IMDb-BEWERTUNG
7,5/10
1737
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA simple line attempts to woo his true love, a dot, away from the unkempt squiggle she prefers. But he'll have to learn to bend before she'll notice him.A simple line attempts to woo his true love, a dot, away from the unkempt squiggle she prefers. But he'll have to learn to bend before she'll notice him.A simple line attempts to woo his true love, a dot, away from the unkempt squiggle she prefers. But he'll have to learn to bend before she'll notice him.
- Regie
- Drehbuch
- Hauptbesetzung
- 1 Oscar gewonnen
- 1 Gewinn & 1 Nominierung insgesamt
Robert Morley
- Narrator
- (Synchronisation)
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10llltdesq
This short won an Academy Award and justly so. While others have said the scripted narration is not terribly good, I disagree. There are one or two excessively florid points, but Robert Morley's marvellous reading covers those and overall, the scripted narration is good. The animation succeeds in part because of the narration. Chuck Jones and Maurice Noble have every right to be well pleased with this cartoon. Why it isn't in print, I don't understand. Highly Recommended.
Experimental animators usually commit the mistake of thinking that experimentalism must be hermetical, non-objective, and abstract. Chuck Jones proves his point by making an animation film which brings characters and a storyline, but makes it look like a wild piece of experimental animation.
Without sound, the film would look like wild moving pieces. It's the narration and the soundtrack who do the trick. Weird non-objective mathematically abstract images who become human-like characters just with a little voice and music. Brilliant.
I'm personally impressed by this piece, since I saw it on TV as a kid, and instead of learning mathematics out of it, I decided to be an experimental animator. And I am one now :)
Without sound, the film would look like wild moving pieces. It's the narration and the soundtrack who do the trick. Weird non-objective mathematically abstract images who become human-like characters just with a little voice and music. Brilliant.
I'm personally impressed by this piece, since I saw it on TV as a kid, and instead of learning mathematics out of it, I decided to be an experimental animator. And I am one now :)
I truly have to admire the works of Chuck Jones. He made a name for himself directing Bugs Bunny shorts for Warner Brothers starting in the 1940's (although he directed many other animated shorts during that era,including animated training films for the U.S. government,some of which featured scripts written by Theodore S.Geisel,later to be known & loved by generations as Dr.Suess),moving on to creating The Road Runner in the 1950's,and moving on even further to working on directing animated programs for television in the 1960's,to animated feature fare in the 1970's. Every now & again, he would surprise us with something different & left of centre. 'The Dot And The Line:A Romance In Lower Mathematics',a short he directed for M-G-M in 1965 is a shining example of this. The story (read by veteran British actor,Robert Morley)is simple:a straight line is madly in love with a dot,who only cares for an abstract squiggle line. This causes the line to re-evaluate his position on things. The concept of abstract animation is by no means a new idea, but Jones (with assistance from co-director/co-writer Maurice Noble)manage to pull it off nicely (the idea for animating abstract images actually hearkens back to silent films in the 1920's,and later augmented by classical music in the 1930's & beyond). Well worth seeking out if you're idea of animation is something that is exclusively for children.
This opens with Cupid shooting at Dot and missing. Dot is not having Line who is way too straight. Dot is much more interested in having fun with Squiggle. The Line works to prove his worthiness. The big name here is legendary animator Chuck Jones who is the co-director. The narrator is noted actor Robert Morley. I think I remember seeing this some time in my childhood. It has the experimental style of the 60's. It's fun. I do have an idea for an extra scene. Line and Squiggle can have a shape-off. Like bodybuilders, they could pose into various shapes to entice Dot. That would be a great finale.
When I first read the book version of the Dot and the Line, I had to supply the voice and "music" in my imagination, but I thought the book was wonderful. Just a few lines on a page and some words, but it really was romance. The justification for the characters' behavior was so real! I felt for the Line from the very beginning, and hated his rival. My feelings for the Dot were mixed. I just kept wishing she would come to her senses and see the Line for the great guy that he really was! When I was able to view the animated version a few years later, I was happy to see that my own interpretation was pretty much spot-on. I did enjoy the music, and I enjoyed seeing my characters come to "life" as it were. The movie was a faithful rendering of the book, which to me is still a classic! I lent my copy to a friend over ten years ago, and have not gotten it back yet...it is still making the rounds and I hope, making many other people smile.
Wusstest du schon
- WissenswertesTo give the squiggle an unkempt appearance, the animation drawings were inked on rice paper. The ink bled, creating a textured line that was then photocopied onto cel.
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Details
- Laufzeit10 Minuten
- Seitenverhältnis
- 1.37 : 1
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