women in this movie which always helps to make a movie more watchable. Think Elvis movies. In fact, this could have been an Elvis movie. Just unplug Bob Hope and plug in Elvis Presley and add a few lame songs. Bingo. You've got an Elvis movie.

There are a few cute scenes and a few cute lines. One of the cute lines: "Yesterday I was a bachelor and today I have a complete family....whatever happened to the honeymoon?" That's a cute line. But most of the lines are not as good as that one. The humor is just okay, nothing special.

Bob Hope was a man of the world at this point hobnobbing with presidents and making movies was undoubtedly boring to him, which is understandable. Once in a while he shows a little more energy, but not too often. He does look wonderful for his age though. He was 60 years old here and looked no older than 50. Too bad we can't all look that good at age 50. Superstars get all the breaks. And all the women, too. Bob would live another 40 years.

To sum up, it's okay for what it is. If you like Bob Hope by all means go ahead and watch it. The final lesson of the movie is one of hope for the world. Hope for a world of peace, understanding, and love.

It's unfortunate that a most intriguing idea about who does an abandoned infant left at the United Nations belong to was turned into a subpar Bob Hope comedy. Very few of Hope's films in the 60s compare with what he was doing for Paramount in the 40s and 50s.

In A Global Affair Bob plays a UN employee and is given charge of the infant and to make a decision which country gets the child. Hope's about the last person to be given this assignment as he's a confirmed bachelor with a reputation as a wolf. So a lot of countries hoping to score a propaganda coup send some of their best diplomats to make a pitch for their nation. And it just so happens that all of them are beautiful women appealing to Bob's baser instincts.

It all gets rather silly after a while. Even the baby starts to look bored with it all.

There was a good message there delivered by Hope in the end about nationalism being something that is acquired. Perhaps had a more serious approach been taken with the film it might have resonated. But you want serious in a Bob Hope comedy?

I'm a huge Bob Hope fan but this film's rather disappointing, rather dull, and not terribly funny. There are some amusing moments and recognizably-typical Hope lines but the premise is limited and proceeds slowly in spots, especially in the prolonged scene between Hope and Lilo Pulver, a Soviet sociologist featuring now-dated, propagandistic comments from both parties, and is tediously talky in nature. Mr. Hope himself looks trim and moves and speaks appealingly but aside from some of his lines, almost anybody else could've played the role. For a Hope comedy, it's not funny enough. Perhaps if some other actor was playing the part of Lattimore, it wouldn't've seemed so obvious, as not as much would've been expected, or been as desirably-dependent on a star's well-known personality. Hope, as always, is likeable and smooth but the plot and script don't give him much to work with. The movie, as mentioned, is dated. Almost noone watching today would recognize the silent cameo of Adlai Stevenson, a household name in his day. And, until recently, not many viewers would understand the U.S./Russia rivalry, as presented here with regard to the baby. In fact, the entire vehicle has a Cold War, pro-West propaganda feel to it--almost as if the U.N. cultural unit asked Hollywood to make such a feature, using the most patriotic American comedian then in existence, Bob Hope. In fairness, the star was trying new things by this point in his film career. He was getting older, and couldn't remain popular with audiences in the same way as he did during the studio system's heyday. By the time of "A Global Affair", Hope was playing a more mature type of suburban, middle-class American, usually a father or a businessman, or both, rather than a knockabout, wisecracking clown-type, great as he was in those earlier roles, often with songs and musical interludes. By 1964, all this was passe', and the comedian's movie roles began reflecting the changing, mid-20th century society of the country. In short, "Affair", though offering a potentially cute premise, doesn't really deliver much with it. The film screams for some big comedy moments, or, at least, a huge, hilarious ending but it was not to be. Although the storyline's clearly padded, more inventive, humorous situations might've saved it. Surprisingly, the movie picks up a little steam in the last quarter-hour, becoming livelier and a little funnier but, in truth, the film seems like an extended sketch from one of Bob's TV specials, where it might've come off better on a smaller, more intimate, screen.