Füge eine Handlung in deiner Sprache hinzuA photographer gives instructions on how to film nude women.A photographer gives instructions on how to film nude women.A photographer gives instructions on how to film nude women.
Darlene Bennett
- Girl Brushing Hair #1
- (Nicht genannt)
Dawn Bennett
- Girl Brushing Hair #2
- (Nicht genannt)
Rita Bennett
- Girl Running in Slow Motion
- (Nicht genannt)
Dolores Carlos
- Nude on Couch in Film
- (Nicht genannt)
Gigi Darlene
- Blonde with White Headband
- (Nicht genannt)
Carla Desmond
- Woman Exercising
- (Nicht genannt)
Marlene Eck
- Blonde Model
- (Nicht genannt)
Christy Foushee
- Nudist at Spartan's
- (Nicht genannt)
Paula Guest
- Nude on Couch in Film
- (Nicht genannt)
Anna Karol
- Girl Using Rewinds
- (Nicht genannt)
Roy Savage
- Vollyball Player
- (Nicht genannt)
Sandra Sinclair
- Nude Baseball Player
- (Nicht genannt)
Harry W. Stinger
- Volleyball Player
- (Nicht genannt)
Maria Stinger
- Blonde by Pool
- (Nicht genannt)
Nadja Swensen
- Nudist at Spartan's
- (Nicht genannt)
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Prolific softcore pornographer Barry Mahon slops out random out-takes and footage in this intrminable hour of nudes, all tastefully hiding full-frontal views from the audience, per censorship standards of the early 1960s.
Bob Meyer fronts the show as a self-deprecating cameraman presenting his amateurish work, of girls posing on a bed or doing domestic chores or preferably exercising. Also featuring endlessly boring nudist camp footage of exercising, playing volleyball, etc. Everything seems like cutting room floor material, "rescued" here.
Nothing wild and crazy, just worthless filler, an unwitting forerunner of how all-sex content would take over in the hardcore era (1970s and beyond), mirroring this all-nude approach during the softcore era when some semblance of story/fiction was still considered valuable in holding an audience's attention.
Bob Meyer fronts the show as a self-deprecating cameraman presenting his amateurish work, of girls posing on a bed or doing domestic chores or preferably exercising. Also featuring endlessly boring nudist camp footage of exercising, playing volleyball, etc. Everything seems like cutting room floor material, "rescued" here.
Nothing wild and crazy, just worthless filler, an unwitting forerunner of how all-sex content would take over in the hardcore era (1970s and beyond), mirroring this all-nude approach during the softcore era when some semblance of story/fiction was still considered valuable in holding an audience's attention.
Wusstest du schon
- Zitate
Bob Meyer: I put an ad in some of the art film and nature camp magazines and I was surprised at the number of replies I received. Besides several hundred girls willing to pose for me I got invitations to three or four nudist camps. And you'll see all the films I took of these girls and at the camps as we go along.
- VerbindungenEdited into Dusk to Dawn Drive-In Trash-o-Rama Show Vol. 9 (2002)
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Oberste Lücke
By what name was Crazy Wild and Crazy (1964) officially released in Canada in English?
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